{"id":43494,"date":"2017-03-08T12:49:57","date_gmt":"2017-03-08T17:49:57","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=43494"},"modified":"2017-03-08T12:49:57","modified_gmt":"2017-03-08T17:49:57","slug":"canada-mosaic-owen-pallett-just-writes-the-music","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2017\/03\/08\/canada-mosaic-owen-pallett-just-writes-the-music\/","title":{"rendered":"CANADA MOSAIC | Owen Pallett Just Writes The Music"},"content":{"rendered":"<figure id=\"attachment_43512\" aria-describedby=\"caption-attachment-43512\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-43512\" src=\"http:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/03\/Owen_Pallett-2.jpg\" alt=\"composer, arranger, curator Owen Pallett\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/03\/Owen_Pallett-2.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/03\/Owen_Pallett-2-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/03\/Owen_Pallett-2-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-43512\" class=\"wp-caption-text\">Owen Pallett chats about career, co-curating the New Creations Festival, and why he loathes hierarchical distinctions in music.<\/figcaption><\/figure>\n<p><span class=\"wpsdc-drop-cap\">W<\/span>hen I asked composer and performer <a href=\"http:\/\/www.musicaltoronto.org\/2017\/02\/21\/qa-questions-for-owen-pallett\/\" target=\"_blank\">Owen Pallett<\/a> if he liked his job, his answer wasn\u2019t quite what I was expecting:<\/p>\n<p>\u201cWhen you take [being a musician] on as a full-time job, it becomes much less enjoyable,&#8221; \u00a0he said. &#8220;The moment all the joy got sucked out of making music was the moment I had to quit my job to do it full-time. Rather than looking at it as something you want to pursue because you have an interest in pursuing it \u2026 it\u2019s an occupation that you should do if you feel as though there\u2019s nothing else that you\u2019re good at.\u201d<\/p>\n<p>While I can\u2019t speak to Pallett\u2019s other potential talents, his career has been prolific. He has collaborated with well-known artists and bands such as Arcade Fire, Taylor Swift, and The Pet Shop Boys (to name a few). His contributions to the score for the 2013 film <em>Her <\/em>received an Oscar nomination. His 2006 <em>He Poos Clouds <\/em>received the prestigious Polaris Music Prize. His orchestral work has been performed by Toronto Symphony Orchestra, the Luminato Festival, and the Britten Sinfonia (again, to name a few).<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/MQqPYNn1uRw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>Despite all of this, Pallett still questions his choice of career: \u201cIt\u2019s something I grapple with all the time.\u201d Setting aside the self-acknowledged pessimism, Pallett admits that \u201cthere are aspects of the job that make it all worthwhile.\u201d I was relieved to hear Pallett admit this\u00a0because his contributions to Canadian\u00a0music cannot be underestimated.<\/p>\n<p>The Toronto Symphony Orchestra recognized this when they selected Pallett to be the curator for their <a href=\"https:\/\/www.tso.ca\/new-creations-festival?utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=WINTERTICKET2017%E2%80%93TS%E2%80%93Feb22&amp;utm_content=New%20Creations%20Festival%20link_version_A\" target=\"_blank\">2017 New Creations Festival<\/a>. I asked Pallett what he hoped to achieve with his curation:<\/p>\n<p>\u201cThe first thing is that I maintain a commitment to diverse programing\u00a0[\u2026] including as many racialized composers and female composers as possible,\u201d he said. This was particularly important for Pallett considering the TSO\u2019s 2016 New Creations Festival was <a href=\"http:\/\/www.musicaltoronto.org\/2016\/03\/08\/editorial-tso-composers-we-need-to-talk\/\" target=\"_blank\">criticized<\/a> for neglecting to include any female composers. This year, Pallett made an effort to include prominent Canadians such as Tanya Tagaq, Cassandra Miller and Nicole Liz\u00e9e in the festival. \u201cIt is the only responsible thing you can do as a curator,\u201d he explained.<\/p>\n<p>As he continued to discuss his objectives as festival curator, it became clear that Pallett\u2019s artistic vision for the festival is bound up with the inherently political nature of Canada\u2019s sesquicentennial. When I asked Pallett what he thought of the mixed feelings surrounding the C150 celebrations \u2014 the premise that there\u2019s too much celebration and not enough critical reflection on Canada\u2019s more problematic past \u2014 Pallett was quick to note that he has \u201cunmixed feelings\u201d on the matter:<\/p>\n<p>\u201cCanada is a country that continues to be a very present tense thing\u00a0that requires a lot of criticality to survive [\u2026] I think that it is the role of artists to try and do their best to be on the right side of this critical expression.\u201d<\/p>\n<p>I asked him if he thought programming for the New Creation Festival contended with this.<\/p>\n<p>\u201cYou know, I\u2019m not wearing a shirt with Justin Trudeau\u2019s face and an X on it, it\u2019s not exactly that overtly political. But, I think that in the field of new music [\u2026] in this most abstract form, you have the capacity towards great methods of political expression.