{"id":119453,"date":"2025-11-13T13:32:54","date_gmt":"2025-11-13T18:32:54","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=119453"},"modified":"2025-11-13T13:32:54","modified_gmt":"2025-11-13T18:32:54","slug":"interview-canadian-pianist-tony-siqi-yun-talks-koerner-hall-recital-debut","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/11\/13\/interview-canadian-pianist-tony-siqi-yun-talks-koerner-hall-recital-debut\/","title":{"rendered":"INTERVIEW | Canadian Pianist Tony Siqi Yun Talks About His Koerner Hall Recital Debut"},"content":{"rendered":"<figure id=\"attachment_119455\" aria-describedby=\"caption-attachment-119455\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-119455\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-INTERVIEW-2025-11-13T133143.101.jpg\" alt=\"Canadian pianist Tony Siqi Yun (Photo courtesy of the artist)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-INTERVIEW-2025-11-13T133143.101.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-INTERVIEW-2025-11-13T133143.101-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-INTERVIEW-2025-11-13T133143.101-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-INTERVIEW-2025-11-13T133143.101-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-119455\" class=\"wp-caption-text\">Canadian pianist Tony Siqi Yun (Photo courtesy of the artist)<\/figcaption><\/figure>\n<p>Canadian pianist Tony Siqi Yun is making his Royal Conservatory debut \u2014 also a Toronto recital debut \u2014 at Koerner Hall on November 23. He\u2019s bringing a mixed program that ranges from the Baroque to the avant garde.<\/p>\n<p>Born and raised in Toronto, Tony Siqi Yun was the Gold Medalist at the First China International Music Competition (2019), and was awarded the <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2023\/08\/11\/scoop-toronto-born-pianist-tony-yun-wins-prestigious-prize-rheingau\/\" target=\"_blank\" rel=\"noopener\">Rheingau Music Festival\u2019s 2023 Lotto-F\u00f6rderpreis<\/a>.<\/p>\n<p>The wins launched his career as a soloist and recitalist. Now 23, he has appeared with many of the world\u2019s major orchestras, and on prominent stages. In the 2025\/26 season he\u2019ll be performing with Orchestre M\u00e9tropolitain, Louisville Orchestra, Las Vegas Philharmonic, and Lincoln Symphony, among others, along with recital debuts this season include Wigmore Hall, Concertgebouw, Flagey,<br \/>\nHarrogate, The Royal Conservatory, and Celebrity Series of Boston.<\/p>\n<p>Yun graduated from The Juilliard school in 2024, where he studied as a Jerome L. Greene Fellow. He\u2019s continuing his studies there towards an Artistic Diploma.<\/p>\n<p>LV spoke to Yun about the recital.<\/p>\n<h2>Tony Siqi Yun: The Interview<\/h2>\n<p>Yun\u2019s career has been a whirlwind of activity since the 2023 win at Rheingau. \u201cRheingau for sure. I went there as a prize winner through Steinway.\u201d He relates receiving the email about receiving the prize from his manager in 2022, just a couple of weeks after his concert debut.<\/p>\n<p>\u201cI was very surprised. It was a huge honour.\u201d<\/p>\n<p>Since then, there have been many memorable moments.<\/p>\n<p>\u201cIf I had to name one more, of course Carnegie with Orchestre M\u00e9tropolitain and Yannick N\u00e9zet-S\u00e9guin, who is my mentor. We work [together] regularly. We played Rach 2, and that was one of the first pieces we worked on,\u201d he adds. \u201cThese two things really stood out in the past couple of years.\u201d<\/p>\n<p>Playing the New York venue is of course a milestone in any performer\u2019s career. \u201cIt\u2019s just so emotional to make the Carnegie debut.\u201d After working in Philadelphia backstage with N\u00e9zet-S\u00e9guin, performing on the Carnegie stage with him was icing on the cake.<\/p>\n<p>\u201cI never thought I would make my Carnegie debut with him,\u201d he says. \u201cI was so nervous. But I think he gods of Carnegie were with me.\u201d<\/p>\n<h3>The Recital Program<\/h3>\n<p>The Toronto recital program includes:<\/p>\n<ul>\n<li>Johann Sebastian Bach: Chaconne from Partita No. 2 for Violin in D Minor, BWV 1004\/BV B24 (arr. Busoni)<\/li>\n<li>Robert Schumann: Theme and Variations in E flat Major, WoO 24 (\u201cGhost Variations\u201d)<\/li>\n<li>Franz Liszt: \u201cApr\u00e8s une lecture du Dante, fantasia quasi una sonata\u201d from Ann\u00e9es de p\u00e8lerinage II, S. 161<\/li>\n<li>Luciano Berio: Wasserklavier<\/li>\n<li>Johannes Brahms: Piano Sonata No. 3 in F Minor, op. 5<\/li>\n<\/ul>\n<p>It begins with Bach.<\/p>\n<p>\u201cThis is one of my favourite pieces to play, the Chaconne. It has this element of relentlessness. You think it will end at certain points, but it continues, and continues again,\u201d he says. \u201cThe theme keeps going \u2014 it never stops,\u201d he adds.<\/p>\n<p>\u201cBach originally wrote this as a violin piece,\u201d he continues, noting that, as many scholars believe, Bach wrote the piece as a musical response to the death of his first wife Maria Barbara in 1720. \u201cIt\u2019s sophisticated. It\u2019s almost a romantic piece, and was made even more so by making it a piano piece.