{"id":118611,"date":"2025-10-15T16:29:15","date_gmt":"2025-10-15T20:29:15","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=118611"},"modified":"2025-10-16T08:00:01","modified_gmt":"2025-10-16T12:00:01","slug":"interview-pianists-adam-sherkin-anthony-de-mare-talk-about-composers-in-play-xv-ink-from-the-shield","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/10\/15\/interview-pianists-adam-sherkin-anthony-de-mare-talk-about-composers-in-play-xv-ink-from-the-shield\/","title":{"rendered":"INTERVIEW | Pianists Adam Sherkin &amp; Anthony de Mare Talk About Composers In Play XV: Ink From The Shield"},"content":{"rendered":"<figure id=\"attachment_118614\" aria-describedby=\"caption-attachment-118614\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-118614\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/10\/Copy-of-PREVIEW-2025-10-15T144235.594.jpg\" alt=\"L: Pianist Adam Sherkin; R: Pianist Anthony de Mare (Photo courtesy of the artists)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/10\/Copy-of-PREVIEW-2025-10-15T144235.594.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/10\/Copy-of-PREVIEW-2025-10-15T144235.594-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/10\/Copy-of-PREVIEW-2025-10-15T144235.594-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/10\/Copy-of-PREVIEW-2025-10-15T144235.594-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-118614\" class=\"wp-caption-text\">L: Pianist Adam Sherkin; R: Pianist Anthony de Mare (Photo courtesy of the artists)<\/figcaption><\/figure>\n<p>Pianists Adam Sherkin and Anthony de Mare will be performing together in Composers in Play XV, part of the ongoing Piano Lunaire concert series. The show takes place on October 18 at the TD Music Hall in a venue debut for both artists.<\/p>\n<p>Composers In Play XV: \u201cInk from the Shield\u201d presents a program of (almost) all-Canadian new music that originally premiered in New York City in March 2025.<\/p>\n<p>On the program are works by Canadian composers Vivian Fung, Ann Southam, <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2025\/10\/03\/interview-pianist-cheryl-duvall-composer-linda-catlin-smith-talk-plains\/\" target=\"_blank\" rel=\"noopener\">Linda Catlin Smith<\/a>, Rodney Sharman, Adam Sherkin and <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2025\/10\/14\/preview-stratford-summer-music-celebrates-25th-anniversary-season-fall-concert\/\" target=\"_blank\" rel=\"noopener\">Jared Miller<\/a>, and a newly-commissioned world premiere from <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2025\/07\/09\/interview-laws-nature-composer-andrew-staniland-talks-making-music-electronics-dancers\/\" target=\"_blank\" rel=\"noopener\">Andrew Staniland<\/a>. Also on the program are contributions from American composers Kevin Puts, Steve Reich and Conrad Tao.<\/p>\n<p>LV spoke to Adam Sherkin and Anthony de Mare about the upcoming recital.<\/p>\n<h2>Pianists Adam Sherkin &amp; Anthony de Mare<\/h2>\n<p><strong>Adam Sherkin<\/strong> has been presenting his Piano Lunaire series, which produces concerts on full moon dates, in both Toronto and New York City for several years. The native of Toronto, who is a graduate of the Glenn Gould School of Music, has performed at the Four Seasons Centre, the Toronto Centre for the Arts, the Music Gallery, the Glenn Gould Studio, St Martin-in-the Fields, Covent Garden and the Royal Albert Hall, among other venues worldwide.<\/p>\n<p><strong>Anthony de Mare<\/strong> makes a return to Toronto after about seven years. A Professor of Piano at Manhattan School of Music, de Mare has served as new music curator for the Sheen Center for Thought and Culture in NYC, and is a guest curator at Kaufman Music Center. In Toronto, he has a history of performing with organizations like New Music Concerts, and the 21C Music Festival.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7cePKRaOG_A?