{"id":50782,"date":"2018-02-02T13:45:59","date_gmt":"2018-02-02T18:45:59","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=50782"},"modified":"2018-02-04T12:23:07","modified_gmt":"2018-02-04T17:23:07","slug":"zero-in-mozart-in-his-soul-meet-mauro-peter","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2018\/02\/02\/zero-in-mozart-in-his-soul-meet-mauro-peter\/","title":{"rendered":"ZERO IN | Mozart In His Soul: Meet Mauro Peter"},"content":{"rendered":"<figure id=\"attachment_50784\" aria-describedby=\"caption-attachment-50784\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-50784\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/02\/Mauro_Peter_headshot.jpg\" alt=\"On the occasion of his North American debut, the Swiss tenor shares his thoughts on singing Mozart, hiking in the mountains, and Roger Federer. (Photo: Franziska Schrodinger)\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/02\/Mauro_Peter_headshot.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/02\/Mauro_Peter_headshot-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/02\/Mauro_Peter_headshot-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-50784\" class=\"wp-caption-text\">On the occasion of his North American debut, the Swiss tenor shares his thoughts on singing Mozart, hiking in the mountains, and Roger Federer. (Photo: Franziska Schrodinger)<\/figcaption><\/figure>\n<p>Among the many visiting artists in town this opera season, I was particularly looking forward to meeting Swiss tenor Mauro Peter. I\u2019ve had the good fortune of hearing him a couple of times in Europe. The quintessential Mozart tenor, Peter combines a warm and beautiful sound with a patrician bearing, making him an ideal Tamino and Belmonte. When I found out that he would be making his North American debut right here in Toronto, in <em>Die Entf<\/em><em>\u00fchrung aus dem Serail (Abduction from the Seraglio)<\/em>, an interview was too good an opportunity to pass up.<\/p>\n<p>Meeting Mauro Peter for the first time, one is struck by his imposing height. He certainly gives the lie to the idea that tenors are short \u2014 no elevator shoes for Mr. Peter! \u00a0But his trademark beard, often seen in photos, was missing \u2014 \u201cit was shaved off for Belmonte!\u201d laughs the tenor. And his luxuriant head of curly hair was also cut short \u2014 \u201cto fit into the wig.\u201d\u00a0 What has <em>not<\/em> changed was his easy smile \u2014 broad, spontaneous, complete with perfect teeth, something I\u2019d call \u201ca million-dollar smile.\u201d \u201cWell, I\u2019m still working on the million dollars,\u201d quips the good-natured tenor. With that little pleasant exchange, we got down to business.<\/p>\n<p>At 30, Mauro Peter is already singing lead roles in prestigious houses the likes of Covent Garden, Paris Opera, Bavarian State Opera, Salzburg Festival, and La Scala. Tamino is his signature role, but he\u2019s also a noted Ferrando, Belmonte, and Don Ottavio. \u00a0A committed recitalist, Peter is a frequent guest at the Schubertiade Vorarlberg, and has sung <em>Die schone Mullerin<\/em> at Wigmore Hall. Despite the current parlous state of the recording industry, Peter already has three song discs to his name \u2014 a live recording of his Wigmore recital, plus Schubert\u2019s <em>Goethe-Lieder<\/em> and Schumann\u2019s <em>Dichterliebe<\/em>, both on the Sony label, with his mentor, the great Helmut Deutsch at the piano.<\/p>\n<p>If you are not familiar with the Mauro tenor, there are plenty of video clips of his singing on Youtube. Here\u2019s a gorgeously sung \u201cHeidenr\u00f6slein\u201d.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Lu-rWbraNak?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>And this one, of Beethoven\u2019s \u201cDer Kuss.\u201d<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ASuti5A-iPY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>We met for a chat at the COC headquarters on Front Street, on a bright if cold January day. Even though we had only about fifty minutes, thanks to the cheerful and animated Mr. Peter, who speaks fluent English, our wide-ranging conversation moved at a fast clip:<\/p>\n<p><strong><em>Welcome to Toronto. I\u2019m sorry it\u2019s so cold \u2014 it\u2019s unusual even for us! <\/em><\/strong><\/p>\n<p>When I came I expected it, so I brought a big coat! I almost would be disappointed if it\u2019s not cold! [Hearty laughs] But it\u2019s a challenge for us singers when the air is so dry.