{"id":49289,"date":"2017-11-21T18:19:27","date_gmt":"2017-11-21T23:19:27","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=49289"},"modified":"2017-11-21T18:22:26","modified_gmt":"2017-11-21T23:22:26","slug":"record-keeping-jordan-pal-reckons-with-rapture-on-into-the-wonder","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2017\/11\/21\/record-keeping-jordan-pal-reckons-with-rapture-on-into-the-wonder\/","title":{"rendered":"RECORD KEEPING | Jordan Pal Reckons With Rapture On &#8220;Into The Wonder&#8221;"},"content":{"rendered":"<h3>One of Canada\u2019s most interesting young composers, Jordan Pal&#8217;s first record is an expansive personal awakening.<\/h3>\n<figure id=\"attachment_49290\" aria-describedby=\"caption-attachment-49290\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-49290\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/11\/1508957358_2-9521-Couvert.jpg\" alt=\"Jordan Pal: Starling: Triple Concerto for Violin, Cello, Piano and Orchestra*. Into the Wonder. Gryphon Trio*. Thunder Bay Symphony Orchestra\/Arthur Post. Analekta AN2 9521. Total Time: 60:19.\" width=\"1024\" height=\"1022\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/11\/1508957358_2-9521-Couvert.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/11\/1508957358_2-9521-Couvert-150x150.jpg 150w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/11\/1508957358_2-9521-Couvert-300x300.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/11\/1508957358_2-9521-Couvert-768x767.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-49290\" class=\"wp-caption-text\">Jordan Pal: Starling: Triple Concerto for Violin, Cello, Piano and Orchestra*. Into the Wonder. Gryphon Trio*. Thunder Bay Symphony Orchestra\/Arthur Post. Analekta AN2 9521. Total Time: 60:19.<\/figcaption><\/figure>\n<p>Those of us who live in Toronto, with its remarkable range of classical music offerings, often forget that beyond the borders of our fair city there is a lot going on, about which we know far too little, this new CD from the enterprising Quebec label Analekta being a case in point. I wonder how many Toronto music-lovers were even aware that Thunder Bay had a professional orchestra. Here it is, with world premiere recordings of two major works it commisioned from one of Canada\u2019s most interesting young composers.<\/p>\n<p>Jordan Pal writes colourful, tuneful and invariably entertaining tonal music that is immediately accessible to a general audience. Pal studied with composer Gary Kulesha, earned his doctorate from the University of Toronto, and is currently the Royal Bank of Canada (RBC) Affiliate Composer with the Toronto Symphony (TSO), which recently took his composition <em>Iris <\/em>on tour to Israel.<\/p>\n<p>It is not easy for a composer to write about his own music; after all, had he wanted to express himself in words, he would have done so. Instead, he said what he wanted to say in music. Such is the case here. Pal\u2019s notes about the two works on this recording tend toward the hyperbolically metaphorical and opaque. About <em>Starling, <\/em>he writes that his hope is \u201cto inspire a greater appreciation of our environment\u201d and that \u201cmusic is possibly the only human endeavor that has the potential to match nature\u2019s evanescent splendor.\u201d Although these are grand themes and Pal is certainly entitled to promote them, such comments really shed very little light on his music. That said, in giving the title, \u201cAwakening of happy feelings on arriving in the country,\u201d to the first movement of his 6<span style=\"font-size: 13.3333px;\">th<\/span> symphony, Beethoven didn\u2019t tell us much about his music either. Ultimately, music is music and mostly speaks for itself.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/cixiXTI-nmk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>Listening to <em>Starling: Triple Concerto for Violin, Cello, Piano and<\/em> <em>Orchestra<\/em>, Beethoven comes to mind again, for it was Beethoven who wrote the only piece for this combination of instruments that has managed to stay in the repertoire.<\/p>\n<p>Writing his <em>Triple Concerto<\/em> 212 years after Beethoven, Jordan Pal has given himself a formidable challenge. Does he treat the three instruments as a solo group or as three distinct soloists? Or does he try to do both? In this case, he was writing for the Gryphon Trio, so one assumes that the three players should be thought of as a group rather than as individual soloists. For the most part, it seems that he has adopted this principle while giving each of the members of the Trio an opportunity to shine now and again, and shine they do both separately and together.