{"id":57170,"date":"2018-11-23T09:39:35","date_gmt":"2018-11-23T14:39:35","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=57170"},"modified":"2018-11-23T09:40:14","modified_gmt":"2018-11-23T14:40:14","slug":"interview-why-pianist-gabriela-montero-will-not-shy-away","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2018\/11\/23\/interview-why-pianist-gabriela-montero-will-not-shy-away\/","title":{"rendered":"INTERVIEW | Why Pianist Gabriela Montero Will Not Shy Away"},"content":{"rendered":"<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-57173\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/11\/Gabriela-Montero-cover.jpg\" alt=\"\" width=\"1024\" height=\"532\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/11\/Gabriela-Montero-cover.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/11\/Gabriela-Montero-cover-300x156.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/11\/Gabriela-Montero-cover-768x399.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><span class=\"wpsdc-drop-cap\">G<\/span>abriela Montero has collected many stories in her life so far: a baby playing the songs her mother sang on a toy piano in the crib.\u00a0 A young girl away from home at the tender age of nine in the foreign city of Miami for music education for almost 10 years.\u00a0 A human rights advocate who communicates through <em>now<\/em>, in classical piano improvisations and compositions.<\/p>\n<p>This Sunday, she will be sitting down at the piano in the Koerner Hall to present her latest program, \u201cInnocence and Experience.\u201d\u00a0 Gently, as the light darkens at the stroke of 3 pm, she will unfold these stories, of herself, of the world, and where her heart is \u2014 Venezuela.<\/p>\n<h3>Venezuela<\/h3>\n<p>Her connection to the piano was an immediate one. \u201cI did have an early beginning with music,\u201d Gabriela remembers.\u00a0 Seeing Gabriela playing back the songs on a two-octave toy piano in her crib, the family found her a lovely piano teacher, Lyl Tiempo, who happened to live in the apartment above Gabriela\u2019s family.\u00a0 But a few years later, Lyl moved out to Europe, and Gabriela was sent on her way to study Piano in Miami with a scholarship from the Venezuelan government; she was just nine years old.<\/p>\n<p>\u201cIt was very difficult.\u00a0 It was really hard to leave Venezuela, my country \u2014 and my family and my home,\u201d said Gabriela. \u201cI\u2019ve always had a very strong attachment to Venezuela.\u201d<\/p>\n<p>Unfortunately, Gabriela\u2019s experience in Miami was a negative one, and after years of studying piano there, she returned to Caracas at age 17 and stopped playing the piano altogether.<\/p>\n<p>\u201cI hated music; I hated being a musician. It was a time of great questioning for me. I came back to Caracas and did social work.\u201d<\/p>\n<p>But when she sent a recording to London, out of curiosity, she was immediately offered a full scholarship to study at the Royal College of Music.<\/p>\n<p>\u201cIt was miraculous how I ended up in London. I didn\u2019t even have enough money to get there.\u201d<\/p>\n<p>Studying with Hamish Milne, Gabriela rekindled her gift of musical narrative, especially of improvisation.<\/p>\n<p>\u201cI always improvised. It\u2019s been the way I communicate, to tell my stories. I sit down, and music just flows out.\u00a0 I always say I get out-of-the-way\u2026 for me, music is a metaphor to life, to stories, and improvisation has always been there.\u201d<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/lXwcIv9olKk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Back To Toronto<\/h3>\n<p><a href=\"https:\/\/www.ludwig-van.com\/toronto\/event\/royal-conservatory-music-gabriela-montero-innocence-experience\/\" target=\"_blank\" rel=\"noopener\">This Sunday\u2019s program<\/a> is built on two concepts: of innocence \u2014 that of childhood, of purity, and experience \u2014 the difficult world we live in, with a special focus on the current suffering of Venezuelans.\u00a0 It\u2019s the culmination of her last 10 years&#8217; work, as an artist and human rights advocate.