<\/p>\n<p><strong><em>When did you get here? Is this your first time in Canada?<\/em><\/strong><\/p>\n<p>I got here before New Year\u2019s Eve. Yes, professionally this is my first time in North America. I was one week in New York just for fun, had nothing to do with music.<\/p>\n<p><strong><em>What do you think of Toronto so far?\u00a0 <\/em><\/strong><\/p>\n<p>It\u2019s great!\u00a0 It\u2019s so different when you are from Switzerland! I said to a colleague that I have an apartment on the 28<sup>th<\/sup> floor. He said \u201conly 28<sup>th<\/sup> floor?\u201d For me that\u2019s huge! People are very nice here.<\/p>\n<p><strong><em>Well, we Canadians are very polite, lots of \u201cplease, thank you, and I\u2019m sorry\u2026\u201d <\/em><\/strong><\/p>\n<p>The Swiss do also! There\u2019s even more formality in Switzerland.\u00a0 If you go to a store, everyone is very polite \u2014 \u201c\u2026if it\u2019s not too much, I would like to have this\u2026\u201d It\u2019s a lot of formality, but I Like it.<\/p>\n<p><strong><em>You live in Zurich and the Zurich Opera your home theatre? \u00a0Are you still a Fest artist there? <\/em><\/strong><\/p>\n<p>Yes, I am. This year is a bit tricky, I only do a recital there. \u00a0Next year I am going to do more.<\/p>\n<p><strong><em>Then you must know some Canadian artists there. Claire de Sevign<\/em><\/strong><strong><em>\u00e9, for example? <\/em><\/strong><\/p>\n<p>Claire yes, although we never sang together before. \u00a0And I also knew Jane Archibald, from 2015. We did <em>Zauberfl<\/em><em>\u00f6te<\/em> in Paris for the first time, and then my first <em>Abduction<\/em> in Toulouse last year she was my Konstanze.<\/p>\n<p><strong><em>I read that you were born in Lucerne? \u00a0<\/em><\/strong><\/p>\n<p>Yes, but I live in Zurich. Lucerne is 50 minutes away by train. Switzerland is a small country; for us an hour on the train is a long time!<\/p>\n<p><strong><em>Tell me a little about your upbringing. Do you come from a musical family? <\/em><\/strong><\/p>\n<p>My parents are not in music, but we are a musical family. We did a lot of music together. Always sang. Always classical music; also Eric Clapton \u2013 my father plays the guitar. My parents both sang in the choir when they were young.<\/p>\n<p><strong><em>What was your earliest memory of classical music?\u00a0 <\/em><\/strong><\/p>\n<p>It was in the Lucerne Boys\u2019 Choir. When I was 10, we did a Christmas concert on short notice. We had to learn a lot of stuff. I remember that concert was such a joy.\u00a0 I enjoyed singing in the choir. I sang in the choir [as a tenor] until I was 20 and then I had to stop. The voice was getting too strong.<\/p>\n<p><strong><em>What made you decide to go to Hochschule in Munich rather than in Switzerland? <\/em><\/strong><\/p>\n<p>That\u2019s a good question! The focus on opera is very big in Munich and in Germany, but not in Switzerland. They\u2019re starting to have more collaborations with opera houses now. Basel has a wonderful institution to do concert, but I am more into opera and theatre. I knew in Munich they have this wonderful academy of theatre where they work with professional orchestras and conductors, and students have the possibility to sing on the big stage. It was in Munich where I met my teacher, Fenna K\u00fcgel-Seifried, and we instantly connected. She\u2019s the one who taught me singing, and she still does. I go to her for check-ups.\u00a0 I have a good team behind me, people with good ears. My agent, Oliver Kretschmer, is also very musical and has a good ear.<\/p>\n<p><strong><em>You made your operatic debut as Ferrando in Cosi fan tutte. When was that? Who was your conductor? <\/em><\/strong><\/p>\n<p>In 2009 in Bad Reichenhaller, it was Thomas Mandl. When I came to Munich as a young tenor, I wasn\u2019t as developed. Fenna said to me \u2014 \u201cin five months you\u2019ll sing Ferrando.