Associate Conductor Jennifer Lee on the Toronto Mendelssohn Choir’s Singsation Saturdays and the enduring music of Haydn.

How Jennifer Nichols plans to take Tafelmusik's Haus Musik to a new level without tampering with what makes the music great in the first place.

She started playing the piano when she was two, the violin when she was three. At four, she started composing. Who is this wunderkind? Why it’s Alma Deutscher of course, currently the most celebrated Child Prodigy in the world.

Salvatore Sciarrino, the highly respected and widely performed Italian composer, is coming to Toronto and is bringing with him a whole week of new music.

It wasn’t so long ago that the contemporary thing in music is the thing which didn't make enough of a difference to accept or reject. New music was something weird and strange – a musical anomaly merely tolerated by most of the worlds leading soloist, orchestras and arts presenters. But I think people have realized now that all music is contemporary, if it's alive. If it were not alive, then what would be the point?...

We had a chance to chat with Toronto-based flautist Terry Lim, about the Toronto's brand new Flute Quintet, Charm Of Finches.

“When you’re out of school and starting a career, is when you need help the most.” Ann Summers Dossena dishes on the importance of supporting your career with a community.

Tanya Tagaq teams up with the Element Choir this week at Trinity St. Paul's. Here's why we think this is a special one.

We show our love of particular pieces in a variety of ways. We put the track on infinite loop in the background, we bring the score with us to follow along in concerts, or we perform it as often as possible. Soundstreams shares with us its reverence for Vivaldi with violinist Daniel Hope and Max Richter reimagining of this iconic work.

Lydia Adams walks us through the Amadeus Choir’s Conductor’s Workshop, and explains why this has annual tradition has become such a valuable tool for choral conductors on the rise.