<\/p>\n<p>\u201cI put this program together to talk about who we are as a society, and not to shy away from sending messages out to the world \u2014 in my case, about Venezuela and what has been happening there since Chavez took power in 1999, and the deep humanitarian crisis that we are unfortunately drowning in. But to speak about it, as I compose, I denounce the press, I am a voice for the voiceless Venezuelans, and this program is my way of reflecting, somehow, the best we can be. The innocence of childhood and its connection to purity, and our experience, such as suffering under the Stalinist oppression and the way that one has to live in a totalitarian regime\u2026 my life has been changed by the Venezuelan situation, something that I did not choose. It was something that happened in my lifetime.\u201d<\/p>\n<p>Schumann\u2019s <em>Kinderszenen<\/em> grouped with selections from Chick Corea\u2019s <em>Children\u2019s Songs<\/em>, and her own <em>Memories from Childhood<\/em> will complete the <em>Innocence<\/em> half. There is no standard version of her memories:\u00a0 \u201cI improvise my five pieces from my Venezuelan Childhood. These are just memories I have; there\u2019s nothing written.\u00a0 Every Time I do it, it\u2019s different.\u00a0 But this is my way of telling the stories of Venezuela and what it means to me \u2014\u00a0 who I was at the time, and the specific memories I have, and I love bringing them to life with improvisation.\u201d<\/p>\n<p>The rest of the program consists of Shostakovich\u2019s Piano Sonata No.2 and Gabriela\u2019s improvisations.<\/p>\n<h3>On a Limb<\/h3>\n<p>The idea of interpretation as an individual speaking through a pre-existing text\/set\/choreography, mostly created by a third-party, is standard practice in performance arts, especially in Classical music.\u00a0 In fact, the personalization of the standard text is one of the most interesting and controversial topic: <em>Who<\/em> plays it <em>how<\/em>?<\/p>\n<p>Taking it one step further by speaking directly (through one\u2019s own pre-composed pieces), then another step by creating in real-time (improvisation): these two steps are seldom taken in Classical music. Somehow we\u2019ve lost the courage and interest in playing and experimenting.\u00a0 However, we\u2019ve all done it as children- to create, to make stuff up, to simply communicate in non-verbal and verbal sound, gesture and looks. Perhaps it was our innocence that allowed us not to be concerned about criticism and the status quo.<\/p>\n<p>To see Gabriela\u2019s program is an interesting proposition: <em>what <\/em>and <em>how<\/em> would you expect, as an audience, when faced with such a program?<\/p>\n<p>It\u2019s a variety that we don\u2019t often see, and as Classical musicians often talk about improvisation in hushed voices in awe, it\u2019s worthwhile to note her conviction, the power of personal narrative in its purest form.<\/p>\n<p>If you are curious, do come, in the cold November afternoon, to hear the stories that she will tell, of her warm Venezuelan childhood, and of people whose stories need to be told, if only made possible through a brave champion.<\/p>\n<p>++++<\/p>\n<p>Gabriela Montero: Innocence and Experience, 25 November 2018, 3 pm at Koerner Hall. Details <u><span style=\"color: #ff0000;\"><a href=\"https:\/\/www.rcmusic.com\/events-and-performances\/gabriela-montero-innocence-and-experience\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ff0000;\">here<\/span><\/a><\/span>.<\/u><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We caught up with pianist Gabriela Montero to talk about her latest program of works combining classical piano improvisations and compositions, and why she is telling the story of Venezuela.<\/p>\n","protected":false},"author":62,"featured_media":57173,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[14761,4967,29,47],"tags":[1371],"yst_prominent_words":[11000,7277,6715,10386,24562,14994,24688,15880,18752,24689,6606,10167,6616,7141,8295,24691,7014,24690,24693,24692],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/11\/Gabriela-Montero-cover.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-eS6","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/57170"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=57170"}],"version-history":[{"count":7,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/57170\/revisions"}],"predecessor-version":[{"id":57188,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/57170\/revisions\/57188"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/57173"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=57170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=57170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=57170"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=57170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}