\u201d \u00a0I thought what? I can\u2019t do that! I sang the second aria and thought I\u2019d never get these high notes, it was too much pressure. I went to her. She said \u201csit down, I have some ideas\u201d and she proceeded to show me how to sing the high notes, to make it light. She said, \u201cdon\u2019t worry, you have the notes, just do it \u2018slim\u2019 and it will come.\u201d \u00a0\u00a0I think I managed to sing a decent Ferrando five months later, but I was nervous!<\/p>\n<p><strong><em>I\u2019m curious, when you were a boy treble, were you a high boy soprano? <\/em><\/strong><\/p>\n<p>No, I was an alto.<\/p>\n<p><strong><em>I\u2019ve heard a theory that high boy trebles become low voices as adult singers, and vice versa \u2014 don\u2019t know if it\u2019s true! \u00a0What is your working range?\u00a0 Do you sing a high C? <\/em><\/strong><\/p>\n<p>Yes, as Andres [in <em>Wozzeck<\/em>] you need a high C.\u00a0 Once I had to sing a low A-flat in a song. But that\u2019s with piano. I can sing a low B-flat.<\/p>\n<p><strong><em>Mozart tenor roles don\u2019t have high C\u2019s<\/em><\/strong><\/p>\n<p>No, but I sang it in a song.\u00a0 In <em>Sonnetto del Petrarca<\/em> by Liszt, there\u2019s a D-flat.\u00a0 I have a C \u2014 it\u2019s not a problem. I slim it out and don\u2019t sing it like Corelli [laughs]<\/p>\n<p><strong><em>Do you sing Richard Strauss?\u00a0 <\/em><\/strong><\/p>\n<p>Only in <em>Lied<\/em>, so far, but it may be an option in some years. Very carefully. I still think I am a Mozart tenor, where my voice feels the most comfortable. Even though Mozart is difficult and gives me a hard time, it\u2019s a different kind of demand. \u00a0I want to be a Mozart tenor for a long, long time, but I am not against developing the repertoire to widen the horizon. Something like Flamand [in Strauss\u2019s <em>Capriccio<\/em>], or Nemorino [in <em>L\u2019Elisir d\u2019amore<\/em>]. Still very cautious. I always say I have a palette of colours. I would like to have some additional colours, but I don\u2019t want to lose the colours I already have \u2014 that\u2019s the most important thing for me. \u00a0Some of my Mozart colleagues think \u2014 \u201cI\u2019ve done Mozart, now what\u2019s next. where can I go?\u201d \u00a0I think \u2014 what\u2019s wrong with Mozart? Singing Tamino in a big house is a challenge. You don\u2019t have to sing it too dramatically, but you have to be in touch with your voice and your body. \u00a0I think it may be a mistake to think that \u201cI have a loud voice, and I want to do bigger things.\u201d \u00a0Give yourself time! You can learn a lot with Mozart.<\/p>\n<p><strong><em>When you get older, you can start singing the mature Mozart tenor roles \u2014 Tito, Idomeneo<\/em><\/strong>.<\/p>\n<p>Yes, that\u2019s an option too. I do the arias now, with Basel Kammerorchester, and in Graz in April.<\/p>\n<p><strong><em>You seem to be a committed recitalist, dividing your time equally between opera and Lieder<\/em><\/strong>.<\/p>\n<p>Yes, I try. Opera is more demanding time-wise. It\u2019s also something very close to my heart.\u00a0 If you have the possibility as a lyric tenor to sing Lieder, opera and oratorio, I really think you should embrace that and not just go opera or Lied.<\/p>\n<p><strong><em>Well, you have certainly studied with the best, like Helmut Deutsch!\u00a0 <\/em><\/strong><\/p>\n<p>Helmut Deutsch has given me great advice \u2014 don\u2019t be afraid of dramatic moments. We were doing <em>An die ferne geliebte<\/em>. Don\u2019t overdo it, but don\u2019t be too timid.<\/p>\n<p><strong><em>Do you have a favourite Lied? <\/em><\/strong><\/p>\n<p>[Pause] This is always a difficult question for a singer! \u00a0It has to be \u201cDie liebe Farbe\u201d from <em>Die sch<\/em><em>\u00f6ne M<\/em><em>\u00fcllerin.<\/em><\/p>\n<p><strong><em>I see that you sing in the Schubertiade. Did you ever meet Dietrich Fischer-Dieskau?\u00a0 <\/em><\/strong><\/p>\n<p>No, I didn\u2019t \u2014 it was too late. I didn\u2019t have a chance to meet him.<\/p>\n<p><strong><em>When you were a student, did you have a singer you admired?<\/em><\/strong>\u00a0 <strong><em>Did you have an idol?