{"id":69346,"date":"2020-10-06T12:00:35","date_gmt":"2020-10-06T16:00:35","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=69346"},"modified":"2020-10-21T09:00:08","modified_gmt":"2020-10-21T13:00:08","slug":"feature-building-a-community-of-black-classical-artists-in-canada","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2020\/10\/06\/feature-building-a-community-of-black-classical-artists-in-canada\/","title":{"rendered":"FEATURE | Building A Community Of Black Classical Artists In Canada"},"content":{"rendered":"<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-69357\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Black-classical-musicians-2.jpg\" alt=\"Black classical musicians\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Black-classical-musicians-2.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Black-classical-musicians-2-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Black-classical-musicians-2-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Black-classical-musicians-2-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/p>\n<p><span class=\"wpsdc-drop-cap\">M<\/span>usic has been <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/theconversation.com\/music-helps-us-remember-who-we-are-and-how-we-belong-during-difficult-and-traumatic-times-136324\" target=\"_blank\" rel=\"noopener noreferrer\">significant for many during COVID-19 isolation<\/a><\/span>, and in these same months <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.theguardian.com\/music\/2020\/jun\/10\/yg-che-lingo-kendrick-lamar-protest-songs-of-black-lives-matter-2020-george-floyd\" target=\"_blank\" rel=\"noopener noreferrer\">Black musicians<\/a><\/span> have <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/folklore.indiana.edu\/research\/publications\/2018-black-lives-matter-music.html\" target=\"_blank\" rel=\"noopener noreferrer\">amplified the momentum of the Black Lives Matter movement<\/a><\/span>.<\/p>\n<p>While pop or hip hop music are genres whose <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/theconversation.com\/hip-hop-is-the-soundtrack-to-black-lives-matter-protests-continuing-a-tradition-that-dates-back-to-the-blues-140879\" target=\"_blank\" rel=\"noopener noreferrer\">agility and responsiveness make them natural sites for popular commentary<\/a><\/span>, this threatens to neglect other arenas of music making.<\/p>\n<p>Some arts organizations in Canada have <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.tafelmusik.org\/blacklivesmatter\" target=\"_blank\" rel=\"noopener noreferrer\">pledged support for Black Lives Matter<\/a><\/span>, turned their platforms over to Black artists or spotlighted their work. Recently a virtual event aired, \u201c<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.theglobeandmail.com\/arts\/article-black-sopranos-othalie-graham-audrey-dubois-harris-and-mesha\" target=\"_blank\" rel=\"noopener noreferrer\">Black Opera Live: Canada<\/a><\/span>,\u201d featuring acclaimed sopranos Measha Brueggergosman, Othalie Graham and Audrey DuBois Harris, produced by <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/operacanada.ca\/black-opera-live-canada-by-black-opera-productions\/\" target=\"_blank\" rel=\"noopener noreferrer\">Black Opera Productions<\/a><\/span>, a U.S. documentary film company. But what of a wider and cohesive community of Black classical instrumentalists in Canada today?<\/p>\n<p>While there is a long history of professional classical musicianship in the Black community, there are gaps of knowledge about Black classical artistry in Canada.<\/p>\n<p>Black classical artists may spend their careers in majority-white orchestras and small ensembles across Canada, without knowledge of others who share their experience. But this may be changing as <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.ludwig-van.com\/toronto\/2020\/06\/05\/remote-andrew-adridge-the-way-the-industry-is-currently-structured-i-have-no-business-hoping-to-be-in-it\/\" target=\"_blank\" rel=\"noopener noreferrer\">Black classical artists are starting to tell their stories<\/a><\/span>, change the trajectory of their careers, <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.operainreach.com\/who-we-are\" target=\"_blank\" rel=\"noopener noreferrer\">challenge how arts communities are defined<\/a><\/span> and step into leadership roles where they call for systemic change.