{"id":121990,"date":"2026-02-24T15:30:28","date_gmt":"2026-02-24T20:30:28","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=121990"},"modified":"2026-02-23T19:10:03","modified_gmt":"2026-02-24T00:10:03","slug":"interview-composer-musician-robert-humber-talks-release-air","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2026\/02\/24\/interview-composer-musician-robert-humber-talks-release-air\/","title":{"rendered":"INTERVIEW | Composer &#038; Musician Robert Humber Talks About His Release Into Air"},"content":{"rendered":"<figure id=\"attachment_121996\" aria-describedby=\"caption-attachment-121996\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-121996\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-Copy-of-INTERVIEW-2026-02-23T190827.301.jpg\" alt=\"L: Cover, Into Air by Robert Humber (Image courtesy of the artist); R: Composer Robert Humber (Photo: Jessica Pereversoff)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-Copy-of-INTERVIEW-2026-02-23T190827.301.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-Copy-of-INTERVIEW-2026-02-23T190827.301-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-Copy-of-INTERVIEW-2026-02-23T190827.301-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-Copy-of-INTERVIEW-2026-02-23T190827.301-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-121996\" class=\"wp-caption-text\">L: Cover, Into Air by Robert Humber (Image courtesy of the artist); R: Composer Robert Humber (Photo: Jessica Pereversoff)<\/figcaption><\/figure>\n<p>Newfoundland-based composer and musician Robert Humber will release his next album, Into Air, on February 27. The album, available on <strong>Redshift Records<\/strong>, includes four tracks of imaginative contemporary classical music.<\/p>\n<p>The album uses an intriguing approach. Each track is recorded with one musician, then overdubbed with multiple parts for the same instrument. It creates highly textured and dense works, including the SOCAN award-winning titular work for five violins.<\/p>\n<p>It\u2019s been variously described as post-spectralist in its use of texture, and pulsed minimalism. It\u2019s thoroughly modern, melodic, and microtonal in turns.<\/p>\n<p>LV spoke to Robert Humber about his music.<\/p>\n<h2>Robert Humber<\/h2>\n<p>Composer, singer\/songwriter, multi-instrumentalist and producer Robert Humber has written and performed concert music, as well as music for films, dance, and installations, among other things.<\/p>\n<p>He earned a Bachelor&#8217;s degree in Music Composition at Memorial University of Newfoundland, followed by a Master&#8217;s Degree in Music Composition at University of British Columbia, where he studied with Jocelyn Morlock, Stephen Chatman, Dorothy Chang and Keith Hamel. Along with his 1st prize in the 2024 SOCAN Young Composer Award (Chamber Ensemble) for into air, he won the 2024 CMC Emerging Composer Prize for his piece \u201cwarmth comes\u201d, which was premiered by the Winnipeg Symphony Orchestra.<\/p>\n<p>He\u2019s collaborated with a number of artists, including dancer Hilary Knee and pianist Stephen Eckert on the piece to unwind a sea shell, which premiered during 2024 NL Sound Symposium.<\/p>\n<h3>Robert Humber: The Interview<\/h3>\n<p>Humber\u2019s music is modern in its aesthetics, but emotional at its core. As a musician, he\u2019s something of a chameleon.<\/p>\n<p>\u201cLast year, I released, I had this project called <a href=\"https:\/\/rsheaves.bandcamp.com\/album\/mary-spins\" target=\"_blank\" rel=\"noopener\">R Sheaves<\/a>,\u201d he says. \u201cIt\u2019s kind of alternative rock with some folk.\u201d<\/p>\n<p>Classical music, through early classical training, was always at the back of his mind, no matter what genre he was playing in over the years. \u201cI came up through schooling as a composer. I was always, in the background, or in bands, I was in my room composing quietly.\u201d<\/p>\n<p>He wanted to sing and write songs. \u201cI was honestly too chicken,\u201d he laughs. \u201cCOVID happened, and I got into producing. Last year, I finally had my first songwriter album.\u201d<\/p>\n<p>That included varied instrumentation. \u201cThe orchestration in that, is mainly me, playing, multitracking instruments,\u201d he explains. \u201cI played saw, musical saw, for that album. My background in composition makes that album sound the way it does.\u201d Then came <a href=\"https:\/\/peopleplacesrecords.bandcamp.com\/album\/threnody-for-rocking-chair\" target=\"_blank\" rel=\"noopener\">Threnody for Rocking Chair<\/a>, an electroacoustic album.<\/p>\n<p>For that release, he played harmonica, acoustic guitar, and upright bass, all instruments with folk roots.<\/p>\n<p>\u201cI\u2019m from Newfoundland. My early experiences in music was [&#8230;] my dad playing in jams,\u201d he says. \u201cThat\u2019s where it started.