\u00a0 <\/em><\/strong><\/p>\n<p>Idol\u2026that\u2019s a tricky question! I don\u2019t want to imitate someone. But if you are a lyric tenor, you have to talk about the big names like Nicolai Gedda, Peter Schreier, Fritz Wunderlich. All of them.\u00a0 I was also inspired by Domingo, by Brigitte Fassbaender and others. I like a lot of voices, but I try to find my own way.<\/p>\n<p><strong><em>Tell me about your COC Belmonte \u2014 are you going to sing \u201cIch baue ganz\u201d? <\/em><\/strong><\/p>\n<p>Yes. I am going to sing everything. We are also doing the second aria \u2014 the A and B version. Often it is cut, but we don\u2019t have any cuts. I sing every note that\u2019s written for Belmonte.<\/p>\n<p><strong><em>I am so happy to hear that! The last time this opera was done locally by another company, \u201cIch baue ganz\u201d was cut, as were whole chunks of the score, replaced by dancing. \u00a0<\/em><\/strong><\/p>\n<p>It is a hard aria to sing, I have to say!<\/p>\n<p><strong><em>I love the nobility of the aria. Abduction has gorgeous music, but its story is problematic in society today<\/em><\/strong>.<\/p>\n<p>Yes, but I have to say our director Wadji Mouawad has a very interesting and good approach. He found a way to deal with this. There\u2019s a lot of added text. We did a run through, and it worked. It\u2019s kind of a retrospective thing. Belmonte is not the nicest character, I have to say. Of course it\u2019s nice that he goes on a journey to get his girl back, but when he arrives, he says to her \u2014 \u201cnice to see you, uh, did you cheat on me? Is my honour intact?\u201d\u00a0 That\u2019s quite a rude question after two years! What a strange thing to say.<\/p>\n<p><strong><em>Which Mozart tenor character do you like the most?\u00a0 Tito? Idomeneo? <\/em><\/strong><\/p>\n<p>Yes, but I like Tamino also, his naivet\u00e9, and his journey, of a boy growing into a man. I also like Ferrando \u2014 it\u2019s a silly game but they all play it. Belmonte for me is also interesting. He\u2019s a bit arrogant; he has servants; he\u2019s used to being treated as a prince. In this staging you see the connection to Konstanze, which makes her even more interesting. In this staging, you realize that after a long time (2 years) people change. Belmonte wants to continue with Konstanze where they left off, but there\u2019s no possibility of that, not for Konstanze, and not for Belmonte.<\/p>\n<p><strong><em>What do you do for fun?\u00a0 <\/em><\/strong><\/p>\n<p>Meeting friends [&#8230;] going to the movies. When I do something for fun, it\u2019s mostly meeting friends. In the summer, I go hiking in the mountains. I watch a lot of sports and try to do a little more myself.\u00a0 I started getting into basketball; I want to see a Raptors game! \u00a0Roger Federer \u2014 I am crazy about him, it\u2019s almost an obsession [laughs] \u00a0When he won the Australian Open last year I was in Toulouse singing <em>Abduction<\/em>, I think I was almost more nervous about his match than my opening night.[Big laughs]<\/p>\n<p><strong><em>You say you like movies. What\u2019s the last movie you saw that you liked?\u00a0 <\/em><\/strong><\/p>\n<p>The last really good movie, let me think. I watch a lot on Netflix. Some you see to distract yourself. I really liked a movie with Tom Hardy, not very well known, it\u2019s called <em>Locke<\/em>. It\u2019s brilliant, only him for his journey in the car. He messes up his life, and tries to solve his problems. The way Tom Hardy plays this role is exceptionally good.<\/p>\n<p><strong><em>Sounds like you like Arthaus movies\u2026. <\/em><\/strong><\/p>\n<p>Not only that. I am a big fan of <em>Gladiator<\/em> too! I also liked <em>La grande bellezza<\/em>, an Italian movie.<\/p>\n<p><strong><em>What\u2019s the best piece of advice you have been given, advice that guides you in your career and your life? <\/em><\/strong><\/p>\n<p>I have had lots of great advice, but the most important one, the most connected one was before I met the people I am working with now. I went to a teacher in Zurich, to see if I was able to study music, if my voice was good enough. I went to this big teacher, just to do one lesson, to get his advice. Jakob St\u00e4mpfli, a big name in Switzerland. I sang something from <em>Die sch<\/em><em>\u00f6ne M<\/em><em>\u00fcllerin<\/em> and Ferrando\u2019s aria. He said, &#8220;go for it!