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Happening tonight! BLACK OPERA presents Black Opera Live: Canada, starting at 7pm ET. Fab Canadians <a href=\"https:\/\/twitter.com\/OthalieGraham?ref_src=twsrc%5Etfw\">@OthalieGraham<\/a>, <a href=\"https:\/\/twitter.com\/AudDuBoisHarris?ref_src=twsrc%5Etfw\">@AudDuBoisHarris<\/a> &amp; <a href=\"https:\/\/twitter.com\/MeashaBG?ref_src=twsrc%5Etfw\">@MeashaBG<\/a> are on the line-up of this must-see event.<\/p>\n<p>Tune in:<a href=\"https:\/\/t.co\/F6avvjxXtP\">https:\/\/t.co\/F6avvjxXtP<\/a><a href=\"https:\/\/twitter.com\/hashtag\/opera?src=hash&amp;ref_src=twsrc%5Etfw\">#opera<\/a><a href=\"https:\/\/twitter.com\/hashtag\/canadianoperasingers?src=hash&amp;ref_src=twsrc%5Etfw\">#canadianoperasingers<\/a><a href=\"https:\/\/twitter.com\/hashtag\/blackoperasingers?src=hash&amp;ref_src=twsrc%5Etfw\">#blackoperasingers<\/a> <a href=\"https:\/\/t.co\/QNNPNDXNax\">pic.twitter.com\/QNNPNDXNax<\/a><\/p>\n<p>&mdash; Opera Canada (@OperaCanada) <a href=\"https:\/\/twitter.com\/OperaCanada\/status\/1299410265541357569?ref_src=twsrc%5Etfw\">August 28, 2020<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<h3><strong>Black classical Canada<\/strong><\/h3>\n<p>In the United States, a <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/americanorchestras.org\/images\/stories\/diversity\/Racial-Ethnic-and-Gender-Diversity-in-the-Orchestra-Field-Final-92116.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2016 study<\/a><\/span> by the League of American Orchestras found that <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.npr.org\/sections\/deceptivecadence\/2019\/09\/20\/762514169\/why-is-american-classical-music-so-white\" target=\"_blank\" rel=\"noopener noreferrer\">less than two per cent<\/a><\/span> of musicians in <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/americanorchestras.org\/knowledge-research-innovation\/diversity-studies.html\" target=\"_blank\" rel=\"noopener noreferrer\">American orchestras are Black<\/a><\/span>.<\/p>\n<p>Similar data isn\u2019t available in Canada. A study commissioned by Orchestras Canada <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/oc.ca\/wp-content\/uploads\/2019\/06\/Re-sounding-the-Orchestra-EN-June-5.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">about orchestras\u2019 relationships to Indigenous peoples and people of colour<\/a><\/span> published in 2018 found that systemic inequity and coloniality underpinning Canadian classical music creates hierarchies reinforcing racism and cultural appropriation. Ethnomusicologist <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/parmela.com\/research\" target=\"_blank\" rel=\"noopener noreferrer\">Parmela Attariwala<\/a><\/span> authored the study with writer Soraya Peerbaye. Attariwala notes that because of Canada\u2019s privacy laws, they could not compile race-related statistics about who is part of orchestras. She is now exploring the idea of orchestras taking voluntary statistical surveys.<\/p>\n<p>Some prominent Black classical artists have gained newfound attention through work by Black Canadians: Conductor <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.thecanadianencyclopedia.ca\/en\/article\/brainerd-blyden-taylor-emc\" target=\"_blank\" rel=\"noopener noreferrer\">Brainerd Blyden-Taylor<\/a><\/span> founded the <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"http:\/\/nathanieldettchorale.org\/about-the-chorale\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nathaniel Dett Chorale<\/a><\/span> in 1998, honouring the <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.loc.gov\/item\/ihas.200038840\/\" target=\"_blank\" rel=\"noopener noreferrer\">Black Canadian-born composer and pianist<\/a><\/span>. Classical singer and Nova Scotian <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"http:\/\/cleojournal.com\/2018\/12\/14\/remembering-portia-white\/\" target=\"_blank\" rel=\"noopener noreferrer\">Portia White<\/a><\/span> has been the subject of several Black artists <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.questia.com\/read\/1G1-30137098\/grand-tradition-great-canadian-musical-figures-portia\" target=\"_blank\" rel=\"noopener noreferrer\">and writers<\/a><\/span> and became more commonly known in 1999, <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/blogs.dal.ca\/libraries\/2010\/02\/black-history-month-portia-white\/\" target=\"_blank\" rel=\"noopener noreferrer\">through the introduction of a memorial stamp<\/a><\/span>.