Using a reproduction of a Scarlatti-era harpsichord (from about two centuries later), Wilson walks us through an unusual set of pieces, referred to as Glosas. They are all transcriptions and reminiscences of the great works of choral polyphony of the time: 16 by father Antonio that start with Ayme qui vouldra by Nicolas Gombert.
Wilson has chosen a largely secular repertorie that also includes four works by son Hernando (1541-1602), one of which is a beautiful, sacred take on Ave maris stella with no firm attribution. Brother Juan is represented by the final two pieces.
All of this music requires the interpreter to recreate four, five or even six discernible voices moving together through the music, something Wilson does with great clarity, even if the result is a bit square-edged at times.
This is one of those bits of arcana that becomes more and more interesting with each listen.
For all the details, click here.
Here is a little teaser prepared by Naxos in Holland:
John Terauds