{"id":698,"date":"2012-01-13T08:06:35","date_gmt":"2012-01-13T13:06:35","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=698"},"modified":"2012-01-13T08:06:35","modified_gmt":"2012-01-13T13:06:35","slug":"lara-st-johns-piano-partner-the-very-model-of-a-perfect-accompanist","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2012\/01\/13\/lara-st-johns-piano-partner-the-very-model-of-a-perfect-accompanist\/","title":{"rendered":"Lara St. John&#8217;s piano partner the very model of a perfect accompanist"},"content":{"rendered":"<figure id=\"attachment_703\" aria-describedby=\"caption-attachment-703\" style=\"width: 440px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/207.112.70.56\/wp-content\/uploads\/2012\/01\/mcdermott.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-703\" title=\"mcdermott\" src=\"http:\/\/207.112.70.56\/wp-content\/uploads\/2012\/01\/mcdermott.jpg\" alt=\"\" width=\"440\" height=\"293\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2012\/01\/mcdermott.jpg 500w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2012\/01\/mcdermott-300x199.jpg 300w\" sizes=\"(max-width: 440px) 100vw, 440px\" \/><\/a><figcaption id=\"caption-attachment-703\" class=\"wp-caption-text\">Anne-Marie McDermott<\/figcaption><\/figure>\n<p>It&#8217;s been about 40 hours since I heard violinist <a href=\"http:\/\/www.larastjohn.com\/\" target=\"_blank\">Lara St. John<\/a> play Beethoven&#8217;s G-Major Violin Sonata (Op. 30, No. 3) with American pianist <a href=\"http:\/\/annemariemcdermott.net\/\" target=\"_blank\">Anne-Marie McDermott<\/a> at the <a href=\"http:\/\/www.cartagenamusicfestival.com\/\" target=\"_blank\">Cartagena International Music Festival<\/a>, and I&#8217;m still trying to process everything I heard.<\/p>\n<p>It was like a colourized old movie with the saturation of the new hues turned up to Andy Warhol levels. It was in-your-face garish. It was a partygoer wearing too much makeup and half a bottle of perfume.<!--more--><\/p>\n<p>And it was incredibly compelling, particularly for\u00a0the collaboration between pianist and violinist. They literally played as one, as if they&#8217;d spent years honing their unified vision of how to present a recital and interpret this work in particular.<\/p>\n<p>I bumped into St. John last night and asked her how long she and McDermott had been working together.<\/p>\n<p>&#8220;We&#8217;ve just met,&#8221; answered the violinist. &#8220;Anne-Marie is the consummate professional. I said, why don&#8217;t we do it like this and like this, and she said, sure. She even remembered everything I said.&#8221;<\/p>\n<p>They had two rehearsal hours together before the public concert.<\/p>\n<p>That, caballeros y caballeras, is the picture of a true accompanist.<\/p>\n<p>I&#8217;m hoping to catch McDermott before I leave Cartagena. But, in case I don&#8217;t sit down with her, here is a snippet of some pretty special solo piano work &#8212; J.S. Bach&#8217;s keyboard Partita No. 1 &#8212; followed by a short making-of video (dog lovers need to wait for the last 15 seconds):<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/yh1GbjlHP54?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OnztPAoMoPw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/D---kKWGRVA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p><em>John Terauds<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s been about 40 hours since I heard violinist Lara St. John play Beethoven&#8217;s G-Major Violin Sonata (Op. 30, No. 3) with American pianist Anne-Marie McDermott at the Cartagena International Music Festival, and I&#8217;m still trying to process everything I heard. It was like a colourized old movie with the saturation of the new hues [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":703,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[10,76,19,36,47,68],"tags":[6455],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2012\/01\/mcdermott.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-bg","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/698"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=698"}],"version-history":[{"count":0,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/698\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/703"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=698"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}