{"id":123492,"date":"2026-04-20T09:45:06","date_gmt":"2026-04-20T13:45:06","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=123492"},"modified":"2026-04-20T09:45:06","modified_gmt":"2026-04-20T13:45:06","slug":"critics-picks-classical-music-events-absolutely-need-see-week-april-20-april-26-2026","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2026\/04\/20\/critics-picks-classical-music-events-absolutely-need-see-week-april-20-april-26-2026\/","title":{"rendered":"CRITIC\u2019S PICKS | Classical Music Events You Absolutely Need To See This Week: April 20 \u2013 April 26 2026"},"content":{"rendered":"<figure id=\"attachment_123493\" aria-describedby=\"caption-attachment-123493\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-123493\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/04\/Copy-of-CRITICS-PICKS-2026-04-20T092349.075.jpg\" alt=\"L-R (clockwise): Krisztina Szab\u00f3 as the Woman and Mark Johnson as the Psychiatrist (in background) in the Canadian Opera Company production of Erwartung, 2015 (Photo: \u00a9 Michael Cooper); Violinist Itzhak Perlman (Photo courtesy of the artist); Violinist Lisa Batiashvili (Photo: Chris Singer)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/04\/Copy-of-CRITICS-PICKS-2026-04-20T092349.075.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/04\/Copy-of-CRITICS-PICKS-2026-04-20T092349.075-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/04\/Copy-of-CRITICS-PICKS-2026-04-20T092349.075-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/04\/Copy-of-CRITICS-PICKS-2026-04-20T092349.075-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-123493\" class=\"wp-caption-text\">L-R (clockwise): Krisztina Szab\u00f3 as the Woman and Mark Johnson as the Psychiatrist (in background) in the Canadian Opera Company production of Erwartung, 2015 (Photo: \u00a9 Michael Cooper); Violinist Itzhak Perlman (Photo courtesy of the artist); Violinist Lisa Batiashvili (Photo: Chris Singer)<\/figcaption><\/figure>\n<p>This is a list of concerts we are attending, wishing we could attend, or thinking about attending between April 20 and 26, 2026. For more of what\u2019s happening around Toronto, visit our calendar <strong><a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\" target=\"_blank\" rel=\"noopener\">here<\/a><\/strong>.<\/p>\n<h3>Roy Thomson Hall: Itzhak Perlman, Violin with Rohan De Silva, Piano<\/h3>\n<p>Monday, April 20, 8 p.m.<br \/>\nRoy Thomson Hall, $101+<\/p>\n<p>The legendary Itzhak Perlman visits Toronto with Rohan De Silva on his 80th birthday tour. Bursting out to the audience in November 2, 1958 on the Ed Sullivan Show as a 13-year old master playing the Flight of the Bumblebee, Poloniase Brillante, and the Finale of the Mendelssohn\u2019s Violin Concerto, he\u2019s won the hearts of many for decades. A beloved figure, and a great social leader \u2014 advocate of disability rights and young musicians including a 1 million Genesis Prize donation, a recent 12.9 million donation for the New York Central Homeless Families, and so many other active outreach projects \u2014 it\u2019s no wonder the show at the cavernous Roy Thomson is nearly sold-out, with perhaps 10+ seats left at this juncture. We love him. Get your tickets before it IS sold out. It\u2019s not every day that we get to see true heroes in person \u2014 and with thousands of concerts under his belt, there\u2019s no doubt that this evening\u2019s performance will be satisfying, inspiring, and beautiful. Info <strong><a href=\"https:\/\/roythomsonhall.mhrth.com\/tickets\/itzhak-perlman\/\" target=\"_blank\" rel=\"noopener\">here<\/a><\/strong>.<\/p>\n<h3>Music Toronto: Steven Isserlis, Cello &amp; Connie Shih, Piano<\/h3>\n<p>Thursday, April 23, 7:30 p.m.<br \/>\nJane Mallett Theatre, St. Lawrence Centre for the Arts, $60+<\/p>\n<p>Another musical giant, Steven Isserlis, with Connie Shih, takes over the stage this evening. Born in the year of Perlman\u2019s television debut, Isserlis has been performing, writing, and inspiring the wider audience since the 1970s. His maturity and intense energy always makes an Isserlis concert a great experience \u2014 the list of awards that we\u2019ve trusted on him is quite ridiculous, including being one of the only two living cellists inducted into the Gramophone Hall of Fame, along with Yo-Yo Ma. Bringing Beethoven, Schumann, Kabalevsky and Kapr\u00e1lov\u00e1, this program full of familiars and fresh-to-the-ears will be a treat, especially with Connie Shih at the piano, and Isserlis\u2019s cello \u2014 the Marquis de Corberon Strad. Info <strong><a href=\"https:\/\/musictorontoconcerts.com\/concerts\/isserlis-shih\" target=\"_blank\" rel=\"noopener\">here<\/a><\/strong>.<\/p>\n<h3>Esprit Orchestra: Hallelujah Sim<\/h3>\n<p>Thursday, April 23, 8 p.m.<br \/>\nKoerner Hall, $20<\/p>\n<p>For the last concert of the season, Esprit have programmed Ben Nobuto\u2019s Hallelujah Sim with 72 singers. Taking apart the familiar Hallelujah chorus, Nobuto disassembled the tune, mixing it up with electronics and live instructions, where the choir transforms the piece in real time, going from one section to another, a simulation, a play in real time. Never thought you would relate video games to Handel? Well, here we are. Certain music just does not translate successfully through recording \u2014 so much of the architectural and performance aspect, especially with any music that requires real-time driving and spontaneity, just dies as soon as it\u2019s been scribed into digital bits, never to be alive again post-fossilization. So get yourselves to the hall, and witness this unique piece. Music of Chris Paul Harman, Tristan Keuris and Poul Ruders rounds out the program. What a fun way to see what classical music is capable of with guests the Elmer Iseler Singers and Concreamus Chamber Choir. Info <strong><a href=\"https:\/\/www.espritorchestra.com\/events\/hallelujah-sim\" target=\"_blank\" rel=\"noopener\">here<\/a><\/strong>.