{"id":49511,"date":"2017-11-30T08:37:46","date_gmt":"2017-11-30T13:37:46","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=49511"},"modified":"2017-11-30T08:44:05","modified_gmt":"2017-11-30T13:44:05","slug":"scrutiny-tafelmusik-crowns-its-fall-with-lively-marriage-of-instruments-and-voices","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2017\/11\/30\/scrutiny-tafelmusik-crowns-its-fall-with-lively-marriage-of-instruments-and-voices\/","title":{"rendered":"SCRUTINY | Tafelmusik Crowns Its Fall With Lively Marriage Of Instruments And Voices"},"content":{"rendered":"
\"(Photo:
Can’t wait for Prince Harry and Meghan Markle\u2019s Royal wedding? Tafelmusik’s got you covered with Four Weddings, a Funeral, and a Coronation (Photo: John Terauds)<\/figcaption><\/figure>\n

Four Weddings, a Funeral, and a Coronation. Tafelmusik Orchestra and Chamber Choir<\/a>, led by Elisa Citterio and Ivars Taurins. Jeanne Lamon Hall, Trinity-St Paul\u2019s Centre, to Dec. 3<\/a>.<\/em><\/strong><\/p>\n

Royal occasions demand extra from everyone and everything, including the music, and Tafelmusik is pulling out its finest in a concert featuring both the orchestra and Tafelmusik Chamber Choir this week.<\/p>\n

The program\u00a0is titled Four Weddings, a Funeral, and a Coronation<\/em>. It\u2019s not an obvious musical combination, even if it riffs on the popular movie comedy from the 1990s. But the choice of pieces on the program is, in reality, inspired.<\/p>\n

All of the compositions are not just big and pompous. They are graceful, exquisitely crafted works that receive their full due at the hands of the musicians and their two leaders, violinist Elisa Citterio and Tafelmusik Chamber Orchestra\u2019s founding music director, Ivars Taurins.<\/p>\n

Most of what we heard at the first performance at Trinity-St Paul\u2019s Centre\u2019s Jeanne Lamon Hall on Wednesday night came from England and France, and a lot of it came from early in the Baroque era. All of it was performed well.<\/p>\n

The period-instrument orchestra itself sounds no different under Citterio than it did under Jeanne Lamon \u2014 and there\u2019s nothing wrong with that. The playing was tight and expertly nuanced.<\/p>\n

The Tafelmusik Chamber Choir under Taurins is as disciplined and expressive as ever. The quality of the voices is such that they can be pulled out individually as needed to sing solo passages.<\/p>\n

The longest piece on the program, at about 30 minutes, is Marc-Antoine Charpentier\u2019s magnificent Messe des morts<\/em>, from 1695. Taurins and his forces have it a light, graceful touch.<\/p>\n

The wedding pieces, both sung and instrumental, by Baroque masters Jean-Baptiste Lully, Henry Purcell and George Frideric Handel, were superbly executed, and all contained a wealth of engrossing musical moments. John Blow was responsible for a verse anthem, based on Psalm 89, from the coronation of King James II.<\/p>\n

Citterio even threw in a nod to current wedding-music tastes by assembling a trio of violins plus continuo, in a light-and-lively rendition of Johann Pachelbel\u2019s famous Canon<\/em>.<\/p>\n

It was great to see the leader of the orchestra working together with Taurins \u2014 something that rarely happened before Citterio\u2019s arrival. The results are well worth checking out.<\/p>\n

#LUDWIGVAN<\/i>
\n<\/b><\/h3>\n

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 <\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Royal occasions demand extra from everyone and everything, including the music, and Tafelmusik is pulling out its finest in a concert featuring both the orchestra and Tafelmusik Chamber Choir this week.<\/p>\n","protected":false},"author":2,"featured_media":49512,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[6439,74,19,36,52,63],"tags":[3223],"yst_prominent_words":[6739,6605,10136,9001,14335,9004,14333,6609,8311,11955,11957,6616,6613,8295,6618,11584,11580,6617,8308,14334],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/11\/Tafelmusik-Ludiwig_van.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-cSz","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/49511"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=49511"}],"version-history":[{"count":4,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/49511\/revisions"}],"predecessor-version":[{"id":49516,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/49511\/revisions\/49516"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/49512"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=49511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=49511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=49511"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=49511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}