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Ludwig Van
Toronto Montreal

LEBRECHT LISTENS | The Lebrecht Album Of The Year 2017 Goes To...

By Norman Lebrecht on December 15, 2017

In these diminished times, any year that yields a couple of releases that can rank with, and perhaps displace, the legends of recording history must be counted a good one. On these terms, 2017 was a pretty good vintage. There was an impressive Berlioz Requiem from Erato, a Hänssler retrieval of the last known recital of Dietrich Fischer-Dieskau, the first in a promising Chandos series of the orchestral works of Richard Rodney Bennett and, at the opposite end of the scale, a Jonas Kaufmann assault on both tenor and mezzo parts of Das Lied von der Erde — a Sony production of such epic awfulness on every front, including sound quality, that it will stand the test of time in my cabinet of deathless horrors.

Not a bad year, then, and for the piano absolutely epic. We witnessed the return, after long absences, of Evgeny Kissin in Beethoven and Krystian Zimerman in Schubert. Daniil Trifonov came up with a quirky and original way to present Chopin. Steven Osborne did almost enough on Hyperion to cure my Debussy aversion. Sony published the out-takes of Glenn Gould’s first set of Goldberg Variations. And we received the complete keyboard works of J S Bach on Erato from the extraordinary Zuzana Ruzickova, who sadly died in September at the age of 90. Each and any of these would contend for record of the year in any vintage year.

It boils down to a shortlist of three DG pianists at the peak of their powers — Kissin among the summits of Beethoven, Trifonov defining a soundworld that is distinctively his own and Zimerman contriving to persuade us that Schubert, in his last year of life, was anything but a man with death on his mind. The Polish pianist’s reading of two late sonatas is so thoughtful, so fundamentally rethought, that we start to see Schubert as a different person, a young man with great anxieties, grappling with the densities of creation. I keep returning over and again to listen to this performance. It is, without qualm, my album of the year.

Krystian Zimerman: Schubert: Sonatas (DG) is available at amazon.ca and iTunes.

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Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.
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LEBRECHT LISTENS | TSO's Celebratory Vaughan Williams Is A Desert Island Disc

By Norman Lebrecht on June 8, 2018

This celebratory release completing Peter Oundjian's fourteen-year tenure as Music Director of the TSO is a fitting tribute to his legacy.
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CMIM 2018 | Day Two: Aria Competition First Round (Sessions 1 & 2) Inches Closer To Semi-Finals

By Joseph So on May 31, 2018

Ludwig van Toronto continues our coverage from the 2018 Concours musical international de Montréal, which yesterday saw 16 singers battle it out in the Aria Division.
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RECORD KEEPING | Alexei Ogrintchouk Provides A Convincing Argument For Late Era Richard Strauss

By Paul E. Robinson on May 30, 2018

This new recording with Alexei Ogrintchouk, principal oboist of the Royal Concertgebouw Orchestra, accompanied by colleagues from the RCO and conducted by Andris Nelsons. offers a detailed and intense performance of Richard Strauss later works.
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