{"id":66461,"date":"2020-02-12T10:55:52","date_gmt":"2020-02-12T15:55:52","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=66461"},"modified":"2020-02-12T18:39:02","modified_gmt":"2020-02-12T23:39:02","slug":"interview-singer-songwriter-and-musician-agnes-obel-talks-about-her-atmospheric-music","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2020\/02\/12\/interview-singer-songwriter-and-musician-agnes-obel-talks-about-her-atmospheric-music\/","title":{"rendered":"INTERVIEW | Singer-Songwriter And Musician Agnes Obel Talks About Her Atmospheric Music"},"content":{"rendered":"<figure id=\"attachment_66462\" aria-describedby=\"caption-attachment-66462\" style=\"width: 1199px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-66462\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel-header.jpg\" alt=\"Agnes Obel in Paris, 2011 (Photo : Stefano81 under a CC 3.0 license)\" width=\"1199\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel-header.jpg 1199w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel-header-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel-header-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel-header-768x402.jpg 768w\" sizes=\"(max-width: 1199px) 100vw, 1199px\" \/><figcaption id=\"caption-attachment-66462\" class=\"wp-caption-text\">Agnes Obel in Paris, 2011 (Photo : Stefano81 under a CC 3.0 license)<\/figcaption><\/figure>\n<p><span class=\"wpsdc-drop-cap\">A<\/span>tmospheric pop? Neoclassical new age? Chill out? All of the above? The music of Agnes Obel defies compartmentalization.<\/p>\n<p>While she may not be a household name in North America, the Berlin-based, Danish-born singer-songwriter and musician has been building a career in the music business for the last decade. Her albums have won multiple Danish Music Awards, and her songs have been used in TV and movies, including the theme music for the Canadian series <em>Cardinal.<\/em> Her albums hit the top five in Denmark, Belgium, the Netherlands, and Belgium. She has a loyal following in Berlin, where she\u2019s lived since 2006, and online, with more than 217K YouTube subscribers.<\/p>\n<p>Agnes is currently on tour in Europe in advance of her fourth album, <em>Myopia<\/em>, set for release on February 21. The tour hits North America in April, with a Toronto date on April 26.<\/p>\n<p>Born in Copenhagen, both parents were musical. Her father was a former jazz musician, and her mother a talented pianist. \u201cIt\u2019s true my Mom played piano a lot,\u201d she says. She doesn\u2019t remember a specific time when playing music wasn\u2019t a part of her life. \u201cI started piano lessons when I was very young, and went to school where there was a lot of music,\u201d she says. \u201cI\u2019ve been playing piano since as long as I can remember. It grew with me somehow.\u201d<\/p>\n<p>She was around 12 or so when she started to write her own music. \u201cI think I started writing instrumental pieces \u2014 just mimicking what I was playing.\u201d From there, she moved on to cover bands and Beatles songs in high school. At 17, she met her first songwriting partner, and her work began to develop its own style.<\/p>\n<p>She describes many influences that led to her unique style, including Joni Mitchell. \u201cIt\u2019s so personal and so idiosyncratic,\u201d she says of her music. She lists other influences from Debussy, Satie, and Ravel to Scott Walker.<\/p>\n<p>Her NPR Tiny Desk concert (2017):<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/MAqIrCjOxws?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p><span class=\"wpsdc-drop-cap\">A<\/span>ll her albums share one thing: a focus on vocals. \u201cThey are driven by singing,\u201d she says. However, over the course of four releases, her notions of songwriting and composing have evolved.<\/p>\n<p>As she describes them, the first album, <em>Philharmonics<\/em> (2010), was a compilation of sorts of the work she\u2019d produced to that point. For the second album, 2013\u2019s <em>Aventine<\/em>, she began to play with production, but it was just the beginning.<\/p>\n<p>Both of the first two albums went Platinum. Agnes won the IMPALA (The Independent Music Companies Association) Album of the Year Award 2016 for her third release, <em>Citizen of Glass<\/em>.<\/p>\n<p>It was on the third album, <em>Citizen of Glass<\/em> (2016), that she began to take her music in a different direction. It was a concept album where she played with the idea that our era has made everything public. \u201cI was working with the idea that technology has changed our perception of the world,\u201d she says. \u201cTechnology is designed to hijack our brains,\u201d she muses. We all begin to doubt ourselves against its onslaught. \u201cWe make stories to make sense of the randomness of our lives.