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By John Terauds on November 5, 2016
After 140 years, Mendelssohn's Elijah still packs a punch with Pax Christi Chorale’s innovative interpretation featuring soloists from Toronto's Bicycle Opera.
(Continue reading)By Brian Chang on November 3, 2016
Danny Elfman’s Music from the Films of Tim Burton with the TSO provides a hoot of an afternoon of music.
(Continue reading)By John Terauds on November 3, 2016
At the first performance of its 35th-anniversary programme on Wednesday night, the Tafelmusik Chamber Choir sang lyrics in French that perfectly encapsulated its way of seducing us year after year: “The more pleasure requires care; the more it enchants.”
(Continue reading)By Will Pearson on October 31, 2016
Music has been a major theme in nearly all the novels of Haruki Murakami – you can even find playlists on the Internet based on the listening habits of his characters — and this is a reflection of the obsessive passion the Japanese writer has for music, especially jazz and classical.
(Continue reading)By Paul E. Robinson on October 31, 2016
Daniele Gatti marks the beginning of his tenure with the Royal Concertgebouw Orchestra with the release of a live recording from a concert at the Concertgebouw Amsterdam on March 31, April 1 & 3 2016.
(Continue reading)By Tyler Versluis on October 28, 2016
Esprit Orchestra distils the immense legacy of R. Murray Schafer with a focus on his vulnerable side.
(Continue reading)By Arthur Kaptainis on October 28, 2016
Kristjan Järvi makes his Toronto Symphony Orchestra debut with a sampling of music from, and inspired by the “Roaring Twenties”.
(Continue reading)By John Terauds on October 26, 2016
It’s too bad that, in a city that offers music lovers many choices and opportunities every night of the week, that one can’t be satisfied with an A for effort.
(Continue reading)By Joseph So on October 25, 2016
Toronto Bel Canto Opera Fans may think they have died and gone to heaven. Two great exponents of Norma, both in Toronto, to sing in the current production at the Canadian Opera Company. Talk about an embarrassment of riches!
(Continue reading)By Paul E. Robinson on October 23, 2016
With this exciting performance, its well-judged transitions and resounding but perfectly-balanced climaxes, Richard-Hamelin confirms his growing reputation as a Chopin interpreter.
(Continue reading)
