{"id":119386,"date":"2025-11-11T14:47:32","date_gmt":"2025-11-11T19:47:32","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=119386"},"modified":"2025-11-12T07:00:02","modified_gmt":"2025-11-12T12:00:02","slug":"scoop-gardiner-museum-reopens-multi-million-dollar-transformation","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/11\/11\/scoop-gardiner-museum-reopens-multi-million-dollar-transformation\/","title":{"rendered":"THE SCOOP | The Gardiner Museum Reopens After Multi-Million Dollar Transformation"},"content":{"rendered":"<figure id=\"attachment_119390\" aria-describedby=\"caption-attachment-119390\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-119390\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-31.jpg\" alt=\"Toronto's Gardiner Museum (Photo: Tom Arban)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-31.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-31-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-31-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-31-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-119390\" class=\"wp-caption-text\">Toronto&#8217;s Gardiner Museum (Photo: Tom Arban)<\/figcaption><\/figure>\n<p>Toronto\u2019s Gardiner Museum is unique in the city. Dedicated to the ceramic arts, it recently reopened after a $15.5 million transformation that includes a new Indigenous Gallery, Makerspace, Community Learning Centre, and more.<\/p>\n<p>The Gardiner\u2019s 9,000-square-foot ground floor was completely reimagined in the renovation project, designed by Montgomery Sisam Architects and Andrew Jones Design, in collaboration with architect Chris Cornelius of studio:indigenous. Breaking ground in 2024, during the Museum\u2019s 40th anniversary year, it represents the Museum\u2019s most significant capital project in the last two decades.<\/p>\n<p>Both public and private funds went into the renovation project, including a key $9M gift from The Radlett Foundation, established by the late William B.G. Humphries. The donation represents the largest in the Museum\u2019s history by an individual other than its founders, and comes with part of Humphries\u2019 personal ceramic collection, including more than 250 objects.<\/p>\n<p>The focus is on creating a community-driven hub that is both accessible and inspiring.<\/p>\n<p>\u201cWith this transformation, we\u2019ve created vibrant spaces where people can find wonder and inspiration, tap into their creativity, and engage in important conversations,\u201d says <strong>Gabrielle Peacock<\/strong>, Executive Director &amp; CEO of the Gardiner Museum. \u201cWe\u2019re thrilled to welcome the public into this exciting new chapter of the Gardiner\u2019s story.\u201d<\/p>\n<p>Clay is a medium that spans cultures and people, and working with clay represents an important part of human history.<\/p>\n<p>\u201cClay embodies what it means to be human, grounding and connecting us to the earth and to each other,\u201d says <strong>Sequoia Miller<\/strong>, Chief Curator &amp; Deputy Director of the Gardiner Museum. \u201cThis transformation establishes the Museum as a dynamic and flexible cultural institution for everybody.\u201d<\/p>\n<figure id=\"attachment_119388\" aria-describedby=\"caption-attachment-119388\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-119388\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Nadia-Myre-at-the-Gardiner-Museum.jpg\" alt=\"Nadia Myre's installation at the Gardiner Museum in Toronto (Photo courtesy of the artist)\" width=\"1200\" height=\"900\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Nadia-Myre-at-the-Gardiner-Museum.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Nadia-Myre-at-the-Gardiner-Museum-300x225.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Nadia-Myre-at-the-Gardiner-Museum-1024x768.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Nadia-Myre-at-the-Gardiner-Museum-768x576.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-119388\" class=\"wp-caption-text\">Nadia Myre&#8217;s installation at the Gardiner Museum in Toronto (Photo courtesy of the artist)<\/figcaption><\/figure>\n<h3>Details<\/h3>\n<p>The reimagined ground floor incorporates a number of significant features.<\/p>\n<ul>\n<li><strong>New Collection Galleries<\/strong> includes the Museum\u2019s first-ever gallery of Indigenous ceramics, which is prominently placed in the heart of the Collection Galleries.Other new spaces include the Hilary and Galen Weston Foundation Entrance Hall, a bright, open, and welcoming space<\/li>\n<li>The <strong>Makerspace<\/strong> is fully outfitted with everything visitors of all ages will need to roll up their sleeves and participate in ceramic workshops and drop-in clay sessions, as well as watching experienced artists at work.<\/li>\n<li>The <strong>Community Learning Centre<\/strong> is an incubator for projects that build community by working with clay, and the Museum partners with local community groups to host workshops, exhibitions, and other events, along with hosting 200+ student groups each year.<\/li>\n<\/ul>\n<p>As visitors enter the hall, they\u2019ll see a major new commission by contemporary visual artist <strong>Nadia Myre<\/strong>. The Montr\u00e9al based artist is an Algonquin member of Kitigan Zibi Anishinaabeg First Nation, winner of the 2014 Sobey Art Award.The installation uses handmade ceramic beads, similar to bugle beads, and clay pipe stems Myre collects along the River Thames.<\/p>\n<figure id=\"attachment_119389\" aria-describedby=\"caption-attachment-119389\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-119389\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Indigenous-Immemorial_-Ceramics-of-the-Great-Lakes-Region.jpg\" alt=\"Indigenous Immemorial: Ceramics of the Great Lakes Region (Photo courtesy of the Gardiner Museum)\" width=\"1200\" height=\"675\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Indigenous-Immemorial_-Ceramics-of-the-Great-Lakes-Region.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Indigenous-Immemorial_-Ceramics-of-the-Great-Lakes-Region-300x169.