FITS & BURSTS | Jan Lisiecki’s star shines brightly with TSO: review

By Michael Vincent on November 14, 2014

A symphony concert featuring Beethoven and Mozart is as regular as regular gets. But when you combine it with the young piano dynamo Jan Lisiecki, visiting Danish conductor Thomas Dausgaard and clinch it with Carl Nielsen’s Fourth Symphony, you have something much more interesting.

REVIEW | The Dover Quartet flexes their brawn at the Women’s Musical Club of Toronto

By Robin Elliott on November 14, 2014

REVIEW | A near-perfect blending of music, poetry and whimsy

By Michael Vincent on November 8, 2014

In a 1950s interview with Robert Craft, Igor Stravinsky was asked to give his opinion about the use of music as accompaniment to recitation. His response: “Do not ask, sins cannot be undone, only forgiven.” Despite Stravinsky’s misgivings, the Art of Time Ensemble (whose aim is to go beyond the classical repertoire) opened its 15th season on Friday night, with a fascinating and varied look at how music and the written word have collided and intersected throughout the ages. Following a series of recited poems, sung poems, tone poems, poets as musicians and musicals inspired by poetry, it was a variety show approach that rapidly swung back and forth from light entertainment to deeply affecting music...

REVIEW | Toronto Symphony Orchestra resurrects Elgar’s the Dream of Gerontius

By Michael Vincent on November 3, 2014

Arguably Eglar’s strongest work, the Dreams of Gerontius is a kind of sacred cantata-oratorio conjured up from the depths of pre-world War I turmoil. It is an important creative triumph for Elgar, and proved he could write religious music on par with the greats, such as Bach, Handel, Mozart, Beethoven and Verdi. The piece is rarely heard outside of Europe, and seeing it on the Toronto Symphony Orchestra season’s line-up against the usual pork and beans repertoire is pleasant surprise for those of us who would like to hear more than his Pomp and Circumstance Marches or Enigma Variations.

CONCERT REVIEW | Rafał Blechacz: Gold, but not burnished

By Neil Crory on October 20, 2014

The much-anticipated Toronto debut of the $300,000.00 pianist - Rafał Blechacz - took place on Sunday afternoon at Koerner Hall. The near capacity audience was treated to a somewhat old-fashioned programme which included Bach's Italian Concerto, Beethoven's "Pathétique" Sonata and, after intermission, a collection of diverse works by Frédéric Chopin.

CONCERT REVIEW | London Philharmonic Orchestra spellbinds Toronto (via the Toronto Star)

By Michael Vincent on October 18, 2014

As some have already heard - I have recently been asked to join the Toronto Star to contribute reviews and advise them on upcoming shows. I will keep Music Toronto readers up to speed as they appear. Unfortunately I am not allowed to print it in full on Musical Toronto, but we can post an excerpt and link.

THE MORNING AFTER | Hello, Isabel

By Lev Bratishenko on September 22, 2014

I spent most of the ride to Kingston trying to control my blinking. I don’t want to scare people. They already expect weird things from journalists, but I always maintain high standards of appearance and behaviour to correct the stereotype of us as boozing half-starved apes. Unfortunately I had been up until dawn drinking and digging for beetles to eat. And now it was raining. Or I was crying, I’m not sure. Functionally non-human, I hurtled towards Kingston in a grey damp tunnel. It was hopeless—there was nothing to look forward to, the concert was Ravel and Schumann with Dvorak after for those who endured the first half. If I had been able to stand up, I should have thrown myself from the train.

CRITIC’S PICKS | 10 Musical Outings You Absolutely Must Do This Week

By Michael Vincent on September 15, 2014

MIMC Spanish Fiesta serves up sweet musical desserts

By Michael Vincent on August 17, 2014

Anne-Sophie Mutter's, Virtuosi to make Canadian début in Toronto

By Michael Vincent on August 16, 2014