Artists have long been fascinated with the Greek myth of Orpheus, the gifted musician who rescues Eurydice from death only to lose her again in a moment of doubt. At its core, theirs is a story about love, trust and the redemptive potential of art. With Orpheus Alive, Choreographic Associate Robert Binet brings a fresh […]Find out more »
In this double-bill, discover the world’s first music drama works sung and narrated in the Indigenous languages Cree and Sámi, and rooted in those traditional legends from Canada and the Nordic countries. These cross-cultural odysseys examine how we live on earth, how we pass to the land of the dead, and the consequences of love […]Find out more »
It’s been called the “edge of the world.” The weather is wild, but the locals never lack for warmth. And it’s here, in Newfoundland, where a remote town became the epicentre of a remarkable true story filled with unusual characters, unexpected camaraderie and uncommon generosity. Come From Away is the breathtaking new musical that Toronto has […]Find out more »
Antonio Lotti was one of those important baroque composers whose name has been lost in the march of musical history. But as a contemporary of Bach and Handel, and the teacher of Zelenka, the Venetian Lotti was a significant figure in his day. Lotti’s Missa Sapientiae may not be well known today, but if you looked in […]Find out more »
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