{"id":125344,"date":"2026-06-22T15:33:50","date_gmt":"2026-06-22T19:33:50","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=125344"},"modified":"2026-06-22T17:00:56","modified_gmt":"2026-06-22T21:00:56","slug":"scrutiny-cultureland-opera-collective-presents-the-3rd-space-no-1-an-operatic-examination-of-displacement-longing-and-loss","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2026\/06\/22\/scrutiny-cultureland-opera-collective-presents-the-3rd-space-no-1-an-operatic-examination-of-displacement-longing-and-loss\/","title":{"rendered":"SCRUTINY | Cultureland Opera Collective Presents The 3rd Space No. 1, An Operatic Examination Of Displacement, Longing, And Loss"},"content":{"rendered":"<figure id=\"attachment_125348\" aria-describedby=\"caption-attachment-125348\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-125348\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Copy-of-Copy-of-REVIEW-8.jpg\" alt=\"Holly Chaplin sings \u201cSong to the Moon\u201d from Anton\u00edn Dvo\u0159\u00e1k\u2019s Rusalka (Photo courtesy of Cultureland Opera Collective)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Copy-of-Copy-of-REVIEW-8.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Copy-of-Copy-of-REVIEW-8-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Copy-of-Copy-of-REVIEW-8-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Copy-of-Copy-of-REVIEW-8-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-125348\" class=\"wp-caption-text\">Holly Chaplin sings \u201cSong to the Moon\u201d from Anton\u00edn Dvo\u0159\u00e1k\u2019s Rusalka (Photo courtesy of Cultureland Opera Collective)<\/figcaption><\/figure>\n<p><em><strong>Cultureland Opera Collective as part of Tapestry Opera Residency: Opera Arias of Identity, War, Exile, Homeland and Diaspora, curated by Dr. Afarin Mansouri. With Thera Barclay, Lyric Coloratura Soprano, Holly Chaplin, Lyric Coloratura Soprano, Keith Klassen, Tenor, Bradley Christensen, Baritone, Sydney Baedke, Soprano, Hannah Crawford, Dramatic Soprano, Alexander Cappellazzo, Tenor, Farshid Tabloie, Bass-Baritone, Lyricist and Arranger, with pianist Asal Irnmehr. June 21, 2026 at the Nancy and Ed Jackman Performance Centre.<\/strong><\/em><\/p>\n<p>Cultureland Opera Collective, the inaugural company in residence at Tapestry Opera, states that its goal is to create bridges between cultures. Steeped in Iranian traditions, the organization has created five original operas since 2020.<\/p>\n<p>The 3rd Space, however, was an event built around a central theme: displacement. It used Western opera to create connections between that notion and human emotions.<\/p>\n<p><em>Where is homeland?<\/em><br \/>\n<em>Where is the body?<\/em><\/p>\n<p>The \u201cthird space\u201d of the event\u2019s title is that psychological space that so many people carry within themselves. It is a space between their homeland and new home, belonging and displacement. Migration, war, longing, loss, and transformation were the themes examined throughout the works.<\/p>\n<p>As Cultureland Artistic Director Dr. <strong>Afarin Mansouri<\/strong> explained, the event drew from operatic works across centuries to explore those themes. For the many Iranian audience members, it may have introduced them to those works. For those of us who grew up in Western traditions and culture, it served as a reminder that those themes have cut across time, and imbued what we may view as simply artistic expression with larger political overtones. Migration and displacement are realities that speak directly to some, while for others, it was an opportunity to learn more about their emotional cost.<\/p>\n<p>It was Mansouri\u2019s goal to create a program that sparked dialogue between cultures, and an emotional connection with the music in an educational as well as an entertaining event.<\/p>\n<figure id=\"attachment_125350\" aria-describedby=\"caption-attachment-125350\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-125350\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Sydney-Susannah.jpg\" alt=\"Sydney Baedke sings \u201cAin\u2019t It a Pretty Night\u201d from Carlisle Floyd\u2019s opera Susannah with pianist Asal Irnmehr (Photo courtesy of Cultureland Opera Collective)\" width=\"1200\" height=\"675\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Sydney-Susannah.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Sydney-Susannah-300x169.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Sydney-Susannah-1024x576.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Sydney-Susannah-768x432.