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Pianists Adam Sherkin &amp; Anthony de Mare: The Interview<\/h3>\n<p>\u201cThe last time I played here was the 21C Festival in 2018,\u201d recalls de Mare. He performed frequently in Toronto at venues like the Music Gallery in the 1980s and 1990s.<\/p>\n<p>The New York native is a proponent and acclaimed interpreter of new music, including work by Canadian composers. \u201cI\u2019ve played a lot of Canadian music.\u201d<\/p>\n<p>Is there a distinctly Canadian style? Or is it more broadly part of a North American vein in the world of contemporary music?<\/p>\n<p>\u201cI think it\u2019s more North American,\u201d de Mare says.<\/p>\n<p>As both pianists point out, there is so much back and forth across the border in terms of music and artists, that styles and influences are much the same. They mention Canadian-born Jared Miller, who\u2019s Assistant Professor of Composition in the School of Music at the University of North Carolina School of the Arts.<\/p>\n<p>\u201cI would almost argue that his music\u2019s gotten more American,\u201d Sherkin says. The piece they\u2019ll be playing, the second movement of Miller\u2019s The Bright Exuberant Silence, was inspired by walking through a deserted Times Square during the pandemic lockdowns.<\/p>\n<p>\u201cThe electricity was still present even when it was empty,\u201d de Mare says.<\/p>\n<p>\u201cYou can get a lot from it on first listen,\u201d Sherkin says. \u201cHe reminds me a bit of Kevin Lau. He wrote me a very fine 7 or 8 minute piece.\u201d<\/p>\n<p>Other material for the recital comes from musical connections. \u201cLinda Catlin Smith and Rodney Sharman I\u2019ve known for years,\u201d Anthony says. He says he\u2019s exchanged many emails with composer Vivian Fung.<\/p>\n<p>\u201cShe\u2019s another great example of a Canadian who\u2019s done great in the US,\u201d Adam notes.<\/p>\n<h3>The New York Program Debut<\/h3>\n<p>The <a href=\"https:\/\/www.youtube.com\/shorts\/noW0Z99Tpno\" target=\"_blank\" rel=\"noopener\">New York concert on March 18, 2025<\/a>, debuted the program (with a few modifications) just around the time of the US federal elections, and talk about the 51st state.<\/p>\n<p>\u201cThe New York audience was sympathetic to that,\u201d Sherkin says.<\/p>\n<p>\u201cA lot of students came, and were very taken with [the music],\u201d de Mare notes.<\/p>\n<p>Adam explains that the New York program was modified for Toronto to allow for more duo pieces, and mixed up the repertoire, rather than separating the solo and duo works.<\/p>\n<p>\u201cSome of the other feedback we got was curiosity and delight,\u201d Sherkin says. Many of the professional musicians in attendance were interested in the music they weren\u2019t familiar with.<\/p>\n<p>The concert format was also a hit.<\/p>\n<p>\u201cPeople seem to enjoy us playing together,\u201d Adam says.<\/p>\n<p>Anthony explains that the two musicians met in 2024, both of them working on a project involving Steve Reich\u2019s piece Six Pianos. While the two had heard of each other by reputation, and their recordings, they\u2019d never met in person before.<\/p>\n<figure id=\"attachment_118616\" aria-describedby=\"caption-attachment-118616\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-118616\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/10\/CIP-XV_Version-1_Facebook-event_1920-x-1005-px.jpg\" alt=\"Pianists Anthony de Mare (L) and Adam Sherkin (R) (Photo courtesy of the artists)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/10\/CIP-XV_Version-1_Facebook-event_1920-x-1005-px.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/10\/CIP-XV_Version-1_Facebook-event_1920-x-1005-px-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/10\/CIP-XV_Version-1_Facebook-event_1920-x-1005-px-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/10\/CIP-XV_Version-1_Facebook-event_1920-x-1005-px-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-118616\" class=\"wp-caption-text\">Pianists Anthony de Mare (L) and Adam Sherkin (R) (Photo courtesy of the artists)<\/figcaption><\/figure>\n<h3>Piano Lunaire: Toronto to New York<\/h3>\n<p>The Piano Lunaire series is unique today as an artistic exchange that crosses borders.