\u201d<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/c7nORinoUvg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>This was certainly true <a href=\"http:\/\/www.musicaltoronto.org\/2017\/03\/05\/scrutiny-tanya-tagaq-let-me-count-the-ways\/\" target=\"_blank\">this past Saturday evening<\/a> during the first of three concerts for the 2017 New Creations Festival. Tanya Tagaq\u2019s <em>Qiksaaktuq \u2014\u00a0<\/em>a piece dedicated to missing and murdered aboriginal women and girls in Canada \u2014 was an inexplicably stirring musical experience. Tagaq\u2019s performance captured the pain, grief, violence and wild injustice that is embodied in this ever-present Canadian crisis.<\/p>\n<p>Pallett\u2019s own musical contribution to the festival \u2014 an orchestral song set titled <em>Songs from an Island\u00ad\u00a0<\/em>\u2014 will have its world premiere, performed by the TSO and bass-baritone <a href=\"http:\/\/www.musicaltoronto.org\/2017\/03\/07\/interview-daniel-okulitch-is-not-afraid-of-new-music\/\" target=\"_blank\">Daniel Okulitch<\/a>, <a href=\"http:\/\/www.musicaltoronto.org\/datebook\/tso-new-creations-festival-james-ehnes\/\" target=\"_blank\">this Wednesday<\/a>. He jokingly referred to his five-movement work as his \u201cno content piece\u201d owing to its emphasis on silence and emptiness, which Pallett hopes will foster \u201ca constant feeling of transience and instability.\u201d<\/p>\n<p>Beyond chatting about his curatorship, one of the highlights from my discussion with Pallett involved hearing about his position on the relationship between classical and popular music. I find Pallett\u2019s negotiation of the \u201cclassical\u201d and the \u201cpopular\u201d to be one of the most notable features of his musical style and career trajectory; he seamlessly and productively inhabits two traditionally separate musical worlds. But when I raised this idea, Pallett sharply suggested that he does not subscribe to this way of thinking about music:<\/p>\n<p>\u201cI don\u2019t make distinctions between popular and classical forms,\u201d he said. \u201cIt\u2019s classist [\u2026] there\u2019s no reason why there should be this implied hierarchal importance of one form of music over another [\u2026] I shut anyone down who uses those terms at this point.\u201d<\/p>\n<p>I agree that these sweeping terms are inherently problematic, and that they can give rise to unproductive associations with respect to musical value. But archaic hierarchical implications aside, I suggested that this is still how many people interpret and understand musical style:<\/p>\n<p>\u201cWe need to re-educate them,\u201d Pallett asserted. But when I pressed him to elaborate on this, Pallett maintained that he \u201cjust writes the music.\u201d<\/p>\n<p>While total seamlessness between musical worlds and genres is certainly ideal, I\u2019m less certain that musical culture is totally there. I\u2019m even less certain that the best way to get there is to \u201cshut anyone down\u201d who happens to interpret and organize musical style through the \u201cpopular\u201d and \u201cclassical\u201d framework that is still so ingrained in cultural practice today.<\/p>\n<p>I am more certain, however, that artists like Owen Pallett are pushing traditional boundaries in productive and promising ways. Pallett\u2019s creative activities are encouraging ears to be \u201cwide open to all possible musics.\u201d And, evidently, this is getting us somewhere. Pallett\u2019s musical output and creative activities transcend conventional expectations of genre; he breathes new life into what it means to be a composer in the twenty-first century.<\/p>\n<p><em>You can catch the world premiere of Owen Pallett&#8217;s Songs from an Island\u00ad with the Toronto Symphony Orchestra at part of the <a href=\"http:\/\/www.musicaltoronto.org\/2017\/02\/08\/the-scoop-tso-announce-full-details-for-2017-new-creations-festival\/\" target=\"_blank\">New Creations Festival<\/a>, March 8. Full details, <a href=\"http:\/\/www.musicaltoronto.org\/datebook\/tso-new-creations-festival-james-ehnes\/\" target=\"_blank\">here<\/a>.<\/em><\/p>\n<h3>For more in our ongoing CANADA MOSAIC series, see <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"http:\/\/www.musicaltoronto.org\/category\/canada-mosaic\/\">HERE<\/a><\/span>.<\/h3>\n<h3><b><i>#LUDWIGVAN<\/i><\/b><\/h3>\n\n","protected":false},"excerpt":{"rendered":"<p>Owen Pallett chats about career, co-curating the New Creations Festival, and why he thinks hierarchical distinctions between genres is ridiculous.<\/p>\n","protected":false},"author":34,"featured_media":43512,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[6439,8603,18,29,63],"tags":[2367,2546,3360],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2017\/03\/Owen_Pallett-2.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-bjw","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/43494"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=43494"}],"version-history":[{"count":14,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/43494\/revisions"}],"predecessor-version":[{"id":43525,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/43494\/revisions\/43525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/43512"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=43494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=43494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=43494"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=43494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}