<\/p>\n<p>Although research has been broadly conducted into how <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/doi.org\/10.7202\/1044376ar\" target=\"_blank\" rel=\"noopener noreferrer\">colonialism<\/a><\/span>, <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/doi.org\/10.7202\/1032701ar\" target=\"_blank\" rel=\"noopener noreferrer\">diversity initiatives<\/a><\/span> and <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/doi.org\/10.7202\/1038945ar\" target=\"_blank\" rel=\"noopener noreferrer\">post-secondary hiring practices<\/a><\/span> have affected Black participation in classical music, we have yet to see a comprehensive study of Canadian Black contributions to Canadian classical music history.<\/p>\n<figure id=\"attachment_69356\" aria-describedby=\"caption-attachment-69356\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-69356\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Daniel-Bartholomew-Poyser-and-Sheba-Thibodeau.jpg\" alt=\"Daniel Bartholomew-Poyser and Sheba Thibodeau (Images courtesy of the artists)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Daniel-Bartholomew-Poyser-and-Sheba-Thibodeau.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Daniel-Bartholomew-Poyser-and-Sheba-Thibodeau-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Daniel-Bartholomew-Poyser-and-Sheba-Thibodeau-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Daniel-Bartholomew-Poyser-and-Sheba-Thibodeau-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-69356\" class=\"wp-caption-text\">Daniel Bartholomew-Poyser and Sheba Thibodeau (Images courtesy of the artists)<\/figcaption><\/figure>\n<h3><strong>Absence of colleagues, mentors<\/strong><\/h3>\n<p>There is no comprehensive listing of contemporary Black classical instrumentalists in Canada. As the co-authors of this story, our shared interest in classical musicianship emerged through discussions, and an interest in reporting on Black classical instrumentalists came to the fore. Of the five Black classical instrumentalists whose work we were aware of, three were available to participate in interviews.<\/p>\n<p>Black classical instrumentalists often experience their successes, as well as the <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/doi.org\/10.1007\/978-3-319-65256-6_3\" target=\"_blank\" rel=\"noopener noreferrer\">subtle and overt blows of anti-Black racism<\/a><\/span> without the support of colleagues and mentors who might help navigate such terrain. All were pleased to have their experiences brought to light.<\/p>\n<p>Negative experiences can start early.<\/p>\n<p>Bassoonist Sheba Thibideau was told that her lips were \u201ctoo big\u201d to play the flute and that she was \u201cnot suitable\u201d for violin by the principal of her elementary school in Vancouver.<\/p>\n<p>Tanya Charles Iveniuk, who is on faculty at Axis Music, the <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"http:\/\/rpmusic.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Regent Park School of Music<\/a><\/span> and the <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/music.utoronto.ca\/our-people.php\" target=\"_blank\" rel=\"noopener noreferrer\">University of Toronto<\/a><\/span>, had an easier entry. Surrounded by the sounds of her older brother practising the piano, she announced, at age three that she wanted to play the violin. And so it was.<\/p>\n<p>In university, however, both musicians described impacts of <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/theconversation.com\/music-education-has-a-race-problem-and-universities-must-address-it-143719\" target=\"_blank\" rel=\"noopener noreferrer\">anti-Black racism<\/a><\/span>. It often appeared as mysterious absence of access: to the appropriate performance-level student orchestra, to mentorship and information on how to navigate the <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/blog.usejournal.com\/its-time-to-talk-about-classical-music-s-diversity-problem-a99994784706\" target=\"_blank\" rel=\"noopener noreferrer\">invisible pipeline<\/a><\/span> to professional life as a classical musician. They experienced micro-aggressions, at times, outright hostility or a lack of awareness of different economic circumstances.<\/p>\n<p>Both question <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.theguardian.com\/culture\/2008\/sep\/14\/music.classicalmusicandopera\" target=\"_blank\" rel=\"noopener noreferrer\">how their careers might have been different<\/a><\/span> if they hadn\u2019t spent considerable energy navigating, explaining and protecting themselves within the pressure cooker of predominantly white environments and power structures.