{"id":4744,"date":"2012-06-24T07:32:46","date_gmt":"2012-06-24T12:32:46","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=4744"},"modified":"2012-06-24T07:32:46","modified_gmt":"2012-06-24T12:32:46","slug":"how-to-tell-music-from-the-inside-from-music-from-the-outside","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2012\/06\/24\/how-to-tell-music-from-the-inside-from-music-from-the-outside\/","title":{"rendered":"How to tell &#8216;music from the inside&#8217; from &#8216;music from the outside&#8221;"},"content":{"rendered":"<p>&#8220;What you will do will be simpler, but more truthful.&#8221;<\/p>\n<p>That is one of many insights from the late pianist and teacher Gy\u00f6rgy Seb\u00f3k.<!--more--><\/p>\n<p>I frequently describe my admiration for particular artists who can translate the piles of notes on a printed page into something meaningful for the listener.<\/p>\n<p>In a 1987 masterclass in Holland, Seb\u00f3k, a particularly patient and gifted explainer of an artform that so often defies description uses the slow movement of a Haydn sonata to explain a part of this process.<\/p>\n<p>He asks his pupil to separate interpretation\u00a0that comes from inside the self from an instance where the musician understands the music but is not personally involved &#8212; or, as he puts it, &#8220;in quotation marks.&#8221;<\/p>\n<p>It all boils down to playing each note a slightly different way. These tiny, subtle nuances add up (there&#8217;s more after these two videos, equally insightful to anyone interested in discovering how a sum of tiny little decisions and gestures adds up to something beautiful):<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/RhUNzzO8krQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jFRHf-Lk8-w?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>The involvement of the interpreter&#8217;s personal emotions is also a big factor.<\/p>\n<p>In an interview from shortly before his death in 1999, Seb\u00f3k speaks of the personal emotional effects of going through World War II &#8212; of how the daily act of survival meant shutting down one&#8217;s emotions, an act that led to him shutting down emotional expression in music, as well.<\/p>\n<p>Seb\u00f3k describes in words and then music how a little bit of Bach (as filtered through the late-Romantic aesthetic of Ferrucio Busoni) helped unlock his heart once again after the turmoil and trauma of the war.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/h427L7297xM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p><em>John Terauds<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;What you will do will be simpler, but more truthful.&#8221; That is one of many insights from the late pianist and teacher Gy\u00f6rgy Seb\u00f3k.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[22,36,37,47,66],"tags":[1151,1222,1504,1631,2136,6468],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-1ew","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/4744"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=4744"}],"version-history":[{"count":0,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/4744\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=4744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=4744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=4744"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=4744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}