{"id":114448,"date":"2025-05-20T15:03:01","date_gmt":"2025-05-20T19:03:01","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=114448"},"modified":"2025-05-21T08:00:01","modified_gmt":"2025-05-21T12:00:01","slug":"scrutiny-kids-right-bealtaine-theatre-festivals-story-day-tapestry-operas-sanctuary-song","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/05\/20\/scrutiny-kids-right-bealtaine-theatre-festivals-story-day-tapestry-operas-sanctuary-song\/","title":{"rendered":"SCRUTINY | The Kids Are All Right: Bealtaine Theatre Festival\u2019s Story Of A Day &amp; Tapestry Opera\u2019s Sanctuary Song"},"content":{"rendered":"<figure id=\"attachment_114450\" aria-describedby=\"caption-attachment-114450\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-114450\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-Copy-of-INTERVIEW-5.jpg\" alt=\"L: Soprano Midori Marsh in Tapestry Opera's Sanctuary Song (Photo: Dahlia Katz); R: Eoin O'Dubhghaill in Branar Theatre Company's Story Of A Day (Photo courtesy of Branar Theatre Company)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-Copy-of-INTERVIEW-5.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-Copy-of-INTERVIEW-5-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-Copy-of-INTERVIEW-5-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-Copy-of-INTERVIEW-5-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-114450\" class=\"wp-caption-text\">L: Soprano Midori Marsh in Tapestry Opera&#8217;s Sanctuary Song (Photo: Dahlia Katz); R: Eoin O&#8217;Dubhghaill in Branar Theatre Company&#8217;s Story Of A Day (Photo courtesy of Branar Theatre Company)<\/figcaption><\/figure>\n<p>Entertainment for kids these days is often tied to merchandising and what\u2019s on TV. But, there are companies out there offering elevated fare for classy kids with artistry, live music, and a sense of imagination.<\/p>\n<p>Toronto\u2019s youngest theatre and opera audience members were treated to two entertaining and enlightening productions this past weekend that prove you don\u2019t need a cartoon tie-in to sell tickets: Story Of A Day courtesy of the Bealtaine Theatre Festival, and Tapestry Opera\u2019s Sanctuary Song.<\/p>\n<figure id=\"attachment_114451\" aria-describedby=\"caption-attachment-114451\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-114451\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/STory-of-a-Day-2.jpg\" alt=\"Eoin O'Dubhghaill in Branar Theatre Company's Story Of A Day (Photo courtesy of Branar Theatre Company)\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/STory-of-a-Day-2.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/STory-of-a-Day-2-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/STory-of-a-Day-2-1024x683.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/STory-of-a-Day-2-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-114451\" class=\"wp-caption-text\">Eoin O&#8217;Dubhghaill in Branar Theatre Company&#8217;s Story Of A Day (Photo courtesy of Branar Theatre Company)<\/figcaption><\/figure>\n<h3>Story Of A Day<\/h3>\n<p><em><strong>Branar Theatre Company: Story Of A Day. Mary Murphy, writer &amp; illustrator; Marc Mac Lochlainn, director; Eoin O&#8217;Dubhghaill, performer, Tom Lane, composer &amp; unknown piano quintet and conductor. May 17, 2025, Helen Gardiner Phelan Playhouse, Toronto. Part of the Bealtaine Theatre Festival, which continues May 24 &amp; 25 with The Libravian; Tickets <a href=\"https:\/\/www.canadairelandfoundation.com\/events\/the-libravian\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.\u00a0<\/strong><\/em><\/p>\n<p>Story Of A Day is precisely that. It follows the character of a child through an ordinary day of getting up, eating breakfast, going to school&#8230; a day that\u2019s imbued with the lively imagination and sincere sense of wonder that a young mind brings to the world. The show by Ireland\u2019s Branar Theatre Company is intended for children ages four and up.<\/p>\n<p>Performer<strong> Eoin O&#8217;Dubhghaill<\/strong>\u2019s monologue begins in bed as he wakes up, and asking questions is a recurring theme.<\/p>\n<p>I\u2019m awake\u2026 I think. But what was it that woke me? The tap, tap on the window? A sliver of sunlight on the wall? My cold foot? Or\u2026 was it my dream?<\/p>\n<p>One of the delightful things about shows for the youngest of audiences is the chaotic element that\u2019s introduced by their nature as spontaneous, uncontrollable beings who will not be shushed into submission.<\/p>\n<p>As Eoin spoke the words, several young members of the audience pointed to the live piano quintet and conductor who took up part of the stage.<\/p>\n<p>\u201cIt\u2019s the music,\u201d one offered helpfully.<\/p>\n<p>It set the mood for a whimsical and imaginative performance, accompanied by live original music, and charming hand drawn projections (by <strong>Mary Murphy<\/strong>) that fleshed out the story. The kids laughed, they talked back, and enjoyed the story about a day at school with a new kid the young protagonist was eager to get to know.<\/p>\n<p>Small children love the familiar \u2014 it\u2019s the age when a trip to the grocery store is a great adventure \u2014 and the story included details of breakfast, familiar landmarks on the way to school, playing at recess, and other bits that connected with both younger and older members of the audience.<\/p>\n<p>The unidentified piano quintet acquitted themselves admirably with a score of contemporary music that was atmospheric and melodic, with the conductor adding acting bits like taking the protagonist\u2019s half eaten apple off his hands.<\/p>\n<p>It was a sweet story, and just the right short format that ended just as the younger set was beginning to show signs of restlessness.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gtJypTGbFEI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Sanctuary Song<\/h3>\n<p><em><strong>Tapestry Opera: Sanctuary Song. Composed by Abigail Richardson-Schulte; Libretto by Marjorie Chan \u9673\u4ee5\u73cf; Directed by Michael Hidetoshi Mori; Music Direction by Gregory Oh; Midori Marsh (Sydney); Alvin Crawford (James); Courtenay Stevens (Hunter, Circus Owner, Zoo Worker); Elvina Raharja (Penny, Girl). May 17, 2025, Nancy &amp; Ed Jackman Performance Centre. Continues to May 25; tickets <a href=\"https:\/\/tapestryopera.com\/performances\/sanctuary-song\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.