Ahead of the first of four concerts with Tafelmusik in his Toronto début this week, fortepiano master Kristian Bezuidenhout eloquently answered questions about what makes his instrument different from a modern concert grand.
He is a remarkable eloquent advocate. Here is about a third of our interview, roughly cut so that I could get this out ahead of Thursday first performance at Jeanne Lamon Hall, Trinity-St Paul’s Centre.
For more information on the concerts themselves, click here.
John Terauds