\u201c… the most influential jazz pianist of the last 20 years.\u201d (The New York Times)<\/p>\n
Grammy Award-winning jazz pianist Brad Mehldau has been called \u201ca renaissance artist at the height of his powers\u201d (BBC) and \u201cthe greatest working jazz pianist\u201d (The New Yorker). He is first and foremost an improviser but also has a deep fascination for the formal architecture of music, with the structure of his musical thought serving as an expressive device.<\/p>\n
He has worked alongside several great jazz artists, including Joshua Redman, Pat Metheny, Charlie Haden, Michael Brecker, Wayne Shorter, John Scofield, and Charles Lloyd, among others. For more than a decade, he has collaborated with several musicians and peers, including the guitarists Peter Bernstein and Kurt Rosenwinkel, and tenor saxophonist Mark Turner. Mehldau also has played on a number of recordings outside of the jazz idiom, like Willie Nelson\u2019s Teatro and singer-songwriter Joe Henry\u2019s Scar. His music has appeared in several movies, including Stanley Kubrick\u2019s Eyes Wide Shut and Wim Wender\u2019s Million Dollar Hotel.<\/p>\n
For his return to Koerner Hall, Mehldau performs an evening of solo piano, including a new work which was commissioned by The Royal Conservatory, Wigmore Hall (London), Cal Performances (UC Berkeley), and Carnegie Hall. In this newly commissioned work, 14 Reveries, Mehldau reflects on the interior experience that we create from our own consciousness, independently of others. Written from a similar impulse as his Suite: April 2020, 14 Reveries is a meditation on the space a composer leaves between specific directions that lets the beauty of the music reveal itself, while still allowing new discovery. The second half of the concert will include selections from his album Suite: April 2020 and further works to be announced from the stage.<\/p>\n","protected":false},"excerpt":{"rendered":"
Grammy Award-winning jazz pianist Brad Mehldau has been called \u201ca renaissance artist at the height of his powers\u201d (BBC) and \u201cthe greatest working jazz pianist\u201d (The New Yorker).<\/p>\n","protected":false},"author":1,"featured_media":99816,"comment_status":"open","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"tags":[],"tribe_events_cat":[5024],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tribe_events\/99814"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=99814"}],"version-history":[{"count":1,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tribe_events\/99814\/revisions"}],"predecessor-version":[{"id":99815,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tribe_events\/99814\/revisions\/99815"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/99816"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=99814"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=99814"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tribe_events_cat?post=99814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}