{"id":38716,"date":"2016-09-23T09:27:05","date_gmt":"2016-09-23T13:27:05","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=38716"},"modified":"2016-09-23T09:37:07","modified_gmt":"2016-09-23T13:37:07","slug":"scrutiny-tafelmusik-water-music","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2016\/09\/23\/scrutiny-tafelmusik-water-music\/","title":{"rendered":"SCRUTINY | Tafelmusik Starts Quietly But Finishes Big With Handel&#8217;s Water Music"},"content":{"rendered":"<figure id=\"attachment_38717\" aria-describedby=\"caption-attachment-38717\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-38717\" src=\"http:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/09\/Elisa-Citterio-Violin-and-guest-director.jpg\" alt=\"Elisa Citterio | Violin and Guest Director, Tafelmusik Baroque Orchestra (Photo courtesy Tafelmusik Baroque Orchestra) \" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/09\/Elisa-Citterio-Violin-and-guest-director.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/09\/Elisa-Citterio-Violin-and-guest-director-300x200.jpg 300w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-38717\" class=\"wp-caption-text\">Elisa Citterio | Violin and Guest Director, Tafelmusik Baroque Orchestra (Photo courtesy Tafelmusik Baroque Orchestra)<\/figcaption><\/figure>\n<p><strong>The Tafelmusik Baroque Orchestra with\u00a0Elisa Citterio, violin. September 22, at\u00a0Koerner Hall. <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"http:\/\/www.musicaltoronto.org\/datebook\/tafelmusik-handel-water-music\/2016-09-23\/\">Repeats<\/a><\/span> Sept. 23\u201325, 27.<\/strong><\/p>\n<p>September is an exciting month for Toronto music lovers. Summer is now history, and thoughts turn to work, school, and for those so inclined, the start of a new musical season. Toronto Symphony Orchestra had its glitzy opening last evening. Tonight it was the turn of Tafelmusik, Canada\u2019s premiere baroque orchestra. Since its founding in 1979, this group has earned an enviable reputation worldwide and built a fiercely loyal public, both at home and on tour. While its home base remains the historical Trinity St. Paul\u2019s Centre with its newly renovated Jeanne Lamon Hall, opening night in recent seasons have been relocated to the larger, more comfortable Koerner Hall.<\/p>\n<p>The program this evening was a familiar one, with Handel\u2019s <em>Water Music <\/em>as the centrepiece. Also featured were works by Bach and Rameau. The guest director was Italian violinist Elisa Citterio, who was here a year ago. It\u2019s no secret that Tafelmusik has been looking over a number of guest directors to replace the long-serving and much beloved Jeanne Lamon. It would appear that this long, drawn-out process may be finally nearing the end. Several guests are returning this season to give the management, players and the Board another look, with Citterio being one of them.<\/p>\n<p>It was a good crowd at Koerner Hall tonight, full of long-time Tafelmusik faithfuls. They heard a concert that started rather tentatively but built to a rousing finish. The Bach <em>Orchestral Suite no 4<\/em> that kicked off the proceedings could have benefited from a tighter, more incisive directorial hand and generally firmer, crisper playing. By the <em>Gavotte<\/em>, however, it had all settled down nicely. The final section, the <em>Rejouissance,<\/em> fully living up to its name, with the Tafelmusik forces delivering a truly joyous and spirited final flourish.<\/p>\n<p>This was followed by a sparkling rendition of the Dances from <em>Les Indes galantes<\/em> by Rameau. Citterio introduced the work to the audience in a charming, accented English. The playing here fully suggested that these are indeed dances, something that\u2019s not always the case. Here, we have all the precision and incisiveness that was sometimes lacking earlier in the Bach. The Rameau calls for an augmented orchestra, and I counted about twenty-eight musicians on stage.<\/p>\n<p>After an intermission, the audience was treated to the heart of the evening, the beloved <em>Water Music<\/em> by Handel. It\u2019s a long work with three separate suites lasting a good fifty minutes. Interestingly, given the premiere was in July 1717, we are just ten months short of its 300<span style=\"font-size: 13.3333px;\">th<\/span> anniversary! It\u2019s scored for a large orchestra so that it could be heard outdoors in a concert on the River Thames in the time of King George I. This is a piece requiring virtuosic, very florid display from all the instruments, but particularly the horns, brass and woodwind. The playing this evening was impressive, a few minor intonation blemishes notwithstanding. The audience was very appreciative, and Maestra Citterio was called back several times. An encore was played with fabulous energy and brio, which brought on more enthusiastic applause. I couldn\u2019t think of a better way to spend two hours on a warm early autumn evening. Highly recommended.<\/p>\n<p><strong><em>#LUDWIGVAN<\/em><\/strong><\/p>\n<p><em>Want more updates on Toronto-centric classical music news and review\u00a0before anyone else finds out? Get our exclusive newsletter\u00a0<\/em><span style=\"color: #ff0000;\"><em><a style=\"color: #ff0000;\" href=\"https:\/\/www.facebook.com\/LudwigVanToronto\/app_100265896690345\">here<\/a><\/em><\/span><em>\u00a0and follow us on\u00a0<\/em><em><span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.facebook.com\/LudwigVanToronto?fref=ts\">Facebook<\/a><\/span> for all the latest.<\/em><\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Backed by guest director Elisa Citterio, Tafelmusik opens the 2016\/17 season with Handel&#8217;s Water Music.<\/p>\n","protected":false},"author":22,"featured_media":38717,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[5723,74,19,52],"tags":[6369,1396,3222,6370],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/09\/Elisa-Citterio-Violin-and-guest-director.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-a4s","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/38716"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=38716"}],"version-history":[{"count":5,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/38716\/revisions"}],"predecessor-version":[{"id":38722,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/38716\/revisions\/38722"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/38717"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=38716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=38716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=38716"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=38716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}