\u201d<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/mZLUGaGbxwA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Into Air<\/h3>\n<p>into air incorporates four tracks, using four different musicians. The tracklist is:<\/p>\n<ul>\n<li>Into Air, for five violins, with violinist <strong>Adrian Irving<\/strong><\/li>\n<li>Mothmouth, for three guitars, with guitarist <strong>Ben Diamond<\/strong><\/li>\n<li>Murmurations, for six pianos, with pianist <strong>Stephen Eckert<\/strong><\/li>\n<li>Singing in Circles, for cello and cello octet, with cellist <strong>Heather Tuach<\/strong><\/li>\n<\/ul>\n<p>Into Air, the title track, covers a range of moods, from frenetic to melancholic and moody. Moth Mouth, with Ben Dianmond, is strongly rhythmic, and virtuosic in its technical demands of guitarist Ben Diamond. Humber incorporates non-traditional sounds with more conventional classical and Spanish-style riffs.<\/p>\n<p>Murmurations really does resemble its title. Multi-layered and kinetic, the music moves en masse in varying directions. Singing in Circles makes full use of the cello\u2019s capabilities and sounds, ranging from lyrical to rapid fire.<\/p>\n<p>\u201cAll four of the musicians [&#8230;] they\u2019re either from Newfoundland or I met that at my time in Memorial University,\u201d he explains.<\/p>\n<p>Adrian Irving, he notes, is a producer who often works on pop albums. \u201cHe recorded himself playing violin in his home studio,\u201d Robert says.<\/p>\n<p>\u201cIt\u2019s a lot of people I wanted to work with for a long time.\u201d<\/p>\n<p>Cellist Heather Tuach is now based in London, UK, but originally hails from the west coast of Newfoundland, still spending a lot of time in Canada each year. \u201cWe recorded [her piece] in a heritage church,\u201d he says.<\/p>\n<p>\u201cThere\u2019s no classical musicians around me,\u201d he laughs. \u201cI found the perfect excuse to work with them.\u201d<\/p>\n<h3>The Music<\/h3>\n<p>\u201cThis album, I would describe as \u2014 it\u2019s eclectic, and something that most of these pieces share is seeing just how far I can go in the texture,\u201d Humber says.<\/p>\n<p>All the pieces are multitracked, meaning he\u2019s recorded one musician, and layered several tracks.<\/p>\n<p>\u201cI wanted to see if I could create a mega violin,\u201d he says. It\u2019s about extending each instrument in various ways.<\/p>\n<p>For Murmurations, he had a specific effect in mind. \u201cHow can I just create, make you drown in piano while you\u2019re listening to it?\u201d<\/p>\n<p>Along with the technical and recording experimentation, the music also has an emotional heart.<\/p>\n<p>\u201cThat\u2019s absolutely true,\u201d he says. \u201cThere\u2019s certain things, I think with every composer, their voice \u2014 you almost can\u2019t shake certain things.\u201d<\/p>\n<p>Robert relates that, during his graduate studies, he attempted to purge that emotionality out of his music. \u201cBut it just didn\u2019t work.\u201d<\/p>\n<h3>Themes &amp; Ideas<\/h3>\n<p>\u201cI wasn\u2019t thinking of into air as an overarching thing outside that track, but one thing I was thinking about with all these pieces was a sense of wildness, of the natural world,\u201d he says.<\/p>\n<p>\u201cSomething that I thought about with all these tracks \u2014 the first three \u2014 was positioning,\u201d he says. \u201cBecause it\u2019s a multitrack work, because it\u2019s panning, a lot of the interest for me was hearing how the left guitar, for example would stop in its tracks,\u201d he adds.<\/p>\n<p>For the title track, into air, he relates that he was thinking in part of synchronized swimming, and the way that different parts of the body emerge from the water.<\/p>\n<p>\u201cI was thinking spatially a lot with these pieces.\u201d<\/p>\n<ul>\n<li>Find the album (either to pre-order or to order after the February 27 release date) on <strong>Redshift Records<\/strong> [<strong><a href=\"https:\/\/redshiftmusicsociety.bandcamp.com\/album\/into-air\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a;\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Newfoundland-based composer and musician Robert Humber will release his next album, into air, on February 27 on Redshift Records. <\/p>\n","protected":false},"author":64,"featured_media":121996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[42533,18,29,42150,81,51],"tags":[621,42691],"yst_prominent_words":[13047,7004,6715,14281,6616,37311,16320],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-Copy-of-INTERVIEW-2026-02-23T190827.301.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-vJA","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/121990"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=121990"}],"version-history":[{"count":4,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/121990\/revisions"}],"predecessor-version":[{"id":121997,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/121990\/revisions\/121997"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/121996"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=121990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=121990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=121990"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=121990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}