{"id":2321,"date":"2012-03-15T11:10:50","date_gmt":"2012-03-15T16:10:50","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=2321"},"modified":"2012-03-15T11:10:50","modified_gmt":"2012-03-15T16:10:50","slug":"italys-made-on-facebook-world-bach-fest-throws-harsichord-players-under-the-piano","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2012\/03\/15\/italys-made-on-facebook-world-bach-fest-throws-harsichord-players-under-the-piano\/","title":{"rendered":"Italy&#8217;s made-on-Facebook World Bach-Fest throws harsichord players under the piano"},"content":{"rendered":"<p><a href=\"http:\/\/207.112.70.56\/wp-content\/uploads\/2012\/03\/luca.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2322\" title=\"IMG_0032\" src=\"http:\/\/207.112.70.56\/wp-content\/uploads\/2012\/03\/luca.jpg\" alt=\"\" width=\"440\" height=\"292\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2012\/03\/luca.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2012\/03\/luca-300x199.jpg 300w\" sizes=\"(max-width: 440px) 100vw, 440px\" \/><\/a><\/p>\n<p>The first edition of the <a href=\"http:\/\/www.worldbachfest.it\/\" target=\"_blank\">World Bach-Fest<\/a>, which took place last week weekend in Florence, Italy, was supposed to be a momentous occasion. Organizers believed it was the first time that a classical music festival with international scope was organized, and an audience invited, through Facebook.<\/p>\n<p>The festival took place at three storied venues in the city. But when a contingent of harpsichord players arrived, they discovered a single instrument that was, for all intents and purposes, unplayable.<!--more--><\/p>\n<p>When they asked for a technician, they were told none was available and that they should play on a modern piano instead.<\/p>\n<p>Italian period keyboard player Luca Oberti demonstrates:<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/B9K2ahQSP7A?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>On his blog, Oberti describes his outrage in detail. His biggest beef is that the Bach festival couldn&#8217;t have cared less about the keyboard instrument that all of Bach&#8217;s non-organ works were written for.<\/p>\n<p>If you can read Italian, you&#8217;ll find his eloquent post <a href=\"http:\/\/www.lucaoberti.it\/2012\/03\/note-stonate-al-world-bach-fest-2012\/\" target=\"_blank\">here<\/a>.<\/p>\n<p>What Oberti doesn&#8217;t go into detail on is how a harpsichordist can&#8217;t just jump over to a modern piano, no matter how well prepared the music.<\/p>\n<p>On a harpsichord, a note is plucked in a way immune to the player&#8217;s touch on the small, ultra-light keys. Glenn Gould had his Steinway grand specially modified to try and approximate &#8212; not duplicate &#8212; the touch of a harpsichord, a job that would take even the most skilled of piano technicians at least a full day to accomplish.<\/p>\n<p>Anyway, the real lesson here is that all festivals are not created equal &#8212; especially when the organizers know more about social media than about\u00a0 the instruments their star musicians are going to use.<\/p>\n<p>(Thanks to Mauro Bertoli for pointing me to this story.)<\/p>\n<p>Here is Oberti in happier circumstances, playing some music by Fran\u00e7ois Couperin in Bankok last September:<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ecIDWN4lBQo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>Let&#8217;s contrast this with French Bach expert Albert L\u00e9v\u00eaque (1900-1970), a generation older than Gould, playing Couperin in the pre-period-performance era on a modern piano:<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/IWxm9twJTfU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p><em>John Terauds<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The first edition of the World Bach-Fest, which took place last week weekend in Florence, Italy, was supposed to be a momentous occasion. Organizers believed it was the first time that a classical music festival with international scope was organized, and an audience invited, through Facebook. The festival took place at three storied venues in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2322,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[74,19,26,31,36,39,42,46,47,66],"tags":[1228,6458,2012,2298,6475,3611],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2012\/03\/luca.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-Br","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/2321"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=2321"}],"version-history":[{"count":0,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/2321\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/2322"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=2321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=2321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=2321"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=2321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}