{"id":19303,"date":"2014-06-11T18:07:02","date_gmt":"2014-06-11T22:07:02","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=19303"},"modified":"2014-06-11T18:25:40","modified_gmt":"2014-06-11T22:25:40","slug":"viral-video-spins-classical-music-world-into-a-tizzy","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2014\/06\/11\/viral-video-spins-classical-music-world-into-a-tizzy\/","title":{"rendered":"Viral video spins classical music world into a tizzy"},"content":{"rendered":"
\"Sir<\/a>
Sir Mix-A-Lot, far left, performing \u201cBaby Got Back\u201d with the Seattle Symphony. Credit: Ben VanHouten<\/figcaption><\/figure>\n

By now you\u2019ve all probably all seen the viral video featuring Sir Mix-A-Lot and the Seattle Symphony Orchestra that has got everybody up in arms via my old colleague Norman Lebrecht<\/a>.<\/p>\n

But if you\u2019re a member of Gen X, you\u2019d probably wonder what all the fuss is about, as the song,\u00a0Baby Got Back,<\/em>\u00a0was hip hops answer to \u201cbig is beautiful\u201d, as told through the refrain, \u201cI like big butts and I cannot lie\u201d (I can\u2019t believe I just wrote that).<\/p>\n

Remember folks, this was 1992 we’re talking about here.<\/p>\n

The video has been seen by almost 2 million viewers since Tuesday, and it shows no sign of slowing. It\u2019s a public relations dream for the SSO, who has been struggling immensely to keep patrons happy and attract new faces. Little did they know it would lead to this.<\/p>\n

The seven-minute video had sparked a debate whether or not it is a tacky gimmick, or a genius collaboration of fun and spectacle.<\/p>\n

The video even created a new internet star known as \u201cthe lady in the black dress.\u201d The 38 year-old woman was a member of the audience asked to join women on stage to dance along to the performance by Sir Mix-A-Lot. This was Shawn Bounds’ first time at the symphony, and when asked about her performance by the New York Times<\/a>, Ms.\u00a0Bounds\u00a0stated,\u00a0\u201cI\u2019ve been dancing to that song for 20 years [\u2026] \u201cAll I remember is me, Sir Mix-A-Lot, and the Seattle Symphony \u2014 as far as I was concerned, no one else was there.\u201d<\/p>\n

\"Screen<\/a>
Sir Mix-a-Lot and Shawn Bounds, Credit: Ben VanHouten<\/figcaption><\/figure>\n

According to SSO Director Ludovic Morlot, the concert was originally part of the Sonic Evolution project, which commissions composers to write new works inspired by Seattle musicians. Now in its third year, the initiative commissioned Gabriel Prokofiev, the grandson of Sergei Prokofiev, to pen \u201cDial 1-900 Mix-A-Lot.\u201d<\/p>\n

Seattle-based Sir Mix-A-Lot was asked to take to the stage, backed by the orchestra, to offer his Grammy Award-winning single as part of the concert after Prokofiev’s new piece.<\/p>\n

Musical Toronto audiences might recall Gabriel Prokofiev was recently in Toronto to present a number of concerts as part of his visit to the faculty of Music at the University of Toronto as the Roger D. Moore Distinguished Visitor in Composition.<\/p>\n

Profokiev comments on his\u00a0blog<\/a>:\u00a0“My aim with this new Sir-Mix-A-Lot-inspired orchestral work was to really get inside the musical mind of Sir Mix-A-Lot; to understand how his rhythms, textures, sounds and harmonies worked, and to create a contemporary orchestral composition that was true to the music of Sir-Mix-A-Lot.”<\/p>\n

If you haven\u2019t seen it yet, here it is in all its glory:<\/p>\n