<\/p>\n<p>\u201cI have a great career now,\u201d says Iveniuk, \u201cand yet, I\u2019m haunted by that question.\u201d This is psychic and emotional work that white (and <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/doi.org\/10.1080\/03007760802703351\" target=\"_blank\" rel=\"noopener noreferrer\">often Asian peers<\/a><\/span>) aren\u2019t required to do.<\/p>\n<p>Primavera Portena (Buenos Aires Spring) by Astor Piazzolla, with Tanya Charles Iveniuk on violin.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/HagauzjiAZU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3><strong>Something is rotten<\/strong><\/h3>\n<p>One of Iveniuk\u2019s students, a boy of Vincentian background, like her, told her that he didn\u2019t know that it was OK to pursue the violin until he had her as a teacher. Rarely are white musicians questioned when they <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/doi.org\/10.1111\/josl.12128\" target=\"_blank\" rel=\"noopener noreferrer\">explore and become expert in music<\/a><\/span> from historically Black traditions. But Black children <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/digitalcommons.lesley.edu\/expressive_dissertations\/85\/\" target=\"_blank\" rel=\"noopener noreferrer\">learn early<\/a><\/span> what is and is not for them.<\/p>\n<p>\u201cOrchestras have a lot of work to do in this area,\u201d says <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.tso.ca\/conductor\/daniel-bartholomew-poyser\" target=\"_blank\" rel=\"noopener noreferrer\">Daniel Bartholomew-Poyser<\/a><\/span>, principal education conductor and community ambassador of the Toronto Symphony Orchestra. He has <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/oc.ca\/en\/resource\/perfect-fifth-diversity\/\" target=\"_blank\" rel=\"noopener noreferrer\">developed some guidelines<\/a><\/span> in his role. Through outreach, educational support and other consistent work in the community, orchestras can become a place where people go to hear their children and neighbours perform.<\/p>\n<p>Until that work is accomplished, the orchestra can be a hostile place for the <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.npr.org\/sections\/deceptivecadence\/2019\/09\/20\/762514169\/why-is-american-classical-music-so-white\" target=\"_blank\" rel=\"noopener noreferrer\">lone Black musician<\/a><\/span>.<\/p>\n<h3><strong>Real change<\/strong><\/h3>\n<p>\u201cBlack people are all exhausted. I was completely burnt out after <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.cbc.ca\/news\/world\/minneapolis-after-george-floyd-death-1.5597735\" target=\"_blank\" rel=\"noopener noreferrer\">George Floyd<\/a><\/span>,\u201d says Bartholomew-Poyser. He suggests that instead of asking what to avoid saying to Black people, put them on the board or in positions of power.<\/p>\n<p>As artist in residence and community ambassador of <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/symphonynovascotia.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">Symphony Nova Scotia<\/a><\/span>, he received a call from Christopher Wilkinson, the CEO. \u201cHe asked me, \u2018Do you think we could do a concert with <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.youtube.com\/watch?v=5VLNIKv2Jro\" target=\"_blank\" rel=\"noopener noreferrer\">Maritime Bhangra Group<\/a><\/span> and Symphony Nova Scotia? I thought about it for three seconds. I said, \u2018Yes.\u2019\u201d<\/p>\n<p>Bartholomew-Poyser envisions the orchestra as a library of sound that can be applied to music from all over the world, not just the European canon. He arranged bhangra music for the symphony. The concert was a success.<\/p>\n<p>\u201cThat is what inclusion looks like. That is vulnerability on his (Wilkinson\u2019s) part. That is respect. That is handing over responsibility. Putting people of colour in positions of power. And trusting them with it,\u201d he says.<\/p>\n<p>Maritime Bhangra with Symphony Nova Scotia.