{"id":114238,"date":"2025-05-12T15:40:14","date_gmt":"2025-05-12T19:40:14","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=114238"},"modified":"2025-05-13T08:00:01","modified_gmt":"2025-05-13T12:00:01","slug":"scoop-mahabharata-strange-loop-big-winners-2025-toronto-theatre-critics-awards","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/05\/12\/scoop-mahabharata-strange-loop-big-winners-2025-toronto-theatre-critics-awards\/","title":{"rendered":"THE SCOOP | Mahabharata &amp; A Strange Loop Big Winners At 2025 Toronto Theatre Critics Awards"},"content":{"rendered":"<figure id=\"attachment_114240\" aria-describedby=\"caption-attachment-114240\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-114240\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-NEWS-2025-05-12T144445.546.jpg\" alt=\"Meher Pavri as the Opera Singer, with Neil D\u2019Souza as Krishna and Anaka Maharaj-Sandhu as Arjuna in Why Not Theatre\u2019s Mahabharata (Shaw Festival, 2023). (Photo: David Cooper)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-NEWS-2025-05-12T144445.546.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-NEWS-2025-05-12T144445.546-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-NEWS-2025-05-12T144445.546-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-NEWS-2025-05-12T144445.546-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-114240\" class=\"wp-caption-text\">Meher Pavri as the Opera Singer, with Neil D\u2019Souza as Krishna and Anaka Maharaj-Sandhu as Arjuna in Why Not Theatre\u2019s Mahabharata (Shaw Festival, 2023). (Photo: David Cooper)<\/figcaption><\/figure>\n<p>Why Not Theatre\u2019s production of Mahabharata, presented in 2025 at Canadian Stage, and the Canadian premiere of Michael R. Jackson\u2019s A Strange Loop both won three Toronto Theatre Critics Awards each for 2025 to lead the pack. A Strange Loop was a Soulpepper Theatre, Musical Stage Company, Crow\u2019s Theatre, and TO Live production.<\/p>\n<p><a href=\"https:\/\/www.ludwig-van.com\/toronto\/2025\/04\/08\/interview-suba-sankaran-talks-music-mahabharata-integral-part-storytelling\/\" target=\"_blank\" rel=\"noopener\">Mahabharata<\/a> won the prizes for best production of a play, best new Canadian work (shared with Veronica Hortig\u00fcela and Annie Luj\u00e1n\u2019s <strong>Monks<\/strong>), and best sound design and music (<strong>John Gzowski<\/strong> and <strong>Suba Sankaran<\/strong>).<\/p>\n<p>A Strange Loop took home the awards for best production of a musical, best lead performance in a musical (<strong>Malachi McCaskill<\/strong>), and best ensemble in a musical.<\/p>\n<p>The Toronto Theatre Critics Awards, founded in 2011, are chosen by a jury of theatre critics, industry professionals and select audience members, who together view hundreds of productions each year. The list includes: Ryan Borochovitz, Joshua Chong, <a href=\"https:\/\/www.ludwig-van.com\/toronto\/author\/paulacitron\/\" target=\"_blank\" rel=\"noopener\">Paula Citron<\/a>, Liam Donovan, Karen Fricker, Stephanie Fung, Arpita Ghosal, James Karas, Ilana Lucas, Aisling Murphy, Steven Ross, Drew Rowsome, Scott Sneddon, and Glenn Sumi \u2013 the largest number of voters in the awards\u2019 history.<\/p>\n<h2>Toronto Theatre Critics Awards<\/h2>\n<p>Here\u2019s a quick look at some of the highlights.<\/p>\n<p>Coal Mine Theatre snagged the most awards of any company overall, counting four for its productions and artists, including:<\/p>\n<ul>\n<li>Best International Work went to Infinite Life by Annie Baker, an award that was shared with <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2024\/11\/04\/scrutiny-heidi-schrecks-constitution-means-wake-call-coup-four-toronto-theatre-companies\/\" target=\"_blank\" rel=\"noopener\">What the Constitution Means to Me by Heidi Schreck<\/a>, co-produced by Soulpepper and Nightwood Theatre in association with Necessary Angel and Talk is Free Theatre.<\/li>\n<li>Coal Mine\u2019s <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2024\/09\/25\/scrutiny-coal-mine-theatres-infinite-life-studies-human-condition-american-mores\/\" target=\"_blank\" rel=\"noopener\">Infinite Life<\/a> also garnered the Best Supporting Performance award for <strong>Nancy Palk<\/strong>, who won the best supporting performance in a play. The award was shared with <strong>Dan Mousseau<\/strong> in Buddies and Bad Times\/Native Earth Performing Arts\u2019 There is Violence and There is Righteous Violence and There is Death or, The Born-Again Crow.