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-125350\" class=\"wp-caption-text\">Sydney Baedke sings \u201cAin\u2019t It a Pretty Night\u201d from Carlisle Floyd\u2019s opera Susannah with pianist Asal Irnmehr (Photo courtesy of Cultureland Opera Collective)<\/figcaption><\/figure>\n<h3>The Format<\/h3>\n<p>Mansouri began the program with a brief performance that was noted in the program as a \u201cvocal introduction\u201d. Her voice was rich in expression, from a whisper to urgent to anguished, as she sang poetic lines that presented the essential themes of the concert.<\/p>\n<p><em>Migration begins with this very human need<\/em><br \/>\n<em>The search for safety and security.<\/em><\/p>\n<p>Addressing the audience in Farsi, with English translations projected on the back wall of the stage, she added more comments that put the performances into context. Each offered a look at a specific character whose experience embodied those concepts.<\/p>\n<p>She prefaced each performance by explaining the characters and their situation.<\/p>\n<figure id=\"attachment_125349\" aria-describedby=\"caption-attachment-125349\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-125349\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Keith-Klassen-DonOttavio.jpg\" alt=\"Keith Klassen sings \u201cIl mio tesoro\u201d from Mozart\u2019s Don Giovanni with pianist Asal Irnmehr (Photo courtesy of Cultureland Opera Collective)\" width=\"1200\" height=\"675\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Keith-Klassen-DonOttavio.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Keith-Klassen-DonOttavio-300x169.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Keith-Klassen-DonOttavio-1024x576.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Keith-Klassen-DonOttavio-768x432.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-125349\" class=\"wp-caption-text\">Keith Klassen sings \u201cIl mio tesoro\u201d from Mozart\u2019s Don Giovanni with pianist Asal Irnmehr (Photo courtesy of Cultureland Opera Collective)<\/figcaption><\/figure>\n<h3>The Performances<\/h3>\n<p>The opera excerpts were sung by a roster drawn from Toronto\u2019s talent pool, and each offered a highlight moment that was appreciated by the audience. Projections created a sense of place for each performance. There were many memorable moments.<\/p>\n<p>The performances opened with Mozart and the Classical era and continued through the Romantic era to modern music.<\/p>\n<p><strong>Thera Barclay<\/strong> sang \u201cQuanti mi siete intorno\u2026 Padre, germani, addio\u201d, the song of Princess Ilia of Troy in captivity. Barclay has an expressive, clear tone that carried the drama of her dilemma, a conflict between her loyalty to Troy and falling in love with her former enemy, a Greek prince.<\/p>\n<p><strong>Keith Klassen<\/strong> offered a fine dramatic sense that ranged from the swagger of Don Ottavio in Mozart\u2019s Don Giovanni to the vanity of The Duke of Mantua in Verdi\u2019s Rigoletto. Both characters embodied what happens when power is abused with impunity.<\/p>\n<p>Soprano <strong>Sydney Baedke<\/strong> has a great gift for portraying character, even in short works, including both the sorrow of Donizetti\u2019s Anna Bolena (\u201cAl dolce guidami\u201d) and the bewildered betrayal of Susannah, betrayed by her own community, in Carlisle Floyd\u2019s 1955 opera of the same name.<\/p>\n<p>Baritone <strong>Bradley Christensen<\/strong> performed an affecting interpretation of Schubert\u2019s Wanderer, with a rich tone and strong dramatic flair.<\/p>\n<p>Wally, the title character in Alfredo Catalani\u2019s La Wally, is a young woman who is forced to leave home when she refuses to marry the man her father chooses. <strong>Hannah Crawford<\/strong>\u2019s rendition of \u201cEbben? Ne andr\u00f2 lontana\u201d was powerfully emotional.<\/p>\n<p><strong>Holly Chaplin<\/strong>\u2019s Rusalka, the mermaid who has to leave her own world behind to follow her love in Dvo\u0159\u00e1k\u2019s opera of the same name, expressed the dual nature of loss and longing in her performance of \u201cSong to the Moon\u201d. Chaplin has a strong stage presence that connected with the audience.<\/p>\n<figure id=\"attachment_125346\" aria-describedby=\"caption-attachment-125346\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-125346\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Alexander-C-Seaman.jpg\" alt=\"Alexander Cappellazzo sings \u201cThe Seaman, an Epilogue\u201d from Five Songs from Northern Seas by composer Gavin Bryars (Photo courtesy of Cultureland Opera Collective)\" width=\"1200\" height=\"689\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Alexander-C-Seaman.