“The news came as a complete surprise, and moved me tremendously,” said Hewitt.

Soundstreams explores Indigenous opera by bringing together Cree opera Pimooteewin and Gállábártnit, a new work in Sámi, in Two Odysseys.

The Canadian Opera Company have announced Midori Marsh of Cleveland, Ohio as First Prize and the Audience Choice Award at the Ninth Annual Ensemble Studio Competition of the Canadian Opera Company on October 30, 2019 at the Four Seasons Centre for Performing Arts.

ProArteDanza Artistic Director Roberto Campanella talks about the 10-year journey to complete the choreography for all four movements of Beethoven's 9th, culminating in the Toronto premiere of The 9th! in November 2019.

After three years as General Director (GD) of the Vancouver Opera, Kim Gaynor, is stepping down on November 1, 2019.

Soprano Ayleen Jovita Romero surprised her Santiago, Chile neighbourhood with an a capella version of “El derecho de vivir en paz” — or “The right to live in peace” — by composer Victor Jara, breaking the silence of a government-imposed curfew.

In Opera Atelier’s Don Giovanni, Marshall Pynkoski seeks to present a story that is capable of growth — something far from it being the relic of the past.

Ballet phenomenon Karen Kain will retire as Artistic Director of the National Ballet of Canada in January 2021.

Violinist Blake Pouliot talks about touring with the Canada-EU youth orchestra super group, and what his experience with the National Youth Orchestra (NYO) means to him today.

With two winning years in a row, the TSO are poised to look back at the frightening height of a $9.6 M deficit in 2013 with a new sense of confidence.