{"id":9663,"date":"2013-05-26T07:07:21","date_gmt":"2013-05-26T12:07:21","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=9663"},"modified":"2013-05-26T07:07:21","modified_gmt":"2013-05-26T12:07:21","slug":"there-is-a-lot-more-to-composer-charles-gounod-than-the-opera-faust","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2013\/05\/26\/there-is-a-lot-more-to-composer-charles-gounod-than-the-opera-faust\/","title":{"rendered":"There is a lot more to composer Charles Gounod than the opera Faust"},"content":{"rendered":"<p><a href=\"http:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2013\/05\/gounod.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-12646\" alt=\"gounod\" src=\"http:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2013\/05\/gounod.jpg\" width=\"720\" height=\"875\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2013\/05\/gounod.jpg 720w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2013\/05\/gounod-246x300.jpg 246w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p>The Toronto Mendelssohn Choir has spent the first five months of 2013 singing religious music for concert settings: the Brahms German <em>Requiem<\/em>, Beethoven&#8217;s <em>Missa Solemnis<\/em> and Rossini&#8217;s <em>Petite Messe Solennelle<\/em>. This made me wonder about grand Mass settings that do fit into churches. Pieces such as Charles Gounod&#8217;s <em>Messe Solennelle en l&#8217;honneur de Sainte C\u00e9cile<\/em>, completed 8 years before Rossini&#8217;s.<!--more--><\/p>\n<p>Born 195 years ago in June, Gounod is best remembered as the composer of the operas <em>Faust<\/em> and <em>Rom\u00e9o et Juliette<\/em>. This devout man also wrote a lot of sacred music, including several large settings of the Mass, cantatas, oratorios and, in the last year of his life in 1893, a <em>Requiem<\/em>.<\/p>\n<p>He also wrote two symphonies in the mid-1850s and a small handful of gorgeous chamber pieces (some recorded by Toronto&#8217;s <a href=\"http:\/\/www.catherinewilson.com\" target=\"_blank\">Ensemble Vivant<\/a>).<\/p>\n<p>Gounod was hugely popular and loved in this day. Camille Saint-Sa\u00ebns played the organ and Gabriel Faur\u00e9 conducted the choir at Gounod&#8217;s funeral, at the Madeleine in Paris.<\/p>\n<p>A sunny Sunday is a great excuse to be introduced to a bit of non-operatic Gounod &#8212; something like his <em>St Cecilia Mass<\/em>, which dates from 1855, followed by a bit of chamber music.<\/p>\n<p>This is an excellent recording featuring soprano Barbara Hendricks, tenor Laurence Dale and baritone Jean-Philippe Lafont with the orchestra and choir of Radio France and organist Jean-Louis Gil. The conductor is Georges Pr\u00eatre:<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/KCwtFpXSaY4\" height=\"113\" width=\"150\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>To switch to the salon for a moment, here are two madrigals by Gounod based on fairy tales by Jean de La Fontaine &#8212; &#8220;La cigale et la fourmi&#8221; and &#8220;Le corbeau et le renard&#8221; &#8212; sung by tenors Laurence Dale and Jean-Paul Fouch\u00e9court, baritone Fran\u00e7ois Le Roux and bass Jean-Philippe Courtis:<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/BIDgZOMSyvs\" height=\"113\" width=\"150\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>And here is a song, &#8220;Le soir,&#8221; sung by tenor S\u00e9bastien Romignon Ercolini, with Yoan Hereau accompanying:<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/Ou3XCLC15Mo\" height=\"113\" width=\"150\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>This is one of Gounod&#8217;s short Mass settings &#8212; <em>Missa Brevis No. 7<\/em> &#8212; performed by the choir and orchestra &#8220;Il Castello&#8221; di Rivoli in Italy:<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/uptvFi1gq3c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>For more reading, there is a not-bad website dedicated to Charles Gounod <a href=\"http:\/\/www.charles-gounod.com\/vi\/\" target=\"_blank\">here<\/a>, but it&#8217;s been nearly a year since the last update.<\/p>\n<p>And, to close, here is Gounod&#8217;s <em>Funeral March of a Marionette<\/em>, used by Alfred Hitchcock as the opening theme for his 1955-1965 TV series, played here by Canadian Marc-Andr\u00e9 Hamelin:<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/UH5pqhS5Ozw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p><em>John Terauds<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Toronto Mendelssohn Choir has spent the first five months of 2013 singing religious music for concert settings: the Brahms German Requiem, Beethoven&#8217;s Missa Solemnis and Rossini&#8217;s Petite Messe Solennelle. This made me wonder about grand Mass settings that do fit into churches. Pieces such as Charles Gounod&#8217;s Messe Solennelle en l&#8217;honneur de Sainte C\u00e9cile, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":12646,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[3,10,11,12,18,36,47,53,56,1,70],"tags":[722,1364,2131,2298],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2013\/05\/gounod.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-2vR","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/9663"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=9663"}],"version-history":[{"count":0,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/9663\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/12646"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=9663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=9663"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=9663"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=9663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}