{"id":40859,"date":"2016-12-19T15:57:12","date_gmt":"2016-12-19T20:57:12","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=40859"},"modified":"2016-12-20T02:26:31","modified_gmt":"2016-12-20T07:26:31","slug":"scrutiny-that-choirs-out-shined-night","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2016\/12\/19\/scrutiny-that-choirs-out-shined-night\/","title":{"rendered":"SCRUTINY | That Choir Brings Out The Choral Chills At Christmas Concert"},"content":{"rendered":"
\"That
That Choir at Andrew\u2019s Presbyterian Church. (Photo: Brian Chang)<\/figcaption><\/figure>\n

That Choir, Craig Pike (director); Wexford School of the Arts Chamber Choir, Jeffrey Newberry (director). Sun Dec. 18, 2016, 8 p.m. at St Andrew\u2019s Presbyterian Church.<\/h3>\n

If I could figure out how to make a Choral mic drop meme, I\u2019d make one for the Wexford School of the Arts (WSA) Chamber Choir. They brought game. [Editors note: We found one<\/a><\/span>!<\/em>]<\/p>\n

With a stellar line of soloists at the front, the choir soared into \u201cThe Color Purple\u201d. My heart wasn\u2019t prepared for this \u2014 it is my favorite musical. These aren\u2019t just talented kids, they are choral fire, and lit that place up. But this review is supposed to be about That Choir and their 9th annual \u201cCarols\u201d concert. Too bad; they invited an amazing choir as guests.<\/p>\n

Within one week I\u2019ve seen the Etobicoke School of the Arts Chorus perform with the TSO (my review, here<\/a>) and now the Wexford School of the Arts Chamber Choir with That Choir. These two schools are on opposite sides of the city (Wexford is in Scarborough). They represent two of the four Arts-intensive schools in the Toronto District School Board and hold rivalry. No statements on the competing programs are necessary. These kids get torn apart by judges, teachers, panels, and parents throughout numerous competitions across the school year. I\u2019m just happy they have strong choral programs; it means great voices ahead for our choral and musical community. If WSA has a whole school full of kids who look and sound like these; we\u2019re in good hands, let\u2019s make space for them!<\/p>\n

The WSA Choir is directed by Jeffrey Newberry. Newberry also accompanied his choir on piano for two of its songs: \u201cThe Color Purple\u201d from the eponymous musical and \u201cGood Night\u201d by Matthew Emery. The choir seems trained to sing without a conductor but parts of Emery\u2019s composition, with thicker harmonies and triplets towards the end, were messy without one.<\/p>\n

The WSA and That Choir combined to sing Morten Lauridsen\u2019s \u201cSure on this shining night\u201d. A legato, soothing song, the two choirs sounded great together. The evening finished with a wonderful carol sing-along of \u201cSilver Bells\u201d, \u201cSilent Night\u201d, and a spirited \u201c12 Days of Christmas\u201d.<\/p>\n

That Choir did fantastic throughout the evening. They were balanced and well-rehearsed. Craig Pike continues to helm an excellent ensemble. Their commitment to storytelling (which you can read more about, here<\/a>) continues to be strong. This comes across so strongly in \u201cThe coventry carol\u201d. Whatever artistic choices the choir was choosing to invoke, they provided a gentle, warm, and welcoming repose.<\/p>\n

Ola Gjeilo\u2019s version of \u201cThe Holly and the Ivy\u201d carved out a performance for the evening. The song begins with an arrangement of the common tune. It transforms into something more meditative with a tonic chant that underlies the harmonies beginning in verse 3. In verse 4 the Tenors and Altos take over the chant. The effect provides a comforting pillow for the music to sit on. Pike called this song \u201cwonderment\u201d and the simile he used to describe it was \u201clike seeing the very first forest ever\u201d. When they finish, the choir hits the most exquisite F Major chord, balanced perfectly, and I get chills.<\/p>\n

St Andrew\u2019s Presbyterian Church provides much better acoustics for That Choir than other venues they\u2019ve performed in. The barrel-vaulted ceiling, minimal soft fabrics, no carpet, and large space resonated and amplified the sound. I\u2019ve been in the muffled rehearsal room that the choir normally rehearses it. A dry space, there are no resonant ceilings, ringing overtones, and echo to obscure consonants. Unfortunately, diction issues abounded for the choir in St Andrew\u2019s. Instead of \u201cThere is no rose\u201d we had \u201cthere is no wose<\/em>\u201d. \u201cDeck the halls\u201d was full of debt<\/em> the halls. \u201cDing Dongs\u201d were French turkeys, din don<\/em>. And \u201cTwinkle twinkle little star\u201d came across as trinkle<\/em>.\u00a0 Adjustments need to be made for the performance venue. Thankfully, the audience knew the lyrics well enough to pass over these slights.<\/p>\n

With their high school guest choir performances, outreach into young and new audiences, their composer-in-residence program with Matthew Emery, their upcoming New Works Development program, and focus on new, contemporary a cappella choral work \u2014 That Choir is unlike any other choir in the city. Keep an eye on them for cool stuff, sometimes messy, but cool.<\/p>\n

For more REVIEWS, see HERE<\/a><\/span>.<\/p>\n

#LUDWIGVAN<\/em><\/strong><\/h3>\n

Want more updates on Toronto-centric classical music news and reviews before anyone else finds out? F<\/em>ollow us on\u00a0<\/em>Facebook<\/a><\/span>\u00a0or Twitter<\/a><\/span> for all the latest.<\/em><\/p>\n\n","protected":false},"excerpt":{"rendered":"

That Choir brings their “A” game to Christmas concert full of gleeful choral surprises.<\/p>\n","protected":false},"author":41,"featured_media":40864,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[5723,11,76,19,5722,52],"tags":[6755,6244,6743,6754],"yst_prominent_words":[6729,6723,6751,6750,6607,6605,6731,6730,6753,6752,6726,6728,6722,6749,6612,6725,6724,6720,6727,6721],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/12\/That_Choir.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-aD1","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/40859"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=40859"}],"version-history":[{"count":10,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/40859\/revisions"}],"predecessor-version":[{"id":40870,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/40859\/revisions\/40870"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/40864"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=40859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=40859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=40859"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=40859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}