{"id":33981,"date":"2016-02-09T14:13:38","date_gmt":"2016-02-09T19:13:38","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=33981"},"modified":"2016-02-09T14:13:38","modified_gmt":"2016-02-09T19:13:38","slug":"ask-the-professor-popular-music-puzzles-me","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2016\/02\/09\/ask-the-professor-popular-music-puzzles-me\/","title":{"rendered":"ASK THE PROFESSOR | Popular Music Puzzles Me"},"content":{"rendered":"<figure id=\"attachment_33985\" aria-describedby=\"caption-attachment-33985\" style=\"width: 770px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-33985\" src=\"http:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/02\/Bigger_faster.jpg\" alt=\"(Credit: Christian Northeast)\" width=\"770\" height=\"686\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/02\/Bigger_faster.jpg 770w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/02\/Bigger_faster-300x267.jpg 300w\" sizes=\"(max-width: 770px) 100vw, 770px\" \/><figcaption id=\"caption-attachment-33985\" class=\"wp-caption-text\">(Credit: Christian Northeast)<\/figcaption><\/figure>\n<p>Hi Professor,<\/p>\n<p><em>It puzzles me that popular music, with all its tremendous limitations of format, harmony, subject matter, etc., there is nevertheless an unending stream of hits, artists and compositions that send audiences into raptures of excitement. It is a world forever cheering the &#8220;new&#8221; and &#8220;revolutionary&#8221; and &#8220;ground-breaking,&#8221; seemingly in a constant state of renewal, sweeping its audiences along with it. In classical music, on the other hand, there is precious little excitement about\u2014or even interest in\u2014the new, and precious few works. Worse still, precious few works, even as the decades roll by, are added to the standard repertoire. Is it because classical music is so complex that &#8220;hits&#8221; are so difficult and rare? Is it because classical music left audiences behind when it veered away from tonality and melody?<\/em><\/p>\n<p>Sincerely,<\/p>\n<p><strong><em>Puzzled<\/em><\/strong><\/p>\n<h2>____________ ______ __________ ______ ______ __________<\/h2>\n<p><strong>Dear Puzzled,<\/strong><\/p>\n<p>You raise some really good conversation points here. I think that the whole phenomenon of popular music, with its endless stream of hits, is based on the shallowness of instant gratification in our society. (This business has also had huge amounts of money and media coverage thrown at it.) One could choose to do a university degree in music in order to better understand contemporary classical music, or one can just succumb to a repetitive drum beat in a pop song, with its melodic hook and catchy chorus. It\u2019s just quicker and easier to do that.<\/p>\n<p>Online we do it all the time \u2013 we can listen to a lecture on <a href=\"http:\/\/www.openculture.com\" target=\"_blank\">www.openculture.com<\/a>, or we can choose mindless clickbait that promises us money, naked people, shocking truths, and weight loss while eating doughnuts. (I\u2019ve even been known to spend my time making completely idiotic Facebook videos for a quick laugh.)<\/p>\n<p>Contemporary classical music can be very complex in harmonic, structural, and rhythmic ways \u2013 believe me, some of it does more than just puzzle me. Veering away from tonality and melodies has also driven off audiences. These events have placed a lot of modern music out of the mainstream, so that\u2019s partly why we don\u2019t have lots of \u2018hits\u2019 in our field. Sometimes, composers just sound like lunatics:<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/lYmMXB0e17E?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;start=1378&#038;wmode=transparent&#038;listType=playlist&#038;list=RDlYmMXB0e17E\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>There\u2019s one Stockhausen Q&amp;A session where he kind of hints that people like him are further along the evolutionary chain than us mere mortals, and that\u2019s why we can\u2019t understand and appreciate his genius. (Right \u2013 either that, or you\u2019re an insufferably arrogant douchebag.)<\/p>\n<p>Another interesting point that I was just talking about with one of my students is that there\u2019s such an emphasis on commissioning and World Premieres, that not a lot of performers spend the time to find good existing modern repertoire and give \u2018World Secondaires\u2019. (And while I really do enjoy the part of my career that focuses on playing new music, every now and then I feel an intense urge to organize an \u2018Official World Derniere\u2019, where after a designated performance of a really bad piece, all extant copies and computer files of the piece will be destroyed forever.)<\/p>\n<p>When I was a student it was very difficult to find audio or visual recordings of Canadian compositions, but now there\u2019s much more media available. Nowadays, there isn\u2019t any \u2018typical\u2019 style of composition, the way there was throughout the history of western classical music, so it also takes more effort for listeners to connect with music that speaks to them. It\u2019s also really important for performers and composers to introduce new music in a way that is inviting, informative, yet not condescending, to audiences. One of my pet peeves is when a composer says to an audience, \u201cI prefer to let my music speak for itself.\u201d I just don\u2019t think that\u2019s good enough \u2013 give your audience a couple of things to listen for \u2013 a couple of places to make them feel good about recognizing.<\/p>\n<p>Got a question for The Professor? Email <a href=\"mailto:AskTheProfessor@musicaltoronto.org\" target=\"_blank\">AskTheProfessor@musicaltoronto.org<\/a>. His advice column will appear here <a href=\"http:\/\/www.musicaltoronto.org\/category\/ask-the-professor\/\" target=\"_blank\">every month<\/a>.<\/p>\n<p><em><strong>#LUDWIGVAN<\/strong><\/em><\/p>\n<p><em>Want more updates on Toronto-centric classical music news and review\u00a0before anyone else finds out? Get our exclusive newsletter\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.facebook.com\/LudwigVanToronto\/app_100265896690345\" target=\"_blank\">here<\/a><\/span>\u00a0and follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/www.facebook.com\/LudwigVanToronto?fref=ts\" target=\"_blank\">Facebook<\/a><\/span> for all the latest.<\/em><\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Ask The Professor&#8221; appears on Musical Toronto once a month and is a fun and intriguing look into the inner world of classical music by those who both listen to and make it.<\/p>\n","protected":false},"author":35,"featured_media":33985,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[5723,5764],"tags":[5765],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2016\/02\/Bigger_faster.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-8Q5","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/33981"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=33981"}],"version-history":[{"count":6,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/33981\/revisions"}],"predecessor-version":[{"id":33986,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/33981\/revisions\/33986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/33985"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=33981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=33981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=33981"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=33981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}