{"id":119180,"date":"2025-11-04T14:30:02","date_gmt":"2025-11-04T19:30:02","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=119180"},"modified":"2025-11-05T07:00:03","modified_gmt":"2025-11-05T12:00:03","slug":"scoop-canadas-national-arts-centre-orchestra-releases-poema-2-terra-nova","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/11\/04\/scoop-canadas-national-arts-centre-orchestra-releases-poema-2-terra-nova\/","title":{"rendered":"THE SCOOP | Canada&#8217;s National Arts Centre Orchestra Releases Poema: 2. Terra Nova"},"content":{"rendered":"<figure id=\"attachment_119181\" aria-describedby=\"caption-attachment-119181\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-119181\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-2025-11-03T221048.166.jpg\" alt=\"National Arts Centre Orchestra Music Director Alexander Shelley (Photo: Greggory Clark)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-2025-11-03T221048.166.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-2025-11-03T221048.166-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-2025-11-03T221048.166-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-2025-11-03T221048.166-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-119181\" class=\"wp-caption-text\">National Arts Centre Orchestra Music Director Alexander Shelley (Photo: Greggory Clark)<\/figcaption><\/figure>\n<p>The National Arts Centre Orchestra will release Poema: 2. Terra Nova, the second volume of their Strauss recording project on November 14, 2025. The album will be released on the Analekta label, and features a series of tone poems by Richard Strauss, along with 1Q84: Sinfonietta Metamoderna, a work by Canadian composer Ian Cusson that was commissioned by the orchestra.<\/p>\n<p>\u201cThroughout this project, our composers are encouraged to reflect, critique, embrace, reject or deconstruct Strauss\u2019s language and model. It is an exploration of the notion of the tone poem and the orchestra as a tool for storytelling,\u201d writes Music Director Alexander Shelley in the album notes.<\/p>\n<p>\u201c1Q84 is a work of sophistication, nuance, and emotional insight, and it is a privilege to share it with the world.\u201d<\/p>\n<p>The juxtaposition of Strauss and Cusson\u2019s new work opens up a musical dialogue between past and present.<\/p>\n<figure id=\"attachment_119182\" aria-describedby=\"caption-attachment-119182\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-119182\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-CRITICS-PICKS-2025-11-03T194741.460.jpg\" alt=\"L-R (clockwise): The album cover for Poema: 2. Terra Nova (Analekta Records); Alexander Shelley works on the recording with sound engineer Charles Gagnon (Photo courtesy of NACO); Composer Ian Cusson (Photo: John Arano)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-CRITICS-PICKS-2025-11-03T194741.460.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-CRITICS-PICKS-2025-11-03T194741.460-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-CRITICS-PICKS-2025-11-03T194741.460-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-CRITICS-PICKS-2025-11-03T194741.460-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-119182\" class=\"wp-caption-text\">L-R (clockwise): The album cover for Poema: 2. Terra Nova (Analekta Records); Alexander Shelley works on the recording with sound engineer Charles Gagnon (Photo courtesy of NACO); Composer Ian Cusson (Photo: John Arano)<\/figcaption><\/figure>\n<h2>Poema: 2. Terra Nova<\/h2>\n<p>For the Poema series of recordings, Shelley asked Canadian composers to write new works in response to Strauss\u2019 masterworks. The first album, released in January 2025 and titled <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2025\/01\/17\/scoop-stravinsky-strauss-toronto-symphony-orchestra-national-arts-centre-orchestra-offer-new-recordings-2025\/\" target=\"_blank\" rel=\"noopener\">Ad Astra<\/a>, examined themes of the cosmos, and the afterlife.<\/p>\n<p>In contrast, Terra Nova features two works that focus on the search for meaning, and new intellectual and philosophical discoveries.<\/p>\n<p>The album features Strauss\u2019s Also sprach Zarathustra. Composed in 1896, the work was inspired by by Friedrich Nietzsche&#8217;s work of philosophy of the same name, published in a series of four volumes between 1883 and 1885. Through its protagonist, Zarathustra, also known as Zoroaster, an Iranian philosopher and religious reformer, the books discuss philosophy, morality, and metaphysics.