Matsuev knew when to take his time and when to dazzle with speed in this impressive return to the Toronto stage for the renowned Russian virtuoso.

In a year full of Beethoven, these workshop scrapings exert a haunting fascination. Vetter’s the one to try.

Sondra Radvanovsky, an impeccable orchestra, and fanciful staging make COC's Rusalka a not-to-be-missed highlight of the opera season.

In this hour-long musical monologue, Amplified Opera presents a mixed bag of opera ladies.

What makes The Flick so remarkable is that over three hours, nothing really much happens. This is all about the small moments.

Rarely has music so accurately reflected a moment in history, projecting and preserving it for all time. Indispensable? That might be an understatement.

Gustavo Gimeno brings his strong sense of rhythmic, pulsative musicality, along with a supple freedom to his new role as the TSO’s musical director in an interesting and even provocative evening of music.

Lieder and art songs are great, but there’s nothing quite like a recital with all the operatic “big guns” sung by a big voice like soprano Marjorie Owens.

Johannes Moser and Alisdair Beatson offer a rare opportunity to hear both Mendelssohn siblings in one superb recording.

Montreal’s Trio Fibonacci earned a standing ovation in an afternoon concert with a mixed program of Beethoven, Rachmaninoff, Arbós, McKinley, and Brasset hosted by the Women’s Musical Club of Toronto