&#8221;\u00a0 But the most important thing is you have to burn for this profession, to embrace it, to want it with all your heart. And to find a teacher who has the same fire as you. That was the most important advice. And I found her [Fenna K\u00fcgel-Seifried]!<\/p>\n<p><strong><em>What are your future plans? \u00a0What are your dreams?\u00a0 <\/em><\/strong><\/p>\n<p>I am doing it now! The things I do right now are what I dreamed of doing. I had different stages of dreams. When I started, I dreamed of singing solo. I thought that would be great. And then I thought \u2014 it would be so great to go to this opera house and that opera house, to see the world. That was my dream five years ago and that\u2019s now a reality. I am living the dream!\u00a0 I sing in Munich, Salzburg, Toronto, Milano, London, Paris. My dream is to continue to grow. The most important thing, the goal, is to get the best out of my voice, as a musician, as a singer. That\u2019s always the highest achieving goal. That would never change. The goal is to always improve. Of course, that\u2019s a hard thing, you have to dig deep sometimes. I have work, people love me, I get paid well, it\u2019s ok, right?\u00a0 In sports, they have to re-invent themselves at a certain point. They have to dig deeper, to go a step further.<\/p>\n<h3><b><i>LUDWIG VAN TORONTO<\/i><br \/>\n<\/b><\/h3>\n<p><i>Want more updates on Toronto-centric classical music news and reviews before anyone else finds out? Follow us on\u00a0<\/i><span style=\"color: #ff0000\"><strong><a href=\"https:\/\/www.facebook.com\/LudwigVanToronto\/\" target=\"_blank\" rel=\"noopener\"><u><i>Facebook<\/i><\/u><\/a><\/strong><\/span><i>\u00a0or\u00a0<\/i><span style=\"color: #ff0000\"><strong><a href=\"https:\/\/twitter.com\/LudwigVanTO\" target=\"_blank\" rel=\"noopener\"><u><i>Twitter<\/i><\/u><\/a><\/strong><\/span><i><span style=\"color: #ff0000\">\u00a0<\/span>for all the latest.<\/i><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-48756 alignleft\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/10\/LudwigVan-head-text-looking_right.jpg\" alt=\"\" width=\"35\" height=\"55\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/10\/LudwigVan-head-text-looking_right.jpg 833w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/10\/LudwigVan-head-text-looking_right-190x300.jpg 190w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/10\/LudwigVan-head-text-looking_right-768x1213.jpg 768w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/10\/LudwigVan-head-text-looking_right-648x1024.jpg 648w\" sizes=\"(max-width: 35px) 100vw, 35px\" \/><\/p>\n<div class=\"abh_box abh_box_down abh_box_business\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>On the occasion of his North American debut, the Swiss tenor shares his thoughts on singing Mozart, hiking in the mountains, and Roger Federer.<\/p>\n","protected":false},"author":22,"featured_media":50784,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[14761,4967,29,43,9620],"tags":[16310],"yst_prominent_words":[16305,6715,16306,16304,13474,16303,16302,16297,16300,7859,16296,16299,16298,6886,7857,16301,11830,8646,6619,10395],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2018\/02\/Mauro_Peter_headshot.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-dd4","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/50782"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=50782"}],"version-history":[{"count":4,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/50782\/revisions"}],"predecessor-version":[{"id":50798,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/50782\/revisions\/50798"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/50784"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=50782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=50782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=50782"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=50782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}