{"id":80050,"date":"2022-09-21T09:16:48","date_gmt":"2022-09-21T13:16:48","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=80050"},"modified":"2022-09-21T09:16:48","modified_gmt":"2022-09-21T13:16:48","slug":"scrutiny-meet-2022-23-coc-ensemble-studio-return-coc-free-concert-series","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2022\/09\/21\/scrutiny-meet-2022-23-coc-ensemble-studio-return-coc-free-concert-series\/","title":{"rendered":"SCRUTINY | Meet The 2022-23 COC Ensemble Studio In A Return To The COC Free Concert Series"},"content":{"rendered":"<figure id=\"attachment_80053\" aria-describedby=\"caption-attachment-80053\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-80053\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2022\/09\/COC-Studio-Ensemble-REVIEW.jpg\" alt=\"L-R standing: Vlad Soloviev, Brian Cho, Alex Hetherington, Jonah Spungin, Charlotte Siegel. Seated L-R: Midori Marsh, Alex Halliday, Queen Hezumuryango, Ariane Cossette (Photo: Gaetz Photography)\" width=\"1200\" height=\"628\" \/><figcaption id=\"caption-attachment-80053\" class=\"wp-caption-text\">The COC Studio Ensemble &#8211; L-R standing: Vlad Soloviev, Brian Cho, Alex Hetherington, Jonah Spungin, Charlotte Siegel; Seated L-R: Midori Marsh, Alex Halliday, Queen Hezumuryango, Ariane Cossette (Photo: Gaetz Photography)<\/figcaption><\/figure>\n<p><em><strong>\u201cCaro nome\u201d (Rigoletto) Midori Marsh, sop., Vlad Soloviev, piano \/ \u201cPer me giunto\u201d (Don Carlo) Jonah Spungin, bar., Vlad Soloviev, piano\/ \u201cLord, to Thee Each Night\u201d (Theodora) Alex Hetherington, mezzo., Brian Cho, piano\/ \u201cIl lacerate spirito (Simon Boccanegra) Alex Halliday, bass bar., Vlad Soloviev, piano \/ \u201cHence, Iris, Hence Away\u201d (Semele) Queen Hezumuryango, mezzo., Brian Cho, piano \/ \u201cDonde lieta usci\u201d (La boheme) Charlotte Siegel, sop., Vlad Soloviev, piano \/ \u201cJe veux vivre\u201d (Romeo et Juliette) Ariane Cossette, sop., Brian Cho, piano. Richard Bradshaw Amphitheatre, Four Seasons Centre, Sept. 20, 2022.<\/strong><\/em><\/p>\n<p>After a long hiatus of two years due to the pandemic, the Free Concert Series at the Richard Bradshaw Amphitheatre is once again a reality. It kicked off September 20 with a program featuring the 2022-23 COC Ensemble Studio.<\/p>\n<p>This year, the lineup consists of three sopranos, two mezzos, one baritone, one bass-baritone, and two collaborative pianists. Of the singers, four (Marsh, Spungin, Halliday, and Siegel) are returning members, while the remaining three (Hetherington, Hezumuryango, and Cossette) are new. This concert is a great way for the COC audiences to hear these talented artists and potential stars of tomorrow. It was heartening to see a very good turnout this afternoon. While it was marginally less jam-packed than previous years, it was every bit as enthusiastic and appreciative.<\/p>\n<p>Each singer began with a brief introduction and a few words about the aria. I can honestly say that all the singers possess fresh, attractive voices, solid technique and engaging stage presence, and none of them were fazed by having to speak to the audience. Among the women, I was most impressed with <strong>Midori Marsh<\/strong>, whose \u201cCaro nome\u201d showed off her purity of sound, focused tone and excellent sense of pitch, all requisites for Gilda. Equally impressive was soprano <strong>Ariane Cossette<\/strong>, a voice new to me. Her \u201cJuliette\u2019s Waltz\u201d combined gorgeous tone with fine musicality, albeit her trill is a work in progress.<\/p>\n<p>Another voice new to me was mezzo <strong>Queen Hezumuryango<\/strong>, who has a huge voice of rich timbre, yet with enough agility to tackle the fast passages in the Handel aria. With the guidance sure to come her way in the Ensemble, I predict a good future for this singer.<\/p>\n<p>Among the men, I am familiar with the voice of baritone <strong>Jonah Spungin<\/strong>, whom I heard as King David in the Yiddish opera <em>Bas-Sheve<\/em> just a couple of weeks ago. Here, his \u201cPer me giunto,\u201d Rodrigo\u2019s aria from <em>Don Carlo<\/em>, showed off his warm tone and heartfelt expression.<strong> Alex Halliday<\/strong> acquitted himself honourably in Fiesco\u2019s aria, \u201cIl lacerate spirito.\u201d It\u2019s a tough piece for a bass-baritone, as it\u2019s really bass territory here. Halliday did well, a few less than firm notes in the lowest reaches notwithstanding.<\/p>\n<p>I mustn\u2019t forget the excellent work of the two pianists, <strong>Vlad Soloviev<\/strong> and <strong>Brian Cho<\/strong>. Both offered rock-solid support to the singer, taking expansive, even leisurely, tempi in all the pieces, and allowing the singers to shine. The audience showed its appreciation by rewarding the artists with sustained applause.<\/p>\n<p>I look forward to hearing them many times this season. The next COC Ensemble Studio noon hour concert is a tribute to Stephen Sondheim on November 16. Not to be missed.<\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig van Daily \u2014 classical music and opera in five minutes or less <\/em><a href=\"https:\/\/ludwig-van.us9.list-manage.com\/subscribe?u=4f785cb3f9058f2393ccad035&amp;id=57cdb68eac\" target=\"_blank\" rel=\"noopener\"><em>HERE<\/em><\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>The Free Concert Series at the Richard Bradshaw Amphitheatre kicked off September 20 with a program featuring the 2022-23 COC Ensemble Studio.<\/p>\n","protected":false},"author":22,"featured_media":80053,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[39907,43,52,63],"tags":[40267,5780,40237,40069,40133,2829],"yst_prominent_words":[34422,10782,34421,32496,7164],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2022\/09\/COC-Studio-Ensemble-REVIEW.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-kP8","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/80050"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=80050"}],"version-history":[{"count":3,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/80050\/revisions"}],"predecessor-version":[{"id":80054,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/80050\/revisions\/80054"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/80053"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=80050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=80050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=80050"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=80050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}