{"id":91634,"date":"2023-01-09T12:17:07","date_gmt":"2023-01-09T17:17:07","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=91634"},"modified":"2023-01-13T09:12:24","modified_gmt":"2023-01-13T14:12:24","slug":"report-women-making-inroads-contemporary-classical-music-according-stats","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2023\/01\/09\/report-women-making-inroads-contemporary-classical-music-according-stats\/","title":{"rendered":"REPORT | Women Making Inroads In Contemporary Classical Music According To Stats"},"content":{"rendered":"<figure id=\"attachment_91639\" aria-describedby=\"caption-attachment-91639\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-91639\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/01\/Classical-Muisc-2022-REPORT-33.jpg\" alt=\"Lithograph on chine coll\u00e9 depicting Palestrina, circa 1858 Print made by: Jean Aubert; Published by Goupil (Public domain)\" width=\"1200\" height=\"628\" \/><figcaption id=\"caption-attachment-91639\" class=\"wp-caption-text\">Lithograph on chine coll\u00e9 depicting Palestrina, circa 1858 Print made by: Jean Aubert; Published by Goupil (Public domain)<\/figcaption><\/figure>\n<p>As classical music returned to the stage in 2022, a report suggests that the new normal includes a greater focus on gender equality and modern composers. The information comes from <a href=\"https:\/\/cdn.bachtrack.com\/files\/293747-Annual%20classical%20music%20statistics%202022.pdf\" target=\"_blank\" rel=\"noopener\">Bachtrack.com<\/a>, a European-based website focusing on classical music, including a large and ongoing database of live music listings.<\/p>\n<p>In 2022, the site published listings for 27,124 distinct events, which breaks down into approximately 14,000 concerts, 9,000 opera performances, and almost 4,000 dance performances. In 2019, pre-pandemic, the total figure was 34,648, evidence that the new normal isn\u2019t quite up to normal levels yet.<\/p>\n<p>While the data is admittedly limited in scope, the numbers nonetheless allowed the organization to make observations that they call statistically significant.<\/p>\n<h2>Canadians on the list<\/h2>\n<p>The listings only cover the places where the website\u2019s listings are relevant, including Europe, the UK, and the US. Notably, it does not include Canada; however, a few Canadians managed to make the list all the same.<\/p>\n<h3>The top ten busiest conductors<\/h3>\n<ol>\n<li>Andris Nelsons<\/li>\n<li><strong>Yannick N\u00e9zet\u2013S\u00e9guin<\/strong> ??<\/li>\n<li>Paavo J\u00e4rvi<\/li>\n<li>Klaus M\u00e4kel\u00e4<\/li>\n<li>Sir Simon Rattle<\/li>\n<li>Daniel Harding<\/li>\n<li>Manfred Honeck<\/li>\n<li>Andr\u00e9s Orozco\u2013Estrada<\/li>\n<li>Iv\u00e1n Fischer<\/li>\n<li>Gustavo Dudamel<\/li>\n<\/ol>\n<p>In the area of dance, <strong>Canadian choreographer Crystal Pite<\/strong> ?? is the only woman who appears in the Top 20 living choreographers list. Another 19 women appear in the top 100 list.<\/p>\n<p>There were 12 women among the <strong>top 100 conductors<\/strong>, two with Canadian connections:<\/p>\n<ul>\n<li>Elim Chan #29<\/li>\n<li>Karina Canellakis #35<\/li>\n<li>Nathalie Stutzmann #38<\/li>\n<li>Mirga Gra\u017einyt\u0117\u2013Tyla #51<\/li>\n<li>Marin Alsop #54<\/li>\n<li>Dalia Stasevska #61<\/li>\n<li>Xian Zhang #65<\/li>\n<li><strong>Gemma New<\/strong> #65 (?? currently with the Hamilton Philharmonic)<\/li>\n<li>Simone Young #75<\/li>\n<li>Joana Mallwitz #79<\/li>\n<li>Kristiina Poska #83<\/li>\n<li><strong>Barbara Hannigan<\/strong> #92 ??<\/li>\n<\/ul>\n<h3>The top 10 pianists:<\/h3>\n<ol>\n<li>Yuja Wang<\/li>\n<li>Daniil Trifonov<\/li>\n<li>Yefim Bronfman<\/li>\n<li>V\u00edkingur \u00d3lafsson<\/li>\n<li>Sir Andr\u00e1s Schiff<\/li>\n<li>Emanuel Ax<\/li>\n<li>Beatrice Rana<\/li>\n<li>Igor Levit<\/li>\n<li>Seong\u2013Jin Cho<\/li>\n<li><strong>Jan Lisiecki<\/strong> ??