\u201d<\/p>\n<figure id=\"attachment_66481\" aria-describedby=\"caption-attachment-66481\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-66481 size-full\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel.jpg\" alt=\"Agnes Obel (Photo : Alex Br\u00fcel Flagstad)\" width=\"1200\" height=\"1800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel-200x300.jpg 200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel-683x1024.jpg 683w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel-768x1152.jpg 768w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel-1024x1536.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-66481\" class=\"wp-caption-text\">Agnes Obel (Photo : Alex Br\u00fcel Flagstad)<\/figcaption><\/figure>\n<p><span class=\"wpsdc-drop-cap\">M<\/span>usic production has become a bigger and bigger part of the picture \u2014 a way of shaping the sound according to the meaning of the song. \u201cI think I\u2019m very inspired by the idea,\u201d she says. \u201cWith my previous album and this one.\u201d<\/p>\n<p>On <em>Citizen of Glass<\/em>, she layered 250 tracks on top of each other, and sang harmonies with a digitized male version of her own voice. She also used a replica of a 1920s synthesizer called a Trautonium.<\/p>\n<p>She\u2019s released one single from the new album already, \u201cIsland of Doom\u201d. In it, she uses pitched down piano, cello pizzicato and vocals, with choirs pitched up or down. On the album, Agnes plays piano and keyboard, with frequent collaborator Kristina Koropecki on cello. \u201cI\u2019ve always worked with cello, because it\u2019s so versatile,\u201d she says, pointing out that it can play a bass line as well as a melodic one. It also occupies a unique spot in the pop music landscape. \u201cIt doesn\u2019t play with any existing associations,\u201d she notes.<\/p>\n<p>She\u2019s worked with a lot of processing on the new album as well. Creating song-soundscapes is a direction that draws her. \u201cI really like to work with something I don\u2019t completely understand, so that I learn from it,\u201d she says. \u201cI don\u2019t want to have a fixed and completely clear vision of everything.\u201d<\/p>\n<p>Videos for her songs are made by her husband, Alex Br\u00fcel Flagstad, with an artistic sensibility that adds to the effect. \u201cThe videos are made by my husband,\u201d she says. \u201cHe has a very artistic approach with it.\u201d<\/p>\n<p>She&#8217;s currently on the European and Scandinavian leg of her tour. She&#8217;ll be on the road until April, when she hits North America, with a Toronto date at Meridian Hall on April 26. Agnes will also be performing in Montreal (April 23) and in Vancouver (May 4).<\/p>\n<p>Her fourth album<em> Myopia<\/em> will be released on February 21, 2020. <span style=\"color: #ff0000\"><a style=\"color: #ff0000\" href=\"https:\/\/agnesobel.ffm.to\/myopia.opr\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/span><\/p>\n<h3 class=\"western\"><em>#LUDWIGVAN<\/em><\/h3>\n<p class=\"western\"><em>Want more updates on classical music and opera news and reviews? Follow us\u00a0on <\/em><span style=\"color: #ff0000\"><em><a style=\"color: #ff0000\" href=\"https:\/\/www.facebook.com\/LudwigVanToronto\/\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Facebook<\/b><\/a><\/em><\/span><em>, <\/em><span style=\"color: #ff0000\"><em><a style=\"color: #ff0000\" href=\"https:\/\/www.instagram.com\/ludwigvantoronto\/\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Instagram<\/b><\/a><\/em><\/span><b> <\/b><em>or <\/em><span style=\"color: #ff0000\"><em><a style=\"color: #ff0000\" href=\"https:\/\/twitter.com\/LudwigVanTO\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Twitter<\/b><\/a><\/em><\/span><em> for all the latest.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Danish born, Berlin based singer-songwriter and musician Agnes Obel talks about her atmospheric pop on tour to support her fourth album, Myopia.<\/p>\n","protected":false},"author":64,"featured_media":66462,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[33451,19,29,49,82,9508,51,63],"tags":[34955,34956],"yst_prominent_words":[34942,34935,7004,34936,34977,34976,8853,34939,34978,34932,23520,34941,34934,34937,34933,6616,17035,12642,7141,34938],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2020\/02\/Agnes-Obel-header.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-hhX","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/66461"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=66461"}],"version-history":[{"count":7,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/66461\/revisions"}],"predecessor-version":[{"id":66484,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/66461\/revisions\/66484"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/66462"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=66461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=66461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=66461"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=66461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}