{"id":121635,"date":"2026-02-10T15:42:06","date_gmt":"2026-02-10T20:42:06","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=121635"},"modified":"2026-02-11T17:30:34","modified_gmt":"2026-02-11T22:30:34","slug":"interview-21st-century-canadian-snare-drum-percussionist-ryan-scott-talks-new-album","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2026\/02\/10\/interview-21st-century-canadian-snare-drum-percussionist-ryan-scott-talks-new-album\/","title":{"rendered":"INTERVIEW | 21st-Century Canadian Snare Drum: Percussionist Ryan Scott Talks About His New Album"},"content":{"rendered":"<figure id=\"attachment_121640\" aria-describedby=\"caption-attachment-121640\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-121640\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-INTERVIEW-2026-02-10T153742.298.jpg\" alt=\"Percussionist Ryan Scott (Photo: Brian Mosoff)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-INTERVIEW-2026-02-10T153742.298.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-INTERVIEW-2026-02-10T153742.298-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-INTERVIEW-2026-02-10T153742.298-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Copy-of-INTERVIEW-2026-02-10T153742.298-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-121640\" class=\"wp-caption-text\">Percussionist Ryan Scott (Photo: Brian Mosoff)<\/figcaption><\/figure>\n<p>The 21st-Century Canadian Snare Drum might seem like a fairly limited category. It\u2019s also the name of the upcoming release by Toronto percussionist Ryan Scott, and after having a listen, limitation is definitely not the idea that comes to mind.<\/p>\n<p>The album is available on February 13, 2026, on the Montr\u00e9al-based Collection QB, the label created by <strong>Quatour Bozzini<\/strong>, and distributed by DAME.<\/p>\n<p>Scott is a marimba and multi-percussionist, and currently the Artistic Director of Continuum Contemporary Music. He\u2019s performed extensively at contemporary music festivals in North America, Europe, Japan, China, Indonesia, South Africa, the UK and The Netherlands. He\u2019s a frequent guest performer with ensembles such as Esprit Orchestra, the National Arts Centre Orchestra, and The Austin Symphony, among others.<\/p>\n<p>Ryan studied at the University of Toronto, where he earned a Bachelor\u2019s, Master\u2019s and PhD degrees in percussion. Today, he teaches at the Faculty of Music, University of Toronto, and at the National Youth Orchestra of Canada.<\/p>\n<p>We caught up with Scott to talk about his two-disc CD, featuring commissioned works by 14 Canadian composers.<\/p>\n<figure id=\"attachment_121637\" aria-describedby=\"caption-attachment-121637\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-121637\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Ryan_Scott_E28094_21st-Century_Canadian_Snare_Drum_Cover.jpg\" alt=\"From the album cover for 21st Century Canadian Snare Drum by Ryan Scott (Graphic Design, from an original idea by Jean-Fran\u00e7ois Denis, and Production Marie-Pierre Morin)\" width=\"1200\" height=\"620\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Ryan_Scott_E28094_21st-Century_Canadian_Snare_Drum_Cover.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Ryan_Scott_E28094_21st-Century_Canadian_Snare_Drum_Cover-300x155.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Ryan_Scott_E28094_21st-Century_Canadian_Snare_Drum_Cover-1024x529.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2026\/02\/Ryan_Scott_E28094_21st-Century_Canadian_Snare_Drum_Cover-768x397.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-121637\" class=\"wp-caption-text\">From the album cover for 21st Century Canadian Snare Drum by Ryan Scott (Graphic Design, from an original idea by Jean-Fran\u00e7ois Denis, and Production Marie-Pierre Morin)<\/figcaption><\/figure>\n<h2>Ryan Scott: The Interview<\/h2>\n<p>The release features new music by Nicole Liz\u00e9e, Anna H\u00f6stman, Bekah Simms, Michael Oesterle, Andrew Staniland, Emilie Cecilia LeBel, Amy Brandon, Monica Pearce and others. Here\u2019s the track list:<\/p>\n<ul>\n<li>1. Andrew Staniland \u2014 ANTIGRAVITYDRUM 06:53<\/li>\n<li>2. Bekah Simms \u2014 Skinscape IV<\/li>\n<li>3. Michael Oesterle \u2014 hush<\/li>\n<li>4. Christina Volpini \u2014 only ghosts 07:39<\/li>\n<li>5. Amy Brandon \u2014 Sepals<\/li>\n<li>6. Monica Pearce \u2014 Time and Effort<\/li>\n<li>7. Vincent Ho \u2014 Snap Noir<\/li>\n<li>8. Brian Current \u2014 Infantry<\/li>\n<li>9. Emilie Cecilia LeBel \u2014 heirloom<\/li>\n<li>10. Jason Doell \u2014 of material signs and breaks 06:29<\/li>\n<li>11. Hiroki Tsurumoto \u2014 equipo de sonido<\/li>\n<li>12. Kati Ag\u00f3cs \u2014 FOMO<\/li>\n<li>13. Anna H\u00f6stman \u2014 pebbles<\/li>\n<li>14. Nicole Liz\u00e9e \u2014 The Far Night.fm 06:39<\/li>\n<\/ul>\n<p>The humble snare drum is where many percussionists\u2019 journeys begin, and it\u2019s in common use around the world. The album showcases the wide breadth of possibilities for the instrument, as it showcases the work of Canadian composers.<\/p>\n<p>\u201cFirst of all, I chose the snare drum because it\u2019s really the mother instrument of percussionists,\u201d Scott begins. He points out that capability on the snare drum is key to percussion techniques overall.<\/p>\n<p>That\u2019s why it\u2019s typically used for drummer\u2019s auditions. \u201cThey start with snare drum, because you can tell right away if they have the skills necessary for the job,\u201d he says. \u201cIt\u2019s a tradition that goes back hundreds of years.\u201d<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3s2G9OtwEDo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>The Music<\/h3>\n<p>He chose a group of 14 celebrated Canadian composers for a reason \u2014 to come up with a diverse range of music.