{"id":8425,"date":"2012-12-12T09:31:43","date_gmt":"2012-12-12T14:31:43","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=8425"},"modified":"2012-12-12T09:31:43","modified_gmt":"2012-12-12T14:31:43","slug":"there-is-no-such-thing-as-a-general-audience-for-any-kind-of-performance","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2012\/12\/12\/there-is-no-such-thing-as-a-general-audience-for-any-kind-of-performance\/","title":{"rendered":"There is no such thing as a general audience for any kind of performance"},"content":{"rendered":"<figure id=\"attachment_8427\" aria-describedby=\"caption-attachment-8427\" style=\"width: 140px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2012\/12\/milne.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-8427\" title=\"milne\" src=\"http:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2012\/12\/milne.jpg\" alt=\"\" width=\"140\" height=\"215\" \/><\/a><figcaption id=\"caption-attachment-8427\" class=\"wp-caption-text\">Elissa Milne<\/figcaption><\/figure>\n<p>Every once in a while, someone&#8217;s wise words &#8212; usually something simple and direct &#8212; demolish whole edifices of complex arguments. I&#8217;ve just read such wise words on the nature of audiences from Australian pianist, teacher and composer Elissa Milne.<!--more--><\/p>\n<p>Earlier this week on her consistently insightful blog, Milne posted <a href=\"http:\/\/elissamilne.wordpress.com\/2012\/12\/10\/a-simple-reason-why-audiences-are-so-small-for-new-music-concerts\/\" target=\"_blank\">A Simple Reason Why Audiences Are So Small For New Music\u00a0Concerts<\/a>.<\/p>\n<p>It deserves a full read, but I think the most important point Milne makes &#8212; one that extends beyond new music into any form and genre of performance &#8212; is that there is no such thing as a general audience.<\/p>\n<p>Milne writes:<\/p>\n<blockquote><p>It\u2019s not the audience for \u201cnew music\u201d or \u201cexperimental music\u201d or \u201cart music\u201d. It\u2019s the group of people in <strong>your<\/strong> neighbourhood, community, workplace, internet forums, facebook groups and twitterfeed who are interested in what <strong>you<\/strong> do. That\u2019s what an audience\u00a0<strong>is<\/strong>: it\u2019s a bunch of people who care about your work <em>so much<\/em> that they want to participate. By being there. By being close to the action. By giving you money so you\u2019ll keep doing what you do.<\/p><\/blockquote>\n<p>And to make my point about this being far broader than a new music issue, let&#8217;s look at the hundreds of absolutely first-rate pianists out there and how they survive in their cities, countries and, in the luckiest cases, around the world: they have a community of fans. Valentina Lisitsa, who was just here, personifies the latest way to grow that community &#8212; by using social media with fiendish effectiveness.<\/p>\n<p>We all know applause is not a right but something earned. That applies equally to bringing people into the venue in the first place.<\/p>\n<p>Milne makes another point, which, to me, applies to presenters as well as performers:<\/p>\n<blockquote><p>Know who you are. Easier said than done. And really hard when ethical artistic engagement involves change as much as it does consistency. But the more you know who you are the more clarity you will have in shaping engaging music\/performances and in building an audience for your work. And the less you will find yourself taking on projects that go nowhere and have no one listening.<\/p><\/blockquote>\n<p>It&#8217;s serious food for thought &#8212; no easier to chew for being so simply laid out.<\/p>\n<p><em>John Terauds<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every once in a while, someone&#8217;s wise words &#8212; usually something simple and direct &#8212; demolish whole edifices of complex arguments. I&#8217;ve just read such wise words on the nature of audiences from Australian pianist, teacher and composer Elissa Milne.<\/p>\n","protected":false},"author":2,"featured_media":8427,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[2,14,18,19,31,36,42,47,63,1],"tags":[411,6455,1133,1386,6461,2298],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2012\/12\/milne.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-2bT","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/8425"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=8425"}],"version-history":[{"count":0,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/8425\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/8427"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=8425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=8425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=8425"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=8425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}