THE MORNING AFTER | Excerpts from the Freya Grimhands Method of Piano Instruction
By Lev Bratishenko on October 9, 2014
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By Lev Bratishenko on October 9, 2014
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By Lev Bratishenko on September 22, 2014
I spent most of the ride to Kingston trying to control my blinking. I don’t want to scare people. They already expect weird things from journalists, but I always maintain high standards of appearance and behaviour to correct the stereotype of us as boozing half-starved apes. Unfortunately I had been up until dawn drinking and digging for beetles to eat. And now it was raining. Or I was crying, I’m not sure. Functionally non-human, I hurtled towards Kingston in a grey damp tunnel. It was hopeless—there was nothing to look forward to, the concert was Ravel and Schumann with Dvorak after for those who endured the first half. If I had been able to stand up, I should have thrown myself from the train.
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