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Alexander-C-Seaman-300x172.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Alexander-C-Seaman-1024x588.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Alexander-C-Seaman-768x441.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-125346\" class=\"wp-caption-text\">Alexander Cappellazzo sings \u201cThe Seaman, an Epilogue\u201d from Five Songs from Northern Seas by composer Gavin Bryars (Photo courtesy of Cultureland Opera Collective)<\/figcaption><\/figure>\n<p><strong>Alexander Cappellazzo&#8217;s<\/strong> soaring tenor shone in both Richard Strauss\u2019s Hollywood Liederbuch (\u201cUnd ich werde nicht mehr sehen\u201d), portraying Bertolt Brecht as a character in the work, and as The Seaman in Gavin Bryars Five Songs from Northern Seas, composed in 2009.<\/p>\n<p>Bass-Baritone <strong>Farshid Tabloie<\/strong> gave the Iranian members of the audience a direct reference to their own experiences in his portrayal of The Iranian in Remo Giazotto\u2019s \u201cEverlasting Land\u201d, a Persian lyrical adaptation of Adagio in G Minor based on themes attributed to Tomaso Albinoni. It was a notable connection between Persian and Western traditions.<\/p>\n<p><em>May the day come when no human experiences war.<\/em><\/p>\n<p>Special mention has to go to pianist <strong>Asal Irnmehr<\/strong>, who handled accompaniment for such a wide variety of works and singers with polish.<\/p>\n<figure id=\"attachment_125347\" aria-describedby=\"caption-attachment-125347\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-125347\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/FarshidTabloie-Iranian2.jpg\" alt=\"Farshid Tabloie sings \u201cEverlasting Land\u201d by composer Remo Giazotto with pianist Asal Irnmehr (Photo courtesy of Cultureland Opera Collective)\" width=\"1200\" height=\"645\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/FarshidTabloie-Iranian2.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/FarshidTabloie-Iranian2-300x161.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/FarshidTabloie-Iranian2-1024x550.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/FarshidTabloie-Iranian2-768x413.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-125347\" class=\"wp-caption-text\">Farshid Tabloie sings \u201cEverlasting Land\u201d by composer Remo Giazotto with pianist Asal Irnmehr (Photo courtesy of Cultureland Opera Collective)<\/figcaption><\/figure>\n<h3>Final Thoughts<\/h3>\n<p>Thematic programs and using operatic works as talking points aren\u2019t something Toronto audiences experience very often. It was an effective way to connect the stated themes and individual human experiences using gorgeous music and talented vocalists.<\/p>\n<p>Also of note: the event benefitted form in kind sponsorship from AuraVista Moments, an organization committed to creating awareness and action towards peace.<\/p>\n<p>As the program stated, The 3rd Space is the first in an ongoing concert series that will use opera to explore the themes that connect us all \u2014 both those of us who\u2019ve left our homes to seek a better life, and those who can only see their predicaments from a distance.<\/p>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a;\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Cultureland Opera Collective presented The 3rd Space, a concert event that used opera to explore themes of migration, war, longing, loss, and transformation.<\/p>\n","protected":false},"author":64,"featured_media":125348,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[42533,43,52,63],"tags":[16479,40773,41193,40349,40857,41192],"yst_prominent_words":[6886,12857],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/06\/Copy-of-Copy-of-REVIEW-8.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-wBG","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/125344"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=125344"}],"version-history":[{"count":3,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/125344\/revisions"}],"predecessor-version":[{"id":125354,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/125344\/revisions\/125354"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/125348"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=125344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=125344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=125344"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=125344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}