<\/li>\n<li><strong>Noah Reid<\/strong> won the best leading performance in a play award for his work in in <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2024\/11\/13\/scrutiny-coal-mine-theatres-case-existence-god-poignant-moving\/\" target=\"_blank\" rel=\"noopener\">A Case for the Existence of God<\/a>, shared with <strong>Ins Choi<\/strong> in Soulpepper\u2019s production of Kim\u2019s Convenience.<\/li>\n<li><strong>Bonnie Beecher<\/strong> and <strong>Jeff Pybus<\/strong> won the best lighting design award for <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2025\/02\/24\/scrutiny-people-places-things-another-hit-coal-mine-theatre\/\" target=\"_blank\" rel=\"noopener\">People, Places and Things<\/a>, shared with <strong>Chris Malkowski<\/strong> for HOUSE + BODY\u2019s <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2025\/03\/11\/scrutiny-house-bodys-measure-measure-immensely-entertaining\/\" target=\"_blank\" rel=\"noopener\">Measure for Measure<\/a>.<\/li>\n<\/ul>\n<p>Best Director of a Musical went to <strong>Ilana Khanin<\/strong> for I Was Unbecoming Then, a chamber musical about 12 girls in a Vancouver school choir. The musical by Lyndsey Bourne and Sam Kaseta, and produced by Olivia Daniels, was staged at the Toronto Fringe\u2019s Next Stage Festival.<\/p>\n<h3>Special Citations<\/h3>\n<p><strong>Caleigh Crow<\/strong>\u2019s There is Violence and There is Righteous Violence and There is Death or, The Born-Again Crow (Buddies and Bad Times\/Native Earth Performing Arts) received a special citation.<\/p>\n<p>\u201cIf you\u2019ve submitted a cover letter in the past year, this show probably hit close to home. The Born-Again Crow was a spectacle in a slow cooker that uniquely captured the disenchantment of a younger working class,\u201d writes jury member <strong>Stephanie Fung<\/strong>.<\/p>\n<p>\u201cJessica Carmichael\u2019s direction was both inventive and indulgent, fleshing out the emotional reality before exploding it across the stage. And the electric cast (Tara Sky, Cheri Maracle, Dan Mousseau, Madison Walsh) embodied that dynamism with ease. Caleigh Crow\u2019s script was as sharp as it was playful, with no shortage of rich offerings for the incredible design team (Shannon Lea Doyle, Asa Benally, Hailey Verbonac, Chris-Ross Ewart) to run with. The Born-Again Crow was not just a standout co-production between Buddies and Native Earth, but a perfect fusion of their respective styles and ethos.\u201d<\/p>\n<p>Soulpepper Theatre artistic director <strong>Weyni Mengesha<\/strong> also received a special citation for her tenure as artistic director of Soulpepper Theatre.<\/p>\n<p>\u201cAs Weyni Mengesha&#8217;s tenure at Soulpepper Theatre Company comes to an end, the jury wishes to recognize her myriad contributions to theatre in Toronto since her appointment in 2018. Mengesha shored up Soulpepper during a period of intense change \u2014 and a global pandemic not long after that \u2014 and today leaves behind a company in stellar artistic shape,\u201d writes jury member Aisling Murphy.<\/p>\n<p>\u201cIn recent years Soulpepper has proven time and again that the institution can weather big changes, take thrilling artistic risks and foster a nurturing environment for artists and audiences alike. That resilience thanks in no small part to Mengesha \u2014 she will be missed.\u201d<\/p>\n<p>Congratulations to all the winners, who will receive a certificate and a tribute to their work written and signed by a TTCA voter.<\/p>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Why Not Theatre\u2019s Mahabharata, and the Canadian premiere of Michael R. Jackson\u2019s A Strange Loop both won three Toronto Theatre Critics Awards each for 2025 to lead the pack.<\/p>\n","protected":false},"author":64,"featured_media":114240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[41660,5,39,62,63],"tags":[631,23239,40106,41242,23590],"yst_prominent_words":[22086,34810,34806],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/05\/Copy-of-NEWS-2025-05-12T144445.546.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-tIy","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/114238"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=114238"}],"version-history":[{"count":9,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/114238\/revisions"}],"predecessor-version":[{"id":114251,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/114238\/revisions\/114251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/114240"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=114238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=114238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=114238"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=114238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}