<\/p>\n<p>\u201cThis is not a CD of a bunch of percussion composers writing for the drum,\u201d he says. \u201cEach piece is so unique. It\u2019s really 14 different voices.\u201d<\/p>\n<p>He gave each free rein to come up with their own ideas. \u201cWhen I commissioned all the composers, I didn\u2019t specify to them any limitations whatsoever.\u201d<\/p>\n<p>As a result, their approaches vary widely. About half use electronic enhancement or elements, while the rest don\u2019t. \u201cI met with most of them and worked with them on the material before the pieces were created.\u201d<\/p>\n<p>The compositions were premiered live in 2023. The commissions actually resulted in 15 pieces originally. As he notes, the only percussion composer he\u2019d approached, <strong>Russell Hartenberger<\/strong>, broke the rules, i.e. that it be a work for solo snare drum. \u201cHe wrote for four percussion and ensemble,\u201d Scott says. \u201cThat became its own CD, and is being played all over the place.\u201d<\/p>\n<p><strong>Andrew Staniland<\/strong>\u2019s composition was written for Ryan as a gift as he was completing his doctorate. \u201cIt\u2019s been performed all over the place,\u201d he notes.<\/p>\n<p>Part of the impetus for the album is to add to the global repertoire for solo drum. \u201cWe don\u2019t have a lot of repertoire that is transportable,\u201d he notes of percussionists in general. Music for solo snare drum is one of the more significant exceptions.<\/p>\n<p>\u201cIt\u2019s incredibly appealing to percussionists,\u201d he says. As a percussionist, it\u2019s an opportunity to savour. Typically, performance means either hauling or accessing a daunting series of instruments that can be heavy, bulky, and awkward to carry. \u201cI call it a lifestyle.\u201d<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/rK-rgv7Kaj0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>The Composers<\/h3>\n<p>How did he come to choose these 14 composers?<\/p>\n<p>\u201cI\u2019m also the artistic director at Continuum,\u201d Scott explains. He\u2019s a very active member of the contemporary music community both in Toronto and beyond, and he\u2019s maintained great relationships with composers and others after working in the industry for 30 years. He was looking for a diverse range of music, and found it in this group. \u201cThese composers would be a very interesting mix,\u201d he thought. \u201c[It\u2019s] Canadian repertoire that will have a global impact.\u201d<\/p>\n<p>The music speaks for itself. \u201cIt\u2019s not like one piece is necessarily better than another.\u201d<\/p>\n<p>As he points out, some composers looked to explore percussion techniques, while others adopted a more conceptual approach. \u201cIt\u2019s just a really interesting exploration of what\u2019s possible with the instrument.\u201d<\/p>\n<p><strong>Nicole Liz\u00e9e<\/strong>, for example, uses what\u2019s called a gravity blast roll in her piece The Far Night.fm. It\u2019s a technique used by heavy metal drummers. \u201cJust to get that technique down, it took me seven or eight months,\u201d he says.<\/p>\n<p>The album&#8217;s impact should spread well beyond the percussion community per se. He says that the live performance was sold out, and audience comments afterwards were revealing. \u201cOften times, a lot of the comments came from some of the more introspective pieces,\u201d he says.<\/p>\n<p>Naturally, assembling a body of 14 original commissioned pieces was no small feat. It began with the funding, which came from a Canada Council grant of a type that was new at the time. \u201cI was awarded that in December 2020 right in the heart of the pandemic.\u201d<\/p>\n<p>He gave the individual composers flexible deadlines, and says most of the works were completed within two years. \u201cI think the last work came in a couple of months before [the September 2023 live premiere].\u201d<\/p>\n<p>The recording project came immediately after. \u201cThree days later I went into the studio with <strong>Paul Talbott<\/strong>,\u201d he says. Talbott, a recording engineer, is the spouse of composer <strong>Emilie Cecilia LeBel<\/strong>. \u201cWe recorded it over two days.<\/p>\n<h3>Final Thoughts<\/h3>\n<p>\u201cI\u2019m really grateful to the Canada Council for the Arts,\u201d Scott says. \u201cIt was a dream to do this project. I dreamt about it for years,\u201d he adds. \u201cI was really delighted that it happened at all.\u201d<\/p>\n<p>Additional support from the Ontario Arts Council supported the recording. \u201cI broke even,\u201d he laughs.<\/p>\n<p>\u201cUltimately, a lot of gratitude,\u201d he adds. \u201cMy gratitude is to the composers. No one said no.\u201d He says they all approached it with excitement. \u201cIt\u2019s beyond my imagination.\u201d<\/p>\n<p>It was a challenge to keep up with 14 different approaches to the instrument. \u201cThey really kicked my ass,\u201d he says. \u201cThey\u2019re all really genuine works. As the art goes, it is genuine and unique, and it is a meaningful contribution to the repertoire.\u201d<\/p>\n<p>He\u2019s looking forward to the album\u2019s release.<\/p>\n<p>\u201cI\u2019m glad that five year so on, it\u2019s finally off my desk, and on to something else.\u201d<\/p>\n<ul>\n<li>Find Ryan Scott\u2019s 21st-Century Canadian Snare Drum [<strong><a href=\"http:\/\/collectionqb.bandcamp.com\/album\/21st-century-canadian-snare-drum\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a;\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? 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