{"id":26169,"date":"2015-03-08T20:00:12","date_gmt":"2015-03-09T00:00:12","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=26169"},"modified":"2016-03-26T18:14:42","modified_gmt":"2016-03-26T22:14:42","slug":"concert-review-written-on-skin-will-eat-your-heart-out","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2015\/03\/08\/concert-review-written-on-skin-will-eat-your-heart-out\/","title":{"rendered":"CONCERT REVIEW | &#8220;Written on Skin&#8221; Will Eat Your Heart Out"},"content":{"rendered":"<figure id=\"attachment_26170\" aria-describedby=\"caption-attachment-26170\" style=\"width: 1000px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-26170\" src=\"http:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2015\/03\/DSC5872.jpg\" alt=\"Barbara Hannigan,  soprano, Credit: Malcolm Cook\" width=\"1000\" height=\"750\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2015\/03\/DSC5872.jpg 1000w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2015\/03\/DSC5872-300x225.jpg 300w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-26170\" class=\"wp-caption-text\">Barbara Hannigan, soprano, Credit: Malcolm Cook<\/figcaption><\/figure>\n<p>[Originally published in the <a href=\"http:\/\/www.thestar.com\/entertainment\/2015\/03\/08\/toronto-opera-lovers-come-out-in-full-for-chilling-patriarchal-tale.html\" target=\"_blank\">Toronto Star<\/a>]<\/p>\n<h3>Toronto Symphony Orchestra, New Creations Festival, Saturday, March 7, 2015, at Roy Thomson Hall. George Benjamin composer and conductor.<\/h3>\n<p>It\u2019s early March, which means it\u2019s time to step out of the winter boots and into a season where the air no longer hurts your face. This time of year also marks the annual New Creations Festival, which included one of the most-talked-about and hippest operas going: <em>Written on Skin<\/em> by British composer George Benjamin.<\/p>\n<p>And while most of us are still sore from launching heaps of snow over our neighbour\u2019s fence, it didn\u2019t stop a good turnout, which bodes well for Toronto\u2019s opera lovers and new music community.<\/p>\n<p>Inspired by a 12th-century southern French legend of the troubadour Guillaume de Cabestanh, the opera premiered in Aix-en-Provence in 2012 and centres around a cruel land baron (the Protector), played by baritone Christopher Purves.<\/p>\n<p>The brutish character immortalizes his patriarchal legacy by commissioning a boy (played by countertenor Bernhard Landauer) to write a book about him. But as the pages are written, so too, were they written on the skin of Agn\u00e8s, the Protector\u2019s wife, performed by soprano Barbara Hannigan, a brutally diminished spouse undermined by her husband\u2019s maniacal chauvinism.<\/p>\n<p>This is a villain of the highest order, who tells Agn\u00e8s what to say, when to say it and \u2014 worst of all \u2014 what to call herself. The \u201cperfect\u201d book starts to have an unexpected effect on Agn\u00e8s, who develops a corporeal lust, prompting the Protector to become jealous and to serve up the boy\u2019s sweet, salty heart for dinner, which Agn\u00e8s unwittingly eats.<\/p>\n<p>The entire thing is marvellous and the best part is Martin Crimps\u2019s libretto, which carries the juicy drama like Caligula through Rome.<\/p>\n<p>At the heart on the opera, if you can forgive the pun, is a thriller made powerful by a master combination of sound and text. Think Bernard Herrmann\u00a0and Gyorgy Ligeti meets Anton Chekhov and Tennessee Williams. It\u2019s a dinner party to end all dinner parties. As if Hannibal Lector hired a ghostwriter and then ate his heart with some fava beans and a nice chi-an-ti. (fuf fuf fuf fuf \u2026)<\/p>\n<p>Purves\u2019s near-perfect baritone dripped with emotive power and countered Hannigan\u2019s tremendous vocal and acting presence \u2014 chilling, even. And chilling because her plight reminds us that the practice of human exploitation hasn\u2019t really changed at all since the 12th century.<\/p>\n<p>Countertenor Landauer shined brightly, as did Krisztina Szabo and Isaiah Bell as the chorus of angels, who pry into the marital action.<\/p>\n<p>Benjamin conducted with authority and the Toronto Symphony Orchestra responded with tight, passionate playing.<\/p>\n<p>Sprinkled throughout the orchestra were unusual instruments, such as glass harmonica, mandolins, river rocks and a viola da gamba. Each provided interesting hues to the sound pallet and helped create a distinct sound to the filmic score.<\/p>\n<p>On the whole, this is surefire opera, and reminds us that tradition is not to preserve the ashes, but to pass on the light.<\/p>\n<p>We were all left holding a torch for something, which \u2014 if it can maintain momentum \u2014 just might become a new classic.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s early March, which means it\u2019s time to step out of the winter boots and into a season where the air no longer hurts your face. This time of year also marks the annual New Creations Festival, which included one of the most-talked-about and hippest operas going: Written on Skin by British composer George Benjamin&#8230;<\/p>\n","protected":false},"author":7,"featured_media":26170,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[118,43,52],"tags":[457,5337,5336,1394,3360,3618],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2015\/03\/DSC5872.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-6O5","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/26169"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=26169"}],"version-history":[{"count":8,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/26169\/revisions"}],"predecessor-version":[{"id":26208,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/26169\/revisions\/26208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/26170"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=26169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=26169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=26169"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=26169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}