<\/li>\n<\/ol>\n<h3>The top 10 violinists:<\/h3>\n<ol>\n<li>Patricia Kopatchinskaja<\/li>\n<li>Renaud Capu\u00e7on<\/li>\n<li>Leonidas Kavakos<\/li>\n<li>Isabelle Faust<\/li>\n<li>Vilde Frang<\/li>\n<li>Hilary Hahn<\/li>\n<li>Augustin Hadelich<\/li>\n<li>Janine Jansen<\/li>\n<li>Nicola Benedetti<\/li>\n<li><strong>James Ehnes<\/strong> ??<\/li>\n<\/ol>\n<h2>General findings<\/h2>\n<p>Some of the lists look familiar to classical concertgoers the world over, including the Top Ten Concert Composers, where Mozart usurps Beethoven for top spot.<\/p>\n<p><strong>Modern music<\/strong>, including 20th century composers, who seem to be finally getting their full due, and living composers, are making bigger inroads into live concert programming.<\/p>\n<ul>\n<li>19 pieces composed in the last century appear on the list of top 100 most performed works, representing a bigger slice of the pie than in any other year;<\/li>\n<li>Among other 20th-century composers, there are five works by Shostakovich in the top 100 in 2022.<\/li>\n<\/ul>\n<h3>Living composers \u2014 and greater gender parity<\/h3>\n<p>It\u2019s among the ranks of living composers that women are making the most progress.<\/p>\n<ul>\n<li>The data includes <strong>106 living composers<\/strong> who had more than eight performances during the year;<\/li>\n<li><strong>Arvo P\u00e4rt<\/strong> is on top of the living composer list, and <strong>Philip Glass<\/strong> was the busiest operatic composer;<\/li>\n<li><strong>Two women<\/strong> (Anna Clyne and Sofia Gubaildulina) appear in the <strong>Top Ten Contemporary Composers<\/strong>, and there are <strong>nine women<\/strong> when the list is extended to the <strong>Top 20<\/strong>.<\/li>\n<\/ul>\n<p><strong>Of note<\/strong>: in 2013, not a single woman figured in the top 100 list of contemporary composers, and in 2019 there was only one.<\/p>\n<ul>\n<li>Women make up more than half the list of the busiest violin soloists, including six of ten;<\/li>\n<li>When it comes to pianists, however, that number drops to two.<\/li>\n<\/ul>\n<p>The details, and many other stats, can be found on the Bachtrack website <a href=\"https:\/\/cdn.bachtrack.com\/files\/293747-Annual%20classical%20music%20statistics%202022.pdf\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig van Daily \u2014 classical music and opera in five minutes or less <\/em><a href=\"https:\/\/ludwig-van.us9.list-manage.com\/subscribe?u=4f785cb3f9058f2393ccad035&amp;id=57cdb68eac\" target=\"_blank\" rel=\"noopener\"><em>HERE<\/em><\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>As classical music returned to the stage in 2022, a report suggests that the new normal includes a greater focus on gender equality and modern composers.<\/p>\n","protected":false},"author":64,"featured_media":91639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[40430,76,19,875,4967,39646],"tags":[39132,457,1666,1673,2636],"yst_prominent_words":[31037,11936,25495,10292,30058,6767,6715,7599,18225,20132,24536,6616,8086,8046],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/01\/Classical-Muisc-2022-REPORT-33.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-nPY","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/91634"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=91634"}],"version-history":[{"count":7,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/91634\/revisions"}],"predecessor-version":[{"id":92283,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/91634\/revisions\/92283"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/91639"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=91634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=91634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=91634"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=91634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}