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Indigenous-Immemorial_-Ceramics-of-the-Great-Lakes-Region-1024x576.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Indigenous-Immemorial_-Ceramics-of-the-Great-Lakes-Region-768x432.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-119389\" class=\"wp-caption-text\">Indigenous Immemorial: Ceramics of the Great Lakes Region (Photo courtesy of the Gardiner Museum)<\/figcaption><\/figure>\n<h3>Inaugural Curator of Indigenous Ceramics<\/h3>\n<p>The Gardiner Museum has appointed <strong>Franchesca Hebert-Spence<\/strong> as its first Curator of Indigenous Ceramics. The Anishinaabe curator and member of Sagkeeng First Nation has a broad background of experience that includes working with the National Gallery of Canada and the Art Gallery of Alberta.<\/p>\n<p>She was a key figure in leading the Museum\u2019s development of the new Indigenous gallery, collaborating with architect Chris Cornelius (Oneida), and in consultation with the Gardiner Museum Indigenous Advisory Circle \u2014 Mary Anne Barkhouse, Bonnie Devine, Kent Monkman, Andre Morriseau, Duke Redbird, Frank Shebageget, and Tekaronhi\u00e1hkhwa \/ Santee Smith.<\/p>\n<p>The Gallery of Indigenous Ceramics, a permanent gallery in the Museum, features works from Manitoulin Island, Six Nations of the Grand River, and Curve Lake, including ancestral belongings. The design by Cornelius is titled yel\u00e1khwa\u02c0, meaning container, or \u201cone uses it to be in\u201d, and incorporates a wooden frame in the shape of a vessel clad in copper mesh.<\/p>\n<p>Every visit will be a slightly different experience due to a projection of the sky that takes 24 hours of movement and compresses it into a 20 minute video.<\/p>\n<figure id=\"attachment_119387\" aria-describedby=\"caption-attachment-119387\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-119387\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Linda-Sormin-Gardiner-Museum.jpg\" alt=\"Linda Rotua Sormin's installation at the Gardiner Museum in Toronto (Photo courtesy of the artist)\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Linda-Sormin-Gardiner-Museum.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Linda-Sormin-Gardiner-Museum-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Linda-Sormin-Gardiner-Museum-1024x683.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Linda-Sormin-Gardiner-Museum-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-119387\" class=\"wp-caption-text\">Linda Rotua Sormin&#8217;s installation at the Gardiner Museum in Toronto (Photo courtesy of the artist)<\/figcaption><\/figure>\n<h3>Linda Rotua Sormin: Uncertain Ground<\/h3>\n<p>The Museum reopened with Linda Rotua Sormin: Uncertain Ground. It\u2019s the first solo museum exhibition and largest project so far for the artist, who was raised in Thailand and Canada.<\/p>\n<p>The exhibition represents the culmination of more than 20 years of Sormin\u2019s work, and examines her roots in Indonesia via Batak mythology, including roosters, tigers, dragons, and sacred texts. The Batak people of Sumatra live in the Indonesian archipelago. Sormin\u2019s grandmother and grandfather were forcibly converted from shamanic leadership to Christian followers in a disruption of their traditional spirituality.<\/p>\n<p>\u201cFor 20 years, I\u2019ve fed found, broken bits of ceramic into sculptures and installations \u2014 my hand-pinched forms have a big appetite for porcelain figurines and other discarded objects,\u201d says Sormin.<\/p>\n<p>\u201cFive years ago, I learned that Batak shamans traditionally used pottery from China, Vietnam, and Thailand in their spiritual practices, carving Batak imagery into wooden stoppers that sealed these vessels. Realizing that my impulse to gather and remake is part of an old lineage shifted everything in my work \u2014 storytelling started to happen through video, painting, and the voices of my family.\u201d<\/p>\n<p>The Gardiner Museum Commission incorporates clay, sculpture, video, sound, hand-cut watercolour painting, and digital fabrication<\/p>\n<p>\u201cLinda Rotua Sormin\u2019s fearless, monumental structures have established her as a leading voice in sculpture,\u201d says <strong>Dr. Sequoia Miller,<\/strong> Chief Curator &amp; Deputy Director of the Gardiner Museum.<\/p>\n<p>\u201cShe consistently pushes the medium into new realms of scale, meaning, and material exploration. It\u2019s fitting that her bold and deeply resonant work will debut at the Gardiner as we also mark the reopening of our transformed ground floor, signaling a dynamic new chapter for the Museum.\u201d<\/p>\n<ul>\n<li>Find more details on the exhibition, the Museum, and its programs [<strong><a href=\"https:\/\/www.gardinermuseum.on.ca\/\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Toronto\u2019s Gardiner Museum, dedicated to the ceramic arts, recently reopened after a $15.5 million transformation that includes its first ever Indigenous Gallery.<\/p>\n","protected":false},"author":64,"featured_media":119390,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[41660,41223,41319,42119,9567,41617,39,63,69],"tags":[42416,42415,40024],"yst_prominent_words":[14728],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-31.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-v3A","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/119386"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=119386"}],"version-history":[{"count":7,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/119386\/revisions"}],"predecessor-version":[{"id":119398,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/119386\/revisions\/119398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/119390"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=119386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=119386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=119386"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=119386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}