\u201d<\/p>\n<p>It\u2019s followed on the program by Schumann\u2019s Theme and Variations. \u201cIt\u2019s maybe an unusual piece. It\u2019s the very last piece that Schumann wrote before he was admitted to the mental asylum,\u201d he says. \u201cI think that Schumann, the theme, he said [&#8230;] he heard angelic sounds in his sleep. It\u2019s quite haunting actually,\u201d he notes.<\/p>\n<p>\u201cWhen it begins, it\u2019s unusually warm, but as the piece goes on, it become hauntingly beautiful, but also deeply \u2014 I say it\u2019s like a sword turning in your stomach, but behind a beautiful veil.\u201d<\/p>\n<p>Franz Liszt\u2019s S. 161 closes the first half of the recital.<\/p>\n<p>\u201cI studied this quite intensely in college in a liberal arts class,\u201d Yun says. The work is based on the first book of Dante\u2019s Inferno, The Divine Comedy, where Virgil takes the author on a tour of hell.<\/p>\n<p>\u201cI think this piece takes what Dante sees in hell. Also, moments of introspection, and moments when Dante doesn\u2019t want to go on,\u201d he explains. \u201cIt\u2019s very challenging to play. It\u2019s easy to make it sound violent.\u201d<\/p>\n<p>He notes that the key is to maintain a balance between the intense emotion and musicality. \u201cThis piece has all the aspects of Liszt that we talk about \u2014 his lyrical side, his technical side, his dramatic side.\u201d<\/p>\n<p>Performing it takes on a certain weight. \u201cI have all the responsibilities. We kind of get lost in our music making. We can make the piece very loud, very violent.\u201d<\/p>\n<p>As he points out, the first half of the piece is an emotional journey, and its nuances, performed with thought, balance out the rest.<\/p>\n<h3>The Program: Second Half<\/h3>\n<p>The second half begins with Italian composer Luciano Berio\u2019s 1965 work, Wasserklavier (Water Piano).<\/p>\n<p>\u201cIt\u2019s a very sharp contrast to the first half. It\u2019s almost like a painting \u2014 a colour painting with sound,\u201d he says. \u201cIt\u2019s a short piece.\u201d<\/p>\n<p>It comes before Brahms\u2019 Piano Sonata No. 3.<\/p>\n<p>\u201cI added Berio before Brahms. It\u2019s like standing before Mount Everest. I wanted the Berio to have a contrast with Brahms, so that the Brahms has even more power.\u201d<\/p>\n<p>For Tony, Brahms is an old favourite.<\/p>\n<p>\u201cI just did this on tour in Europe. It\u2019s one of the pieces, for me, no matter how many times I play it, I just love it more and more.\u201d<\/p>\n<p>He likens the first movement to \u201ctwo hearts locked in love in the moonlight\u201d. \u201cIt\u2019s a conversation between two loving parts,\u201d he says.<\/p>\n<p>\u201cPlaying Brahms, it feels like playing a whole symphony,\u201d he says. It offers many colour palettes. \u201cIt\u2019s probably my most favourite piece.\u201d<\/p>\n<p>He\u2019s eager to hear it with Koerner Hall\u2019s superior acoustics.<\/p>\n<h3>The Recital<\/h3>\n<p>Brahms concludes the recital.<\/p>\n<p>\u201cWith how it ends \u2014 Bach to Brahms \u2014 it has a very triumphant ending.\u201d<\/p>\n<p>He developed the program with a conscious addition of both darkness and light.<\/p>\n<p>\u201cI played this program for the very first time in 2021. It was one of the very first concerts I played,\u201d he notes. That came just after the COVID pandemic.<\/p>\n<p>He\u2019s looking forward to bringing it home.<\/p>\n<p>\u201cI was actually born in Toronto, so to make my debut there is quite special,\u201d he says.<\/p>\n<p>\u201cI can\u2019t wait. It\u2019s not every concert, my entire family can go to.\u201d<\/p>\n<ul>\n<li>Find details and tickets for the November 23 recital [<strong><a href=\"https:\/\/www.rcmusic.com\/events-and-performances\/tony-siqi-yun\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a;\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Canadian pianist Tony Siqi Yun is making his Royal Conservatory debut \u2014 also a Toronto recital debut \u2014 at Koerner Hall on November 23.<\/p>\n","protected":false},"author":64,"featured_media":119455,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[41660,76,19,29,38,47,63],"tags":[1876,29294],"yst_prominent_words":[10217,38470,14621,12491,8282,29298,29297,29296],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-INTERVIEW-2025-11-13T133143.101.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-v4F","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/119453"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=119453"}],"version-history":[{"count":2,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/119453\/revisions"}],"predecessor-version":[{"id":119456,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/119453\/revisions\/119456"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/119455"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=119453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=119453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=119453"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=119453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}