Electronic treatment of orchestral sound in concerts is rare so O’Callaghan’s multi-speaker, surround-sound blending of transformed orchestral sound with computer sound files radiates new sonic dimensions. Changing meters rapidly and scurrying all over the place, Adams’ score is riveting and full of surprises. Schnittke looms large in recent music history and his remarkable Concerto Grosso No.1 reveals […]Find out more »
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