<\/p>\n<h3>Toronto Symphony Orchestra: TSYO: Rachmaninoff Symphony No.2<\/h3>\n<p>Saturday, April 25, 3 p.m.<br \/>\nRoy Thomson Hall, $24+<\/p>\n<p>The superkids of the Toronto Symphony Youth Orchestra present a full program, featuring one of the their own, Harrison Yang Meng (2024\/25 IMFC Concerto Competition Winner) in Walton\u2019s fiendish Viola Concerto \u2014 Walton was known for writing difficult, yet ravishingly beautiful music. The centrepiece of the program, Rachmaninoff\u2019s Symphony No. 2, is lush and mature, requiring true emotional and technical depth from every chair. At the price of $24+, this is a definite bargain to experience high-calibre music, and unlike adult professionals, there\u2019s something special about these youth groups: here, the youth certainly has not been wasted. Come with an open heart, and be ready to be taken away by the talent, dedication, and love of music of this special group. Info <strong><a href=\"https:\/\/www.tso.ca\/concerts-and-events\/events\/tsyo-rachmaninoff-symphony-no-2\" target=\"_blank\" rel=\"noopener\">here<\/a><\/strong>.<\/p>\n<h3>Canadian Opera Company: Bluebeard&#8217;s Castle \/ Erwartung<\/h3>\n<p>Saturday, April 25, 7:30 p.m., Wednesday, April 29, 7:30 p.m., Friday, May 8, 7:30 p.m., Sunday, May 10, 2 p.m., Tuesday, May 12, 7:30 p.m., Thursday, May 14, 7:30 p.m., Saturday, May 16, 4:30 p.m.,<br \/>\nFour Seasons Centre for the Performing Arts, $45+<\/p>\n<p>The last section of the COC 25\/26 season is here, with a double bill of Bart\u00f3k and Schoenberg. These gritty one-act works are well-known for their musical expressivity, burrowing deep into the ugly side of the psyche. With the recent trend of horror movies at the cinemas (have you noticed that there are at least a few horror movies at any cinema now? What has happened to us?), one should definitely see if the hunger for dark drama can be sated with this amazingly crafted music, as there are plenty of ugly, hard emotions here. With the entire production lasting just about two hours, intermission included, the skeptics and the I-don\u2019t-knows should try the standing room experience \u2014 at $15, there is zero risk \u2014 and see if it can compel you to stay till the bitter end. Info <strong><a href=\"https:\/\/www.coc.ca\/tickets\/2526-season\/bluebeards-castle-erwartung\" target=\"_blank\" rel=\"noopener\">here<\/a><\/strong>.<\/p>\n<h3>Royal Conservatory of Music: Lisa Batiashvili, Violin, with Giorgi Gigashvili, Piano<\/h3>\n<p>Sunday, April 26, 3 p.m.<br \/>\nKoerner Hall, $60+<\/p>\n<p>One of the best, fearless Lisa Batiashvili, with Giorgi Gigashvili on piano, takes over Koerner for this afternoon magic. Belonging to the very special group of performers who embrace the open possibilities and spontaneity of live performance (in contrast to the traditional, do-as-planned, with pearl string perfection and planned, careful pacing), her playing has been noted for wild, intense Shakespearean interpretations, backed up with impeccable virtuosity. Though many will be eager for Batiashvili and Gagashvili\u2019s Franck Sonata, I am most excited about Prokofiev\u2019s first sonata \u2014 the work was written after the \u2018second\u2019 sonata (as the second violin sonata was an adaptation of the flute sonata), and Prokofiev went into a great depth of searching, exploring for a whole eight years \u2014 what a contrast to his usual rapid, supercharged compositional process. The thoughts, care, and emotional depth makes this first sonata a true masterpiece \u2014 to have the duo take on this significant work is exciting. Come and fill your afternoon with these two fiery, incandescent humans. Info <strong><a href=\"https:\/\/www.rcmusic.com\/events-and-performances\/lisa-batiashvili-with-giorgi-gigashvili\" target=\"_blank\" rel=\"noopener\">here<\/a><\/strong>.<\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><br \/>\n<a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Classical music and opera events in Toronto for the week of April 20 to 26, 2026. <\/p>\n","protected":false},"author":62,"featured_media":123493,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[42533,76,19,3895,38,43,63],"tags":[1194,1649,5359,3361],"yst_prominent_words":[7173,6885,6871,18601,18597,7254,6616,6884,10287,18602,18596,6843,6674,6683],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/04\/Copy-of-CRITICS-PICKS-2026-04-20T092349.075.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-w7O","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/123492"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=123492"}],"version-history":[{"count":1,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/123492\/revisions"}],"predecessor-version":[{"id":123494,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/123492\/revisions\/123494"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/123493"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=123492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=123492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=123492"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=123492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}