{"id":99072,"date":"2023-09-12T10:43:50","date_gmt":"2023-09-12T14:43:50","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=99072"},"modified":"2023-09-27T10:15:26","modified_gmt":"2023-09-27T14:15:26","slug":"scrutiny-tiff23-ian-mckellen-leads-strong-cast-in-the-critic-a-dark-story-set-in-londons-theatre-world","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2023\/09\/12\/scrutiny-tiff23-ian-mckellen-leads-strong-cast-in-the-critic-a-dark-story-set-in-londons-theatre-world\/","title":{"rendered":"SCRUTINY | TIFF23: Ian McKellen Leads Strong Cast In The Critic, A Dark Story Set In London\u2019s Theatre World"},"content":{"rendered":"<figure id=\"attachment_99073\" aria-describedby=\"caption-attachment-99073\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-99073\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/Copy-of-REVIEW-17.jpg\" alt=\"Ian McKellen in The Critic (Photo courtesy of TIFF)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/Copy-of-REVIEW-17.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/Copy-of-REVIEW-17-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/Copy-of-REVIEW-17-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/Copy-of-REVIEW-17-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-99073\" class=\"wp-caption-text\">Ian McKellen in The Critic (Photo courtesy of TIFF)<\/figcaption><\/figure>\n<p>London\u2019s theatre world is the setting for The Critic, a world premiere at TIFF23 that stars Ian McKellen as the titular newspaper scribe. It\u2019s a story that evokes the nostalgia of a time when print was king, and theatre reviews were typed up late at night and delivered by hand before the printing presses got going the next morning.<\/p>\n<p>In its story of blackmail and intrigue, however, the period has echoes that resonate to our own time<\/p>\n<h3>The Story<\/h3>\n<p>As The Critic opens, David Brooke (Mark Strong) is taking over the London Chronicle after the death of his father. It\u2019s 1934 in London, and the newspaper\u2019s old guard includes Jimmy Erskine, the drama critics and an old reprobate played by Ian McKellen.<\/p>\n<p>Brooke talks about new directions, reinvigorating the faltering paper \u2014 in short, getting rid of just the kind of florid prose and bombast that Jimmy specializes in. It doesn\u2019t help his cause that Jimmy\u2019s an unrepentant gay man with what we\u2019ll call broad sexual tastes in a time when his very existence was illegal.<\/p>\n<p>It turns out that Brooke is in a bad marriage, and harbours a secret flame for an actress by the name of Nina Land (Gemma Arterton), someone who\u2019s been the subject of Jimmy\u2019s vitriol in print on many occasions. Jimmy sees a way to secure his professional future and squeeze Nina while he\u2019s at it. Nina, in turn, is in love with Stephen Wyley (Ben Barnes), a married painter.<\/p>\n<figure id=\"attachment_99075\" aria-describedby=\"caption-attachment-99075\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-99075 size-full\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/TIFF23-Ian-McKellen-and-Gemma-Arterton-in-The-Critic2.jpg\" alt=\"Ian McKellen and Gemma Arterton in The Critic (Photo courtesy of TIFF)\" width=\"1200\" height=\"600\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/TIFF23-Ian-McKellen-and-Gemma-Arterton-in-The-Critic2.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/TIFF23-Ian-McKellen-and-Gemma-Arterton-in-The-Critic2-300x150.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/TIFF23-Ian-McKellen-and-Gemma-Arterton-in-The-Critic2-1024x512.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/TIFF23-Ian-McKellen-and-Gemma-Arterton-in-The-Critic2-768x384.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-99075\" class=\"wp-caption-text\">Ian McKellen and Gemma Arterton in The Critic (Photo courtesy of TIFF)<\/figcaption><\/figure>\n<p>What Jimmy initiates is a domino effect of unforeseen consequences that rapidly spin out of control. It&#8217;s part thriller, part drama, and at time, an excruciating character study of what people will do under pressure. In attempting to desperately keep hold of their passions in tumultuous times, Jimmy, Nina, Stephen and David all become vulnerable to their own secrets and desires, and the domino effect and inexorable fate that eventually envelops them all.<\/p>\n<p>The Critic unfolds against the rise of fascism in Europe and on British soil, giving it a tone that draws parallels to our own era. It\u2019s homophobia and intolerance that set the wheels in motion.<\/p>\n<h3>The Cast &amp; Creatives<\/h3>\n<p>It&#8217;s the performances that make the story so compelling.\u00a0Ian McKellen is perfection as Jimmy, an out-sized and unapologetic character who can\u2019t quite see or appreciate the real dangers he\u2019s flirting with. Jimmy\u2019s nickname is The Beast, and he revels in both his often vicious reviews and his hedonistic lifestyle. McKellen is larger than life, and entirely convincing, in the role of an anti-hero. While the plot clearly places Jimmy in a vulnerable position, it\u2019s also not afraid to reveal a distinctly unlikable side to his character.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/mGhBzsKM89I?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>Gemma Arterton draws out the vulnerability of an aging stage actress, and is perhaps the most sympathetic of the characters. Both Ben Barnes and Mark Strong make the most of less prominent roles. Strong, in particular, has a gift for conveying the tortured emotions underneath a classic British stiff upper lip.<\/p>\n<p>The Critic is directed by Anand Tucker (2010&#8217;s Leap Year), and was adapted by Patrick Marber from the novel Curtain Call by Anthony Quinn. The era is evoked in dark cinematography, with period sets and costumes in a sombre palette, giving the film a distinctly theatrical look. It sets the tone for the drama that unravels.<\/p>\n<p>There is one more TIFF screening on September 13; tickets <strong><a href=\"https:\/\/tiff.net\/events\/the-critic\" target=\"_blank\" rel=\"noopener\">here<\/a><\/strong>.<\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig van Daily \u2014 classical music and opera in five minutes or less <\/em><a href=\"https:\/\/ludwig-van.us9.list-manage.com\/subscribe?u=4f785cb3f9058f2393ccad035&amp;id=57cdb68eac\" target=\"_blank\" rel=\"noopener\"><em>HERE<\/em><\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>London\u2019s theatre world is the setting for The Critic, a world premiere at TIFF23 that stars Ian McKellen as the titular newspaper scribe.<\/p>\n","protected":false},"author":64,"featured_media":99073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[40430,23,52,59,62,63],"tags":[40764,40763,30394],"yst_prominent_words":[10449,21054,30526,13841,12857,8986,10395],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/09\/Copy-of-REVIEW-17.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-pLW","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/99072"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=99072"}],"version-history":[{"count":5,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/99072\/revisions"}],"predecessor-version":[{"id":99320,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/99072\/revisions\/99320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/99073"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=99072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=99072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=99072"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=99072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}