{"id":36876,"date":"2018-11-22T11:37:15","date_gmt":"2018-11-22T16:37:15","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=36876"},"modified":"2018-11-21T19:38:48","modified_gmt":"2018-11-22T00:38:48","slug":"feature-torontos-church-music-scene","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2018\/11\/22\/feature-torontos-church-music-scene\/","title":{"rendered":"FEATURE | Beyond The Concert Hall: Toronto\u2019s Church Music Scene"},"content":{"rendered":"

Ludwig Van takes a peek behind the pews of Toronto’s vibrant church music scene. “You don\u2019t need to believe in God to come”, says\u00a0John Tuttle.<\/p>\n

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Thomas Anglican Church, Toronto (Photo: Simon P \/ Creative Commons.)<\/figcaption><\/figure>\n

C<\/span>lassical religious music is alive in Toronto, and while you might be most familiar with it performed in concert halls, it\u2019s happening in the city\u2019s churches as well. If fans seek this music out in Toronto\u2019s churches, they\u2019ll encounter it in the context it was originally written for, and in a space that suits it perfectly.<\/p>\n

Toronto Consort member Katherine Hill believes trying to experience liturgical music at church in addition to the concert hall is important. Concerts can sometimes become \u201cmerely aesthetic,\u201d she says, and this can diminish the power of great music.<\/p>\n

\u201cI do think that a concert performance of something like the Monteverdi Vespers makes the music available to many people who otherwise wouldn’t go to church,\u201d she says, \u201cand very few churches on the planet could afford to hire all the\u00a0specialized\u00a0singers and instrumentalists for an actual Vespers. So a concert version can be a great thing.\u201d<\/p>\n

“But I feel that with a lot of the early repertoire I do, both sacred and secular, a concert context is counter-intuitive. Historical performance practice was developed in the last century by classical musicians, and we somewhat unconsciously use that concert model, in which performer and audience are totally separate entities, and performers dress up and have to be \u2018perfect.\u2019 This often seems like the wrong frame to put around the picture.”<\/p>\n

A church service, she thinks, can be a better frame. \u201cTo me, there is a deep reward in doing and hearing music in its liturgical context. Something is more complete that way.\u201d In concert settings, \u201cpeople don’t know why certain texts are being used, or what they might mean, and then the experience is merely aesthetic. I think liturgy can offer something deeper.\u201d<\/p>\n

John Tuttle, another central figure in Toronto\u2019s Church music scene, agrees. Tuttle retired as organist and choirmaster at St. Thomas\u2019 Anglican Church on Huron Street after serving in the role for 27 years. He\u2019s also the director of music at Trinity College, U of T, a position he intends to keep.<\/p>\n

\u201cThere are a few parishes in Toronto which try very hard to do good music, what you might call art music, as opposed to entertainment music,\u201d Tuttle says. \u201cI think music in worship falls into those two camps, either music which is artistically and liturgically beautiful or music that is meant to entertain the congregation. We don\u2019t do music to entertain anybody here,\u201d he adds with a smile. Other examples of churches with strong music programs are St. James Cathedra<\/a>l (at the corner of King & Church Streets) and St. Mary Magdalene<\/a> (477 Manning Avenue), Tuttle says.<\/p>\n

But not all churches have the same philosophy when it comes to music. Many have turned their back on the rich tradition of church music in favour of more easily digestible fare. \u201cVatican Two was grossly misinterpreted to mean everything should be dumbed down to the lowest common denominator,\u201d Tuttle says.<\/p>\n

The result was that good liturgical music came to be almost exclusively found in concert settings. \u201cThat\u2019s the only place people heard it for a long time,\u201d Tuttle says. \u201cI remember doing performances of the Faur\u00e9 Requiem and the Durufl\u00e9 Requiem, and it was always in a concert context. But I\u2019ve also done the Durufl\u00e9 Requiem here [at St. Thomas\u2019s] as an All Souls Day Requiem, and it\u2019s a whole different piece when you hear it in the context of liturgy, as is any mass.\u201d<\/p>\n

\u201cWe\u2019ve done Palestrina masses, Vaughn Williams masses. We do the Kod\u00e1ly mass here. All of which have had lots of airtime in concerts, but when you hear them in the mass, you hear them in a different way.\u201d<\/p>\n

Toronto\u2019s churches offer a quiet, contemplative space in which to encounter great music. Away from the hustle and bustle of the concert hall, and without its pretensions, they afford a space where the music becomes the sole focus instead of the performers.<\/p>\n

If this isn\u2019t enough to get you out of bed on Sunday morning, also remember that churches are free, and you don\u2019t need to be religious to attend. \u201cTo hear this superb music in the context of the liturgy is really the best way, even if you\u2019re not religious,\u201d says Tuttle. \u201cYou don\u2019t need to believe in God to come and just let [the music] wash over you.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Ludwig Van takes a peek behind the pews of Toronto’s vibrant church music scene. “You don\u2019t need to believe in God to come”, says\u00a0John Tuttle.<\/p>\n","protected":false},"author":36,"featured_media":57138,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[5723,4967],"tags":[6154,3760,6474],"yst_prominent_words":[17139,24657,14063,24655,24653,24667,7202,24663,11811,24664,24668,24665,12849,24661,24662,10415,24658,24654,24660,24666],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/05\/Toronto\u2019s-church-music-scene-2.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-9AM","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/36876"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=36876"}],"version-history":[{"count":5,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/36876\/revisions"}],"predecessor-version":[{"id":57139,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/36876\/revisions\/57139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/57138"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=36876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=36876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=36876"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=36876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}