<\/p>\n<p>The opening fanfare, titled Sunrise, has become famous in pop culture through its use in the classic Kubrickfilm 2001: A Space Odyssey.<\/p>\n<p>There are nine sections in total, each named after a specific chapter from Nietzsche\u2019s novel, which trace the trajectory of the title character\u2019s journey;<\/p>\n<ul>\n<li>Sunrise<\/li>\n<li>Of the Backworldsmen<\/li>\n<li>Of the Great Longing<\/li>\n<li>Von den Freuden und Leidenschaften<\/li>\n<li>The Song of the Grave<\/li>\n<li>Of Science and Learning<\/li>\n<li>The Convalescent<\/li>\n<li>The Dance Song<\/li>\n<li>Song of the Night Wanderer<\/li>\n<\/ul>\n<p>The work is a statement of Nietsche\u2019s well known themes that begin with the premise that God is dead, and in order to survive, humanity must reach for an evolved state he called the \u00dcbermensch, or \u201csuperhuman\u201d. Blind faith, ignorance, and superstition must be abandoned, but these elements recur in unending cycles.<\/p>\n<p>\u201cAlso sprach Zarathustra remains one of the great monuments of orchestral music,\u201d writes Shelley in his introduction. \u201cIts thunderous opening, with its majestic sunrise, has become a cultural emblem of humanity\u2019s striving for greatness. Yet beyond this radiant opening lies a tone poem of extraordinary complexity.\u201d<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/B8V4jUi_q1A?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>Ian Cusson\u2019s 1Q84: Sinfonietta Metamoderna responds to Strauss\u2019 work in an examination of our inner worlds.<\/p>\n<p>Cusson was also inspired by literature, Haruki Murakami\u2019s philosophical novel 1Q84 that revolves around parallel worlds and the boundaries between reality and illusion. Cusson\u2019s orchestral work loosely follows the structure of the novel in its use of thematic material.<\/p>\n<p>\u201cWith its vivid textures and emotional depth, Ian\u2019s music transforms these ideas into sound,\u201d adds Shelley. \u201cIan is a gifted storyteller. His work in opera demonstrates his sensitivity to human emotion and ability to craft characters of profound depth. Both composers confront life\u2019s great questions \u2013 Strauss through Nietzsche\u2019s cosmic lens, Cusson through Murakami\u2019s dreamlike and intimate narratives.\u201d<\/p>\n<p>Shelley and NACO&#8217;s Strauss project will continue, with later recordings that will focus on Till Eulenspiegel\u2019s Merry Pranks and the Suite from Der Rosenkavalier, featuring new works by Alexina Louie and John Estacio, and Ein Heldenleben.<\/p>\n<p>NACO will release each album individually, and later bring them together as a box set.<\/p>\n<ul>\n<li>The album was recorded on June 4, 5, 2024, in Southam Hall, Canada\u2019s National Arts Centre, and will be available on November 14, 2025 [<strong><a href=\"https:\/\/outhere-music.com\/en\/labels\/analekta\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? 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Terra Nova, the second volume of their Strauss recording project on November 14, 2025.<\/p>\n","protected":false},"author":64,"featured_media":119181,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[41660,77,18,81,39,9570,4557,51],"tags":[4074,29593,4075],"yst_prominent_words":[7654,8835,13078,13079,12405,6648,10454,10453,13077,9960],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/11\/Copy-of-NEWS-2025-11-03T221048.166.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-v0g","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/119180"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=119180"}],"version-history":[{"count":7,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/119180\/revisions"}],"predecessor-version":[{"id":119198,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/119180\/revisions\/119198"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/119181"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=119180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=119180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=119180"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=119180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}