SCRUTINY | Musical Version Of Emma Donoghue’s ‘Room’ Misses The Mark
By Paula Citron on April 13, 2022
Why, oh why, must every book or film be turned into a musical?
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By Paula Citron on April 13, 2022
Why, oh why, must every book or film be turned into a musical?
(Continue reading)By Arthur Kaptainis on April 13, 2022
Marc-André Hamelin’s performance of Beethoven’s “Hammerklavier” Sonata Tuesday was the first for a Music Toronto audience since 2004.
(Continue reading)By Paula Citron on April 12, 2022
Sean Dixon’s new work 'Orphan Song' is one of the most unusual plays that I have ever seen.
(Continue reading)By Paula Citron on April 12, 2022
With compelling moments, the parts of American playwright Annie Baker’s 'The Antipodes' are greater than the whole.
(Continue reading)By Paula Citron on April 11, 2022
Exhilarating is the first word that came to mind at the end of the world premiere of George F. Walker’s 'Orphans for the Czar' at Crow’s Theatre.
(Continue reading)By Arthur Kaptainis on April 10, 2022
Five conductors for the price of one: It sounds like a good deal, and so it was Saturday night as the Toronto Symphony Orchestra launched its centennial celebrations in a well-packed Roy Thomson Hall.
(Continue reading)By Paula Citron on April 7, 2022
The Shaw's remount of Cyrano de Bergerac is enjoyable and gutsy, albeit with a slight blip.
(Continue reading)By Paula Citron on April 5, 2022
'An IMM-Permanent Resident' is a journey of genuine chuckles through the absurdities and vicissitudes of the Canadian immigration system.
(Continue reading)By Arthur Kaptainis on March 31, 2022
Good concert in Roy Thomson Hall Wednesday night by the visiting National Arts Centre Orchestra under Alexander Shelley.
(Continue reading)By Paula Citron on March 30, 2022
Daniel Brooks' new solo show 'Other People' is defiant, courageous, gutsy — use any word you want — in facing death head on.
(Continue reading)