<\/p>\n<p><em>Starling <\/em>is a thoroughly engaging piece with a wide range of textures and colours. Just as one begins to tire of the amorphous and somewhat static impressionism of the piece, Pal gives us a perpetual motion finale \u2014 aptly titled \u201cElectric &amp; Wild\u201d \u2014 that provides exactly the change of pace that is needed. I suspect that this rip-roaring finale must have brought Thunder Bay audience members to their feet at the first performances last year.<\/p>\n<p><em>Into the Wonder<\/em> is described by the composer as a symphony that \u201ccelebrates all that is beautiful.\u201d To judge by Mr. Pal\u2019s notes, this work is even more ambitious than <em>Starling.<\/em> The piece evokes \u201cbirth and death, creation and destruction, universal interconnectedness and the rapture of love.\u201d Despite this hyperbolic language, the piece has a purely musical unity. Pal helpfully points out that the three movements are bound together by one musical idea, which he has masterfully developed. As was the case with <em>Starling<\/em>, <em>Into the Wonder<\/em> ends with an uptempo, tarantella-like last movement that features infectious rhythms and brilliant orchestration. In fact, the orchestration is so clever and effective that one would never guess that it is executed by only 40 players.<\/p>\n<p>The musicians of the Thunder Bay Symphony perform both pieces very well under the very capable direction of American-born conductor Arthur Post, the orchestra\u2019s music director from 2010 until earlier this year.<\/p>\n<p class=\"t-hero-headline\">Jordan Pal: Into the Wonder<span id=\"productTitle\" class=\"a-size-large\">\u00a0is available at <a href=\"https:\/\/www.amazon.ca\/Murmurations-Murmures-Gryphon-Trio\/dp\/B075TSFKKP\" target=\"_blank\" rel=\"noopener\">amazon.ca<\/a> and <a href=\"https:\/\/itunes.apple.com\/ca\/album\/jordan-pal-into-the-wonder\/1294100223\" target=\"_blank\" rel=\"noopener\">iTunes<\/a>.\u00a0<\/span><\/p>\n<h3><b><i>#LUDWIGVAN<\/i><br \/>\n<\/b><\/h3>\n<p><i>Want more updates on Toronto-centric classical music news and reviews before anyone else finds out? Follow us on\u00a0<\/i><a href=\"https:\/\/www.facebook.com\/LudwigVanToronto\/\" target=\"_blank\" rel=\"noopener\"><u><i>Facebook<\/i><\/u><\/a><i>\u00a0or\u00a0<\/i><a href=\"https:\/\/twitter.com\/LudwigVanTO\" target=\"_blank\" rel=\"noopener\"><u><i>Twitter<\/i><\/u><\/a><i>\u00a0for all the latest.<\/i><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-48756 alignleft\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/10\/LudwigVan-head-text-looking_right.jpg\" sizes=\"(max-width: 35px) 100vw, 35px\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/10\/LudwigVan-head-text-looking_right.jpg 833w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/10\/LudwigVan-head-text-looking_right-190x300.jpg 190w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/10\/LudwigVan-head-text-looking_right-768x1213.jpg 768w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/10\/LudwigVan-head-text-looking_right-648x1024.jpg 648w\" alt=\"\" width=\"35\" height=\"55\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of Canada\u2019s most interesting young composers, Jordan Pal&#8217;s first record is an expansive personal awakening.<\/p>\n","protected":false},"author":10,"featured_media":49290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[6439,81,5739,51,52],"tags":[269,1492,5592,14023],"yst_prominent_words":[14013,14026,14024,14015,14010,14003,14000,14025,14009,6616,14012,14007,14001,14008,14005,10211,14004,14002,14014,14006],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/11\/1508957358_2-9521-Couvert.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-cOZ","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/49289"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=49289"}],"version-history":[{"count":8,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/49289\/revisions"}],"predecessor-version":[{"id":49298,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/49289\/revisions\/49298"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/49290"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=49289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=49289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=49289"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=49289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}