<\/p>\n<p>\u201cI wish more series would do that,\u201d Anthony remarks.<\/p>\n<p>Piano Lunaire\u2019s format allows for both NY and Toronto audiences to experience music and artists they may not otherwise have contact with. During the time it\u2019s been in operation, it has commissioned works, and championed younger and emerging artists, including composers.<\/p>\n<p>\u201cI started Piano Lunaire in 2018 because I wanted to downsize,\u201d Sherkin says. \u201cWe\u2019re particularly advocating for young artists.\u201d<\/p>\n<p>Both artist are also interested in stretching the boundaries of genre. De Mare\u2019s 2015 release Liaisons: Re-Imagining Sondheim From The Piano features riffs on Sondheim tracks from people like Steve Reich, Wynton Marsalis, and Fred Hersch.<\/p>\n<p>\u201cWe commissioned 14 more to bring [the track count] up to 50,\u201d Sherkin says. De Mare\u2019s Liaisons II All Things Bright And Beautiful Re-Imagining Sondheim From The Piano, released in spring 2025, includes the Kevin Puts solo piece that Anthony will play in the recital. \u201cThat crosses genres as well.\u201d The album incorporates music for opera, indie film, and other contemporary genres.<\/p>\n<p>\u201cIt creates a nice balance with the Canadian pieces,\u201d Anthony adds.<\/p>\n<p>\u201cThere\u2019s a nice textural variety,\u201d Adam notes. Puts is well known in the US, but less so north of the border. He was the composer behind The Hours, an opera that premiered at The Met, based on Michael Cunningham&#8217;s novel and the 2002 film of the same name.<\/p>\n<h3>More Canadian Content<\/h3>\n<p>The music of Ann Southam was a natural choice for a Canadian program.<\/p>\n<p>\u201cWe\u2019ve got to represent Ann Southam,\u201d Sherkin says.<\/p>\n<p>He\u2019s noted an increased interest in her music over the last few years, noting the reception after a 2023 recital that included her work. \u201cEveryone wanted to get in on it,\u201d Adam says. He also comments on growing interest in her music in New York circles.<\/p>\n<p>Andrew Staniland\u2019s work is a world premiere. \u201cI think for me the Andrew Staniland is an interesting piece,\u201d Sherkin comments. \u201cThis is a piece that was originally commissioned by New Music Concerts for two accordions.\u201d<\/p>\n<p>The piece is titled Pentagrams. Staniland rearranged three of the Pentagrams for two pianos.<\/p>\n<p>\u201cThat\u2019s what we\u2019re giving a world premiere of on Saturday,\u201d Adam says.<\/p>\n<p>\u201cThey\u2019re fun,\u201d Anthony adds.<\/p>\n<p>Adam Sherkin\u2019s own piece is also on the program, the titular Ink from the Shield.<\/p>\n<p>\u201cThis was a piece that was in draft mode for a few years,\u201d Sherkin says. It was inspired by Benjamin Britten\u2019s brief visit to Canada in 1940 with partner Peter Pears as a pacifist looking for an escape from European war zones. \u201cThat was the inspiration.\u201d Britten\u2019s letters talk about the drive through the Laurentian mountains. \u201cAll he writes about is the mosquitoes,\u201d Sherkin laughs.<\/p>\n<p>After the Laurentians, the pair went on to Toronto and Bala in Muskoka region, and Halifax, before hitting the United States.<\/p>\n<p>Sherkin\u2019s piece consists of three short movements inspired by that trip.<\/p>\n<p>\u201cThe Halifax [piece] is very short,\u201d de Mare adds.<\/p>\n<ul>\n<li>Find concert details and tickets for the October 18 recital [<strong><a href=\"https:\/\/tdmusichall.mhrth.com\/tickets\/composers-in-play\/\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? 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