{"id":14667,"date":"2013-08-30T23:40:38","date_gmt":"2013-08-31T04:40:38","guid":{"rendered":"https:\/\/www.ludwig-van.com\/?p=14667"},"modified":"2013-08-31T07:10:18","modified_gmt":"2013-08-31T12:10:18","slug":"banff-day-5-everyone-gets-a-second-chance-when-no-one-is-voted-off-the-island","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2013\/08\/30\/banff-day-5-everyone-gets-a-second-chance-when-no-one-is-voted-off-the-island\/","title":{"rendered":"Banff Day 5: Everyone gets a second chance when no one is voted off the island"},"content":{"rendered":"<figure id=\"attachment_14670\" aria-describedby=\"caption-attachment-14670\" style=\"width: 720px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2013\/08\/cecilias.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-14670\" alt=\"2010 Banff competition winners the Cecilia String Quartet, joined by pianist Angela Chang, performed Antonin Dvor\u00e1k's Op. 81 Piano Quintet No. 2 on Friday night (John Terauds phone photo).\" src=\"http:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2013\/08\/cecilias.jpg\" width=\"720\" height=\"413\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2013\/08\/cecilias.jpg 720w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2013\/08\/cecilias-300x172.jpg 300w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/a><figcaption id=\"caption-attachment-14670\" class=\"wp-caption-text\">2010 Banff competition winners the Cecilia String Quartet, joined by pianist Angela Chang, performed Antonin Dvor\u00e1k&#8217;s Op. 81 Piano Quintet No. 2 on Friday night (John Terauds phone photo).<\/figcaption><\/figure>\n<p>Few people realise that the first reality shows were music competitions, where the worst performers are winnowed from one round to the next &#8212; just like on the Food network, or The Bachelorette, or Andorra&#8217;s Got Talent. The Banff International String Quartet Competition is not like that.<!--more--><\/p>\n<p>Everyone has a bad day. In the case of a competition where the ranks thin after each round, this means there are no second chances.<\/p>\n<p>In Banff, all 10 quartets get to play all four rounds leading up to the final concert. That&#8217;s many hours over many days. The seven-member jury awards points for each round. The competition then has a mathematician crunch these numbers so the final rankings are not the result of argument, negotiation and compromise, but of an impartial tally of seven often very different impressions.<\/p>\n<p>This means that each and every quartet can, in theory, not do their best in one category, then redeem themselves with an exceptional performance the next day.<\/p>\n<p>The journalists present at this year&#8217;s 11th Banff competition were given access to the competitors&#8217; practice studios this morning, so we could go interrupt their hard work with all sorts of questions about their art, intentions and impressions.<\/p>\n<p>Several competitors mentioned how wonderful it is to be able to learn all this repertoire, as well as know that they will have a chance to perform it all in front of the competition&#8217;s large, attentive and, ultimately, enthusiastic audience.<\/p>\n<p>And no one complained about today&#8217;s round, which featured the new Canadian work that all competitors must perform.<\/p>\n<p>We heard 10 quartets play the very intense, 10-minute <em>String Quartet No. 3<\/em>, co-commissioned by the Banff competition and the CBC from Canadian composer Vivian Fung.<\/p>\n<p>As is the case with new works commissioned for competitions, Fung&#8217;s quartet made all sorts of individual and ensemble demands on the contestants. It wasn&#8217;t an easy piece to play or to listen to, but its concluding Chaconne was an inspired bit of composition.<\/p>\n<p>Most fascinating was witnessing how the musical and psychological personality of each quartet translated so clearly into these side-by-side performances of unfamiliar material.<\/p>\n<p>Because I&#8217;ve been publishing my Top 3 ranking for each round, as well as an overall assessment, I&#8217;ll do the same for the Canadian Commission Round.<\/p>\n<p>Five of the 10 quartets delivered impressive interpretations that displayed wide dynamic breadth and tight ensemble work. Three of those five were exceptional &#8212; so much so that putting them in 1-2-3 order doesn&#8217;t seem fair:<\/p>\n<p>3. Navarra Quartet<br \/>\n2. Dover Quartet<br \/>\n1. Noga Quartet<\/p>\n<p>The absolute control that the Berlin-based Nogas had over this music was breathtaking.<\/p>\n<p>After today&#8217;s performances, I&#8217;m beginning to think that the Dover Quartet may actually deserve a place in my overall Top 3, which I&#8217;ll leave unchanged for now:<\/p>\n<p>3. Schumann Quartett<br \/>\n2. Noga Quartet<br \/>\n1. Calidore String Quartet.<\/p>\n<p>After Saturday&#8217;s Romantic Round, which promises plenty of sweet and intense listening, everyone present will have a clear personal favourite for the No. 1 spot.<\/p>\n<p>We had a foretaste of tomorrow&#8217;s spoonfuls of musical sugar tonight, as everyone took in a concert featuring the two top quartets from the 10th Banff competition, in 2010, in a programme of chamber-music chestnuts by Schubert and Dvor\u00e1k.<\/p>\n<p>No one was voted off the mountainside.<\/p>\n<p>+++<\/p>\n<p>The live streaming of Banff competition recitals resumes on Saturday at 12:30 p.m. Eastern, <a href=\"http:\/\/www.banffcentre.ca\/bisqc\/\" target=\"_blank\">here<\/a>.<\/p>\n<p><em>John Terauds<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Few people realise that the first reality shows were music competitions, where the worst performers are winnowed from one round to the next &#8212; just like on the Food network, or The Bachelorette, or Andorra&#8217;s Got Talent. The Banff International String Quartet Competition is not like that.<\/p>\n","protected":false},"author":2,"featured_media":14670,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[3,10,36,39,42,57,64,1,66],"tags":[6451,452,616,855,3874],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2013\/08\/cecilias.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-3Oz","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/14667"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=14667"}],"version-history":[{"count":5,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/14667\/revisions"}],"predecessor-version":[{"id":14673,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/14667\/revisions\/14673"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/14670"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=14667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=14667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=14667"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=14667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}