\u00a0<\/strong><\/em><\/p>\n<p>Tapestry Opera\u2019s production of <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2025\/03\/12\/interview-composer-abigail-richardson-schulte-talks-career-current-work-hamilton-philharmonic\/\" target=\"_blank\" rel=\"noopener\"><strong>Abigail Richardson-Schulte<\/strong><\/a> and <strong>Marjorie Chan<\/strong>\u2019s Sanctuary Song tells the sometimes harrowing, and emotional story of the elephant Sydney, from her capture at the hands of a hunter in an Asian forest to the circus, then years at a Louisiana zoo. It\u2019s based on a true story.<\/p>\n<p>As the story opens, she\u2019s being shipped off somewhere else \u2014 to a sanctuary in Tennessee where she\u2019ll spend her final days. But, she\u2019s confused at first, and the narrative backs up to relate the moments that brought her here.<\/p>\n<p>Sanctuary Song is billed as an \u201copera for all ages\u201d, but I\u2019d venture to say its stronger themes and emotions would go over better with a slightly older group, perhaps age six or seven and up. The audience skewed about two-thirds adult to one third children.<\/p>\n<p>Musicians included <strong>Aysel Tahgi-Zada<\/strong> on violin, pianist <strong>Talisa Blackman<\/strong>, and percussionist<strong> Ryan Scott<\/strong>, with Music Director <strong>Gregory Oh<\/strong> off to the side of the stage where they performed in the coloured lights and shadows created by lighting designer Bonnie Beecher.<\/p>\n<p>With a relatively small stage space, via lights that changed from the pattern of light and shade of a forest overhang to the glare of the circus performance and more, and simple silhouettes that indicated elephants and the hunter (ostensibly) off-stage, the set was transformed into the various scenes of Sydney\u2019s life.<\/p>\n<p>The four performers were uniformly strong, and well suited to their roles. <strong>Midori Marsh<\/strong>\u2019s clear and affecting soprano was the perfect Sydney, able to impart the emotions at the heart of the story through her delivery and some nice physical acting chops. The elephants, including Midori\u2019s Sydney and <strong>Elvina Raharja<\/strong> as her friend Penny, used one arm as their trunk \u2014 a bit of directorial genius that, along with a loose costume and floppy ear-like hat, nicely conveyed the essence of the charismatic beasts.<\/p>\n<p>There was a convincing and warm chemistry between Marsh and <strong>Alvin Crawford<\/strong>, who played her Louisiana zookeeper James, the person who was giving her up after 22 years so she could live her last days in the freedom of a dedicated elephant sanctuary. His rich bass was a foil to Marsh\u2019s expressive soprano.<\/p>\n<p><strong>Courtenay Stevens<\/strong> was the chameleon of the production, going from the bombastic circus ringmaster to the evil hunter to an anonymous zookeeper with aplomb, and adding colourful detail as well as villainous gravitas to the story.<\/p>\n<p>It\u2019s an emotional journey that you become invested in as it progresses, from the lighter hearted moments of its opening to the more serious scenes and back again to a happy ending. There was laughter, with a few tears along the way.<\/p>\n<figure id=\"attachment_114454\" aria-describedby=\"caption-attachment-114454\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-114454\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Sanctuary-Song-Dahlia-Katz.jpg\" alt=\"The stage set from Tapestry Opera's Sanctuary Song (Photo: Dahlia Katz)\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Sanctuary-Song-Dahlia-Katz.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Sanctuary-Song-Dahlia-Katz-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Sanctuary-Song-Dahlia-Katz-1024x683.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Sanctuary-Song-Dahlia-Katz-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-114454\" class=\"wp-caption-text\">The stage set from Tapestry Opera&#8217;s Sanctuary Song (Photo: Dahlia Katz)<\/figcaption><\/figure>\n<h3>Final Thoughts<\/h3>\n<p>Contemporary classical music, even opera, for kids? Absolutely.<\/p>\n<p>Both shows prove that the music doesn\u2019t have to be dumbed down and made saccharine to connect with young audience members, who lapped up both shows enthusiastically. Together with animated performances, it made for a winning combination in both very different productions.<\/p>\n<p>When the music is expressive and atmospheric, it hits the right notes with all ages.<\/p>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Toronto\u2019s youngest audience members were treated to two entertaining productions that prove you don\u2019t need a cartoon tie-in to sell tickets: Story Of A Day courtesy of the Bealtaine Theatre Festival, and Tapestry Opera\u2019s Sanctuary Song.<\/p>\n","protected":false},"author":64,"featured_media":114450,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[41660,41392,18,41496,4780,43,52,62,63],"tags":[41956,41896,40069,4699],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-Copy-of-INTERVIEW-5.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-tLW","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/114448"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=114448"}],"version-history":[{"count":10,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/114448\/revisions"}],"predecessor-version":[{"id":114464,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/114448\/revisions\/114464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/114450"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=114448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=114448"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=114448"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=114448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}