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/XwCUM1CDhcs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>Bartholomew-Poyser insists artists need to be able to talk about their experiences of microaggressions, \u201c<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/humanrights.ca\/story\/us-vs-them-the-process-of-othering\" target=\"_blank\" rel=\"noopener noreferrer\">othering<\/a><\/span>\u201d and more overt harm, with each other and with their organizations. The <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.thestar.com\/entertainment\/stage\/2020\/06\/10\/black-like-me-a-theatre-company-wrestles-with-its-white-guilt-and-gives-artists-of-colour-a-chance-to-speak-out.html\" target=\"_blank\" rel=\"noopener noreferrer\">Stratford Festival<\/a><\/span> and the <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.dancemagazine.com\/national-ballet-of-canada-diversity-2646194429.html\" target=\"_blank\" rel=\"noopener noreferrer\">National Ballet of Canada<\/a><\/span> were recently called out by Black artists.<\/p>\n<h3><strong>The power of many<\/strong><\/h3>\n<p>Iveniuk relished experiences of working south of the border and the opportunity to be <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/youtu.be\/HagauzjiAZU\" target=\"_blank\" rel=\"noopener noreferrer\">one of many Black people in an orchestral setting<\/a><\/span>. \u201cMind blown!\u201d she laughs. \u201cA whole orchestra of us?\u201d<\/p>\n<p>Thibideau has yet to have that experience. She\u2019s dedicating 2020 to creating her <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.youtube.com\/watch?v=ygTx89jYQ0I\" target=\"_blank\" rel=\"noopener noreferrer\">own projects<\/a><\/span> including a performance package to be used to entertain people in the prison system.<\/p>\n<p>Iveniuk\u2019s many projects include the <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"http:\/\/www.odinquartet.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Odin Quartet<\/a><\/span> and planning to train as many BIPOC kids as she can.<\/p>\n<p>Bartholomew-Poyser plans to catch young BIPOC players coming up. He says support looks like money, as well as mentorship, lessons as well as transportation to and from concerts. It also looks like Black classical artists keeping in touch, he says, because \u201cwe need each other.\u201d<\/p>\n<p>In Canada\u2019s already spread-out classical community, these vital connections will be the key to increasing the participation and visibility of Black instrumentalists.<\/p>\n<p><strong><em>This article was contributed by Gillian Turnbull<\/em><\/strong><\/p>\n<p><strong><em>This article was originally published in <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/theconversation.com\/we-need-each-other-black-classical-musicians-are-building-supportive-communities-145153\" target=\"_blank\" rel=\"noopener noreferrer\">The Conversation<\/a><\/span>.<\/em><\/strong><\/p>\n<h3 class=\"western\"><em>#LUDWIGVAN<\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig van Daily\u00a0\u2014 classical music and opera in five minutes or less <\/em><span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/bowtie.mailbutler.io\/tracking\/hit\/583e6ce0-dfd0-48be-8a33-61256b3c58e3\/a01723d1-1d1d-44ee-9d0c-779ed93a798c\" target=\"_blank\" rel=\"noopener noreferrer\"><i>HERE<\/i><\/a><\/span><em>.<\/em><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>While there is a long history of professional classical musicianship in the Black community, there are gaps of knowledge about Black classical artistry in Canada.<\/p>\n","protected":false},"author":94,"featured_media":69357,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[33451,4967,43],"tags":[38078,38076,38077,38075],"yst_prominent_words":[19730,38071,38061,38063,38062,38064,36602,24633,6767,38070,38067,38066,6715,38074,11877,14380,38079,38073,38065,38069],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/10\/Black-classical-musicians-2.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-i2u","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/69346"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/94"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=69346"}],"version-history":[{"count":11,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/69346\/revisions"}],"predecessor-version":[{"id":69460,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/69346\/revisions\/69460"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/69357"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=69346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=69346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=69346"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=69346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}