{"id":68044,"date":"2020-05-06T10:15:08","date_gmt":"2020-05-06T14:15:08","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=68044"},"modified":"2020-05-06T10:15:08","modified_gmt":"2020-05-06T14:15:08","slug":"remote-korin-thomas-smith-not-time-lament-gone","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2020\/05\/06\/remote-korin-thomas-smith-not-time-lament-gone\/","title":{"rendered":"REMOTE | Korin Thomas-Smith: \u2018This Is Not A Time To Lament What Is Gone\u2019"},"content":{"rendered":"<figure id=\"attachment_68047\" aria-describedby=\"caption-attachment-68047\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-68047\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/05\/Korin-Thomas-Smith-REMOTE-header.jpg\" alt=\"Korin Thomas-Smith (Photo courtesy of the artist)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/05\/Korin-Thomas-Smith-REMOTE-header.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/05\/Korin-Thomas-Smith-REMOTE-header-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/05\/Korin-Thomas-Smith-REMOTE-header-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/05\/Korin-Thomas-Smith-REMOTE-header-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-68047\" class=\"wp-caption-text\">Korin Thomas-Smith (Photo courtesy of the artist)<\/figcaption><\/figure>\n<p>UofT Opera\u2019s Korin Thomas-Smith, who featured as the title character in the ensemble\u2019s production of <em>The Marriage of Figaro<\/em> last November, joins us to share his experience of the lockdown thus far. The ensemble was nearing the end of their production season when the pell-mell of COVID cancellations began. Rolling with the punches, Smith talks about forming a routine around the disruption and maintaining the spirit of collaboration.<\/p>\n<h3><strong>How are you doing during this pandemic?<\/strong><\/h3>\n<p>We\u2019re surviving and thriving! The first few weeks were kinda horrible, but now there\u2019s a solid enough routine established in my humble abode \u2014 even if it doesn\u2019t involve sunlight at all whatsoever.<\/p>\n<h3><strong>What are some of the ways you are keeping busy artistically?<\/strong><\/h3>\n<p>I\u2019ve been super lucky to be involved with Tapestry Opera and their production of <em>Rocking Horse Winner<\/em> \u2014 we should\u2019ve already opened in the theatre, but the company and artists are all trying to find ways to create art in these times: it\u2019s been inspiring and healing just as much as it is jarring!<\/p>\n<p>Otherwise, I\u2019ve just been playing piano, and no, I have not been improving.<\/p>\n<h3><strong>Any specific books, films, or TV on the go?<\/strong><\/h3>\n<p>Honestly the only things I have is a Schirmer Baritone Anthology and a dream. That and my copy of <em>Twilight<\/em> I bought when I was 13 years old, and that I\u2019ve re-read literally every year since then. I recommend it greatly.<\/p>\n<h3><strong>Any words of wisdom to get through this?<\/strong><\/h3>\n<p>Besides #StayAtHome, the only wise words I can think of is to try to find an occasion to wear shoes as often as you can, because that\u2019s the only thing that is separating me from my most base, primal, and barbaric instincts.<\/p>\n<h3><strong>What do you think are some of the ways arts communities can better prepare for adjusting to a crisis such as this?<\/strong><\/h3>\n<p>At its heart, the spirit of collaboration is what drives the arts, and there\u2019s always a way to connect with someone somewhere. No one can prepared for a pandemic, but we can be prepared to exercise creativity. With the technology that is available to us these days, this is not a time to lament what is gone, but rather to learn how one can transform these new limitations to strengths.<\/p>\n<h2 class=\"western\"><em><span style=\"color: #252525\"><span style=\"font-family: Knockout 70 A, Knockout 70 B, serif\">For more chats with artists in social isolation, read on <\/span><\/span><\/em><span style=\"color: #ff0000\"><em><a style=\"color: #ff0000\" href=\"https:\/\/www.ludwig-van.com\/toronto\/category\/remote\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: Knockout 70 A, Knockout 70 B, serif\">HERE<\/span><\/a><\/em><\/span><em><span style=\"color: #252525\"><span style=\"font-family: Knockout 70 A, Knockout 70 B, serif\">.<\/span><\/span><\/em><\/h2>\n<h3 class=\"western\"><em>#LUDWIGVAN<\/em><\/h3>\n<p class=\"western\"><em>Want more updates on classical music and opera news and reviews? Follow us\u00a0on <\/em><span style=\"color: #ff0000\"><em><a style=\"color: #ff0000\" href=\"https:\/\/www.facebook.com\/LudwigVanToronto\/\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Facebook<\/b><\/a><\/em><\/span><em>, <\/em><span style=\"color: #ff0000\"><em><a style=\"color: #ff0000\" href=\"https:\/\/www.instagram.com\/ludwigvantoronto\/\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Instagram<\/b><\/a><\/em><\/span><b> <\/b><em>or <\/em><span style=\"color: #ff0000\"><em><a style=\"color: #ff0000\" href=\"https:\/\/twitter.com\/LudwigVanTO\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Twitter<\/b><\/a><\/em><\/span><em> for all the latest.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>UofT Opera\u2019s Korin Thomas-Smith talks about rolling with the punches during the COVID lockdown.<\/p>\n","protected":false},"author":89,"featured_media":68047,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[33451,35839,43,36052,63],"tags":[35697,36327,9505],"yst_prominent_words":[7765,10459,7313,13839,36329,36328,6886,35859,11944,8214,36326,26428,36325,36330,14794],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/05\/Korin-Thomas-Smith-REMOTE-header.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-hHu","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/68044"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=68044"}],"version-history":[{"count":3,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/68044\/revisions"}],"predecessor-version":[{"id":68048,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/68044\/revisions\/68048"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/68047"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=68044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=68044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=68044"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=68044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}