{"id":72747,"date":"2021-10-26T19:56:50","date_gmt":"2021-10-26T23:56:50","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?post_type=tribe_events&#038;p=72747"},"modified":"2021-10-26T19:56:50","modified_gmt":"2021-10-26T23:56:50","slug":"toronto-symphony-orchestra-string-showcase","status":"publish","type":"tribe_events","link":"https:\/\/www.ludwig-van.com\/toronto\/event\/toronto-symphony-orchestra-string-showcase\/2021-11-17\/","title":{"rendered":"Toronto Symphony Orchestra | String Showcase"},"content":{"rendered":"<p>Some of the most stunningly beautiful works in all of classical music will stir the soul as the TSO\u2019s fabulous strings and harp take centre stage. Mahler\u2019s heart-rending\u00a0<em>Adagietto<\/em>\u00a0from his Symphony No. 5 utterly captivates and seemingly stops time. An 11th-century poem by Omar Khayy\u00e1m inspired pop-influenced grooves in the music of Dinuk Wijeratne, and<em>\u00a0<\/em>Kelly-Marie Murphy\u2019s\u00a0<em>Rains of Ash and Embers<\/em>\u00a0extols Canada\u2019s natural wonders while contemplating our role in preserving them. A brief but life-changing moment between two young lovers plays out amid a backdrop of moonlit trees and unabashedly sensuous music in Schoenberg\u2019s\u00a0<em>Verkl\u00e4rte Nacht<\/em>\u00a0(<em>Transfigured Night<\/em>).<\/p>\n<p><strong>Program<\/strong><\/p>\n<p>Caroline Shaw:\u00a0Boris Kerner<br \/>\nDinuk Wijeratne: \u201cA Letter from the After-life\u201d from\u00a0Two Pop Songs on Antique Poems<br \/>\nKelly-Marie Murphy:\u00a0Rains of Ash and Embers<br \/>\nMahler: Adagietto from Symphony No. 5<br \/>\nSchoenberg:\u00a0Verkl\u00e4rte Nacht\u00a0(Transfigured Night) (String Orchestra Version, 1943)<\/p>\n<p><strong>Performers<\/strong><\/p>\n<p>Gustavo Gimeno, conductor<br \/>\nJoseph Johnson, cello<br \/>\nCharles Settle, percussion<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some of the most stunningly beautiful works in all of classical music will stir the soul as the TSO\u2019s fabulous strings and harp take centre stage. Mahler\u2019s heart-rending\u00a0Adagietto\u00a0from his Symphony No. 5 utterly captivates and seemingly stops time. An 11th-century poem by Omar Khayy\u00e1m inspired pop-influenced grooves in the music of Dinuk Wijeratne, and\u00a0Kelly-Marie Murphy\u2019s\u00a0Rains [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":72748,"comment_status":"open","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"tags":[],"tribe_events_cat":[6487],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tribe_events\/72747"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=72747"}],"version-history":[{"count":1,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tribe_events\/72747\/revisions"}],"predecessor-version":[{"id":72749,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tribe_events\/72747\/revisions\/72749"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/72748"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=72747"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=72747"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tribe_events_cat?post=72747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}