SCRUTINY | Mirvish’s Canadian & Juliet Is A Runaway Hit
By Anya Wassenberg on December 16, 2025
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By Anya Wassenberg on December 16, 2025
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By Anya Wassenberg on December 11, 2025
A rebuke against corporate monopolies and greed, a clash of personalities, and a story of generational family dysfunction combine the thoroughly entertaining Rogers v. Rogers.
(Continue reading)By Denise Lai on December 11, 2025
Celebrated tenor Andrea Bocelli performed at Hamilton’s brand new TD Coliseum as the only Canadian stop on his 2025 world tour.
(Continue reading)By Paula Citron on December 10, 2025
The Woman in Black at Toronto's CAA Theatre proves, yet again, that terror thrives in darkness — and in the stories we tell ourselves when the lights begin to fade.
(Continue reading)By Michelle Assay on December 9, 2025
A forbidding, clinically white stage is not what comes naturally to mind for A Midsummer Night’s Dream in the candlelit Sam Wanamaker Playhouse.
(Continue reading)By Paula Citron on December 8, 2025
The production of We Will Rock You currently playing in Toronto is definitely entertaining, well performed, holds up well and is certainly dazzling to watch.
(Continue reading)By Paula Citron on December 5, 2025
A a | a B : B E N D, the joint creation of New York–based Canadian choreographer Aszure Barton and American composer and trumpeter Ambrose Akinmusire, is a daring piece
(Continue reading)By Paula Citron on December 2, 2025
An unsentimental approach to The Sound of Music at Mirvish reveals the musical’s original spirit, and in doing so, it got to me in ways I had not anticipated.
(Continue reading)By Ludwig Van on December 2, 2025
Esprit Orchestra is in Toronto unique in producing a distinctive sonic style that can be heard and enjoyed in all of their concerts, including this opening to their 43rd season.
(Continue reading)By Ludwig Van on December 1, 2025
Lauren Gillis and Alaine Hutton return with a comment on #MeToo, obscenity and AI with Lester Trips (Theatre)’s Public Consumption, presented by Factory Theatre.
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