{"id":40335,"date":"2016-12-02T09:51:36","date_gmt":"2016-12-02T14:51:36","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=40335"},"modified":"2016-12-02T10:04:11","modified_gmt":"2016-12-02T15:04:11","slug":"scrutiny-tafelmusik-orchestra-a-grand-tour-of-italy","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2016\/12\/02\/scrutiny-tafelmusik-orchestra-a-grand-tour-of-italy\/","title":{"rendered":"SCRUTINY | Tafelmusik Orchestra\u2019s Italian Tour Favours Intellectual Pleasures Over Musical Excitement"},"content":{"rendered":"
\"Tafelmusik
Tafelmusik Orchestra, with violinist Rodolfo Richter. (Photo: John Terauds)<\/figcaption><\/figure>\n

Tafelmusik Orchestra, directed by violinist Rodolfo Richter. Trinity-St Paul\u2019s Centre to Dec. 4. George Weston Recital Hall on Dec. 6<\/h3>\n

This week\u2019s Tafelmusik Orchestra program, entitled A Grand Tour of Italy<\/em>, is a bit of a circle game, where one thought builds or inspires another as word is passed around. It\u2019s a rich and intriguing evening of music. But, at the first concert on Thursday night at Jeanne Lamon Hall, the performances were good, but not as exciting as some of the content might have suggested.<\/p>\n

As it continues its search for a permanent music director, Tafelmusik is being led this time by a guest: Brazilian-born violinist Rodolfo Richter, a prolific teacher, soloist and collaborator who is based in England. He leads a program of music that provides a brief sketch of Italian musical creativity in the late 17th<\/span> and early 18th<\/span> centuries. Well-known Baroque composer names \u2014 Antonio Vivaldi and Arcangelo Corelli \u2014 anchor content largely drawn from creators not prominent with a mainstream audience.<\/p>\n

This is an all-strings affair, plus harpsichord and\/or organ for continuo work. Also, any player who can stand spends their stage time upright. This usually leads to a slightly more energized sound, but that wasn\u2019t apparent on Thursday.<\/p>\n

With the exception of Corelli\u2019s \u201cChristmas\u201d Concerto Grosso, Op. 6 no. 8, from 1714, the other works were paired, linked by a common idea or theme. The evening began with a jaunty Bergamesca by Marco Uccellini (d. 1680) that segued into Vivaldi\u2019s Concerto No. 1 for Violin (Op. 9).<\/p>\n

Normally, the guest performer takes on solo duties, but, in this instance, Tafelmusik violinist Cristina Zacharias was placed in the spotlight in the virtuosic Vivaldi piece.<\/p>\n

Richter\u2019s approach to all the music was lyrical, graceful, even. He likes polished phrasing and carefully sculpted dynamics. His own playing style is remarkably light and fluid, yet expressive. Richter tried to extend this style to the rest of Tafelmusik\u2019s string players, but it didn\u2019t always translate, so there were repeated, regular stylistic dissonances going on. These were especially noticeable in quick movements where musical motifs were passed from instrument to instrument or section to section. Zacharias\u2019 own solo work often sounded too brittle in comparison to the orchestra surrounding her.<\/p>\n

That said, there were many sublime moments of music making, especially in a Sonata for four violins by Giovanni Legrenzi (1626-1690) and a Concerto Grosso Guiseppe Valentini (1681-1753). Sonatas by Dario Castello (circa 1590-1658) and Antonio Bertali (1605-1669) provided a chamber-music-like interlude. Castello\u2019s piece was a clear reflection of Venetian musical style in the early 17th-<\/span>century.<\/p>\n

Before the evening\u2019s end, we were treated to a richly embroidered Passacaglia by Biagio Marini (1594-1663) and Jean-Baptiste Lully (1632-1687), who was outed in this programme as a native Italian (he was born in Florence) with a Chaconne from Pha\u00ebton, a favourite go-to work for Tafelmusik when they\u2019re looking for a particularly French sound. Richter\u2019s approach to Giovanni Battista Lulli was stately, poised, but lacking the underlying muscle that Tafelmusik brings to its interpretations of the French Baroque.<\/p>\n

Overall, this is a program that will richly reward anyone who likes to analyze and compare pieces of music. As for an evening\u2019s musical entertainment, there are many treats, and a lot of wonderful playing by all concerned, but it is not the most coherent or exciting of concerts in recent Tafelmusik memory.<\/p>\n

The program repeats through Sunday at Trinity-St Paul\u2019s Centre, and on Dec. 6<\/a> at George Weston Hall in North York.<\/p>\n

#LUDWIGVAN<\/em><\/strong><\/h3>\n

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Tafelmusik keeps the baroque bar high with violinist Rodolfo Richter, but A Grand Tour of Italy could use a bit more excitement.<\/p>\n","protected":false},"author":2,"featured_media":40337,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[5723,74,19,21,4937,52],"tags":[6567,6566,3222],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/12\/Tafelmusik-1.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-auz","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/40335"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=40335"}],"version-history":[{"count":4,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/40335\/revisions"}],"predecessor-version":[{"id":40342,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/40335\/revisions\/40342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/40337"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=40335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=40335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=40335"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=40335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}