{"id":52104,"date":"2018-04-05T17:19:09","date_gmt":"2018-04-05T21:19:09","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=52104"},"modified":"2018-04-06T12:46:30","modified_gmt":"2018-04-06T16:46:30","slug":"record-keeping-why-we-cant-stop-listening-to-pianist-stuart-goodyears-homage-to-glenn-gould","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2018\/04\/05\/record-keeping-why-we-cant-stop-listening-to-pianist-stuart-goodyears-homage-to-glenn-gould\/","title":{"rendered":"RECORD KEEPING | Why We Can&#8217;t Stop Listening To Pianist Stewart Goodyear\u2019s Homage To Glenn Gould"},"content":{"rendered":"<figure id=\"attachment_51192\" aria-describedby=\"caption-attachment-51192\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-51192\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/02\/Goodyear-2018.jpg\" alt=\"Stuart Goodyear\" width=\"1024\" height=\"734\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/02\/Goodyear-2018.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/02\/Goodyear-2018-300x215.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/02\/Goodyear-2018-768x551.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-51192\" class=\"wp-caption-text\">Stewart Goodyear<\/figcaption><\/figure>\n<p><strong>Stewart Goodyear. <em>For Glenn Gould<\/em>. Sono Luminus DSL-92220. Total time: 66 minutes.<\/strong><\/p>\n<p>Toronto\u2019s <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2014\/11\/28\/qa-20-questions-for-stewart-goodyear\/\" target=\"_blank\" rel=\"noopener\">Stewart\u00a0Goodyear <\/a>was a piano prodigy. He has been composing his own music since childhood. There\u2019s an element of the showman about him, on the surface. But deep down, he is a sensible, serious pianist who is his latest album has created a wonderful tribute to the legendary Glenn Gould.<\/p>\n<p>Goodyear has reconstituted a couple of Gould\u2019s youthful recital programs and, instead of interpreting the music in the style of Gould, provides his own clear-headed renderings that make as much sense as the original, yet sound only like Goodyear.<\/p>\n<p>The result is a pleasure from beginning to end. I would like to boldly suggest that Goodyear does a better job will all of the music as a whole than Gould was ever capable of doing.<\/p>\n<p>The album, arranged chronologically, begins with <em>Lord Salisbury\u2019s Pavan and<\/em> <em>Galliard<\/em> by late-Renaissance composer Orlando Gibbons, then segues smoothly into a <em>Fantasia<\/em> in D Major by Jan Sweelinck. We hear five of the short, simple <em>Sinfonias<\/em> by J.S. Bach, interpreted with the care and craft of much more complex pieces of music, followed by the full <em>Partita No. 5<\/em> for solo keyboard, with its whimsical, theatrical \u201cPreambulum.\u201d<\/p>\n<p>As was typical of Gould\u2019s avoidance of 18th century and early 19th-century music, we jump to the late-Romantic intimacies of Johannes Brahms <em>Intermezzi<\/em>. Goodyear has chosen two: Op. 118, No. 2 and Op. 117, No. 3.<\/p>\n<p>Gould probably did as much for the early 20th-century music of atonal pioneer Alban Berg as he did for Bach. Goodyear gives us a powerfully compelling performance of Berg\u2019s single-movement <em>Piano Sonata No. 1<\/em>. As he plays Berg\u2019s remarkably traditional counterpoints, Goodyear imbues the music with shape as well as drama. Time is being kind to this piece, and it makes for engaging listening at Goodyear\u2019s hands.<\/p>\n<p>The pianist is much gentler with Brahms. Like Gould, Goodyear clearly lays out Brahms\u2019 careful interweaving of musical themes. But unlike Gould, he gives the two pieces a gentle, caring touch.<\/p>\n<p>The Bach pieces don\u2019t sound a bit like Gould either. Parts of the <em>Partita<\/em> are very briskly paced, to make this listener gape in awe at Goodyear\u2019s technical skills. But the approach is clear-headed, balancing the voices perfectly so that the listener can make the decision about which voice to focus on.<\/p>\n<p>Most of the pieces on this album are not part of the mainstream classical repertoire, but Goodyear \u2014 as did Gould back in his day \u2014 makes a convincing case that each one should be. Best of all, the album as a whole, works like a fine recital carrying the listener forward effortlessly, willingly to a faraway destination as surprising at it is pleasurable.<\/p>\n<p>I also love how this sort of carefully structured album is also better than any personal playlist we could assemble from our own music files, or get from a streaming service.<\/p>\n<p>Read our latest interview with Goodyear on his Gould inspired album right <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2018\/02\/23\/five-minutes-stewart-goodyear-is-coming-to-terms-with-his-idol-glenn-gould\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<h3><b><i>LUDWIG VAN TORONTO<\/i><\/b><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;For Glenn Gould&#8221; provides his own clear-headed renderings that make as much sense as the original, yet sound only like Goodyear.<\/p>\n","protected":false},"author":2,"featured_media":51192,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[14761,77,5739,51,52,63],"tags":[1430,3141],"yst_prominent_words":[7004,12154,18351,10217,18350,9021,18343,10182,10707,15906,6616,10582,18345,13336,7141,10171,18375,8469,10395,18349],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/02\/Goodyear-2018.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-dyo","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/52104"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=52104"}],"version-history":[{"count":5,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/52104\/revisions"}],"predecessor-version":[{"id":52121,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/52104\/revisions\/52